Little Box of Horror

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Toccata and Fugue in D minor, BWV 565
organ programming:
Richard Bower
producer:
Matthew Dilley
organ:
James Parsons (organist)
balance engineer:
Dick Lewzey
recorded at:
Oundle School Chapel in Oundle, Northamptonshire, England, United Kingdom
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach9:39
2Die Walküre, WWV 86b (Hojotoho! Heiaha! (Ride of the Valkyries))
orchestra:
Royal Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:43
3Symphonie fantastique: Épisode de la vie d'une artiste, Op.14 (March to the Scaffold)
orchestra:
Vienna State Opera Orchestra
conductor:
Vladimir Golschmann (conductor)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz10:35
4Night on Bald Mountain
orchestra:
Vienna State Opera Orchestra
conductor:
Vladimir Golschmann (conductor)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgsky10:22
5The Unanswered Question, for trumpet, winds, and string orchestra, S.50
orchestra:
Royal Philharmonic Orchestra
conductor:
Harold Farberman (conductor and composer)
recording of:
The Unanswered Question, S. 50 (version 2)
composer:
Charles Ives (American composer) (from 1930 until 1935)
version of:
The Unanswered Question, S. 50 (version 1)
Charles Ives5:13
6Mephisto Waltz No. 1
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) (for orchestra) (in 1994-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" (for piano solo)
part of:
Deux épisodes d’après le Faust de Lenau, S. 110 (for orchestra)
Franz Liszt12:45
7Adagio in G Minor for Violin, Strings, and Organ
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:42
8Symphony No.5 in C Minor, Op.67 (Allegro con brio)
orchestra:
London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:05
9Hallowe'en, for string quartet, piano and drum, S.71
orchestra:
New Philharmonia Orchestra of London (bogus name used on budget releases)
conductor:
Harold Farberman (conductor and composer)
recording of:
Hallowe'en, S. 71
composer:
Charles Ives (American composer) (in 1914)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 71)
part of:
Three Outdoor Scenes
Charles Ives3:25
10Sheherazade, Op.35 (Festival at Baghdad. The Sea (Allegro molto))
orchestra:
Vienna State Opera Orchestra
conductor:
Mario Rossi (Italian conductor)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov12:23
11Passacaglia and Fugue in C Minor, BWV582
organ:
Anton Heiller (Austrian organist, composer and conductor)
recording of:
Passacaglia and Fugue in C minor, BWV 582
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1712)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 582)
Johann Sebastian Bach13:28
12Pictures at an Exhibition: Promenade 3
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Pictures at an Exhibition: Promenade (1st) (catch-all for arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky1:26
13Pictures at an Exhibition: Gnomus
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Pictures at an Exhibition: No. 1 “Gnomus” (catch-all for arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky2:18
14Pictures at an Exhibition: Promenade
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (catch-all for arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky0:26
15Pictures at an Exhibition: Bydlo
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Pictures at an Exhibition: No. 4 “Bydło” (catch-all for unknown versions and arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky2:46
16Pictures at an Exhibition: Catacombs
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Pictures at an Exhibition: No. 8a “Catacombæ” (Sepulcrum romanum) (catch-all for arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky2:36
17Pictures at an Exhibition: Cum Mortuis In Lingua Mortua
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Pictures at an Exhibition: No. 8b “Cum mortuis in lingua mortua” (catch-all for arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky2:14
18Pictures at an Exhibition: The Great Gate of Kiev
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Pictures at an Exhibition: No. 10 "The Great Gate at Kiev" (catch-all for arrangements and unknown versions)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
arrangement of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky5:32
19Syrinx, for solo flute, L.129
flute:
Paula Robison (flutist)
recording of:
Syrinx, L. 129, CD 137 (for solo flute)
composer:
Claude Debussy (French composer) (in 1913)
dedicated to:
Louis Fleury (French flutist)
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
Claude Debussy2:57
20The Planets, suite for orchestra and female chorus, Op.32, H.125 (Mars: The Bringer of War)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:27
21Sonata in G Minor
harpsichord:
Anton Heiller (Austrian organist, composer and conductor)
violin:
Jan Tomosow (violinist)
Antonio Vivaldi7:30
22Harpsichord Concerto in F Minor, BWV 1052 (II. Adagio)
harpsichord:
Anton Heiller (Austrian organist, composer and conductor)
orchestra:
I Solisti di Zagreb (Zagreb Soloists)
conductor:
Antonio Janigro (cellist)
recording of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Keyboard Concerto in D minor, BWV 1052a: II. Adagio (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach5:44
23Requiem Mass in D Minor, K.626: Introitus; Kyrie
choir vocals:
Amor Artis Chorale
soprano vocals:
Carole Bogard
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
Wolfgang Amadeus Mozart9:07
24Requiem Mass in D Minor, K.626: Sequence: Dies irae
choir vocals:
Amor Artis Chorale (in 1975)
orchestra:
English Chamber Orchestra (in 1975)
conductor:
Johannes Somary (in 1975)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1975)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart1:48
25Requiem Mass in D Minor, K.626: Tuba mirum
alto vocals:
Ann Murray (Irish mezzo-soprano) (in 1975)
bass vocals:
Michael Rippon (operatic bass) (in 1975)
soprano vocals:
Carole Bogard (in 1975)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1975)
orchestra:
English Chamber Orchestra (in 1975)
conductor:
Johannes Somary (in 1975)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (in 1975)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:55
26Requiem Mass in D Minor, K.626: Rex tremendae majestatis
choir vocals:
Amor Artis Chorale (in 1975)
orchestra:
English Chamber Orchestra (in 1975)
conductor:
Johannes Somary (in 1975)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir) (in 1975)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:56
27Requiem Mass in D Minor, K.626: Recordare, Jesu pie
alto vocals:
Ann Murray (Irish mezzo-soprano) (in 1975)
bass vocals:
Michael Rippon (operatic bass) (in 1975)
soprano vocals:
Carole Bogard (in 1975)
tenor vocals:
Richard Lewis (Welsh tenor) (in 1975)
orchestra:
English Chamber Orchestra (in 1975)
conductor:
Johannes Somary (in 1975)
recording of:
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (Süßmayr Edition; soprano, alto, tenor, bass solos) (in 1975)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart5:01
28Requiem Mass in D Minor, K.626: Confutatis maledictis
choir vocals:
Amor Artis Chorale (in 1975)
orchestra:
English Chamber Orchestra (in 1975)
conductor:
Johannes Somary (in 1975)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir) (in 1975)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:45
29Requiem Mass in D Minor, K.626: Lacrimosa dies illa
choir vocals:
Amor Artis Chorale (in 1975)
orchestra:
English Chamber Orchestra (in 1975)
conductor:
Johannes Somary (in 1975)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1975)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:28
30Symphony No.3 in E-flat Major, Op.55 ('Eroica'): (Marcia funebre: Adagio assai)
orchestra:
London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven13:03
31Requiem Mass, H.75, Op.5 (Dies irae)
engineer:
Ed Friedner (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
University of Utah A Capella Choir (in 1969) and University of Utah Civic Chorale (in 1969)
orchestra:
Utah Symphony (in 1969)
conductor:
Maurice Abravanel (conductor) (in 1969)
recorded at:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (in 1969)
recording of:
Requiem, op. 5: II. Dies irae et Tuba mirum (in 1969)
composer:
Hector Berlioz (French composer)
part of:
Requiem, op. 5 « Grande Messe des Morts »
Hector Berlioz12:31
32String Quartet No.14 in D Minor, D.810 ('Death and the Maiden'): (I. Allegro)
string quartet:
Musical Arts Quartet
recording of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: I. Allegro
composer:
Franz Schubert (composer)
part of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”
Franz Schubert11:01
33Symphony No.6 in B Minor, Op.74 ('Pathétique'): (Finale: Adagio lamentoso)
orchestra:
Vienna State Opera Orchestra
conductor:
Vladimir Golschmann (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky10:54
34Symphony No.3 in C Minor, Op.78 ('Organ'): (Allegro moderato; Presto; Maestoso; Allegro)
organ:
Frederick Minger
orchestra:
Baltimore Symphony Orchestra
conductor:
Sergiu Comissiona (conductor and violinist)
recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:50