The Aviator

~ Veröffentlichung von Howard Shore (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼HDCD
Nr.TitelBewertungLänge
1Icarus
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Icarus
3:58
2There Is No Great Genius Without Some Form of Madness
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
There Is No Great Genius Without Some Form of Madness
2:50
3Muirfield
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Muirfield
2:22
4H‐1 Racer Plane
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
H‐1 Racer Plane
3:20
5Quarantine
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Quarantine
3:52
6Hollywood 1927
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Hollywood 1927
2:59
7The Mighty Hercules
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
The Mighty Hercules
3:33
8Howard Robard Hughes, Jr.
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Howard Robard Hughes, Jr.
3:58
9America’s Aviation Hero
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
America’s Aviation Hero
2:06
107000 Romaine
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Solo-Gitarre:
Howard Alden
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
7000 Romaine
2:23
11The Germ Free Zone
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
The Germ Free Zone
2:49
12Screening Room
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Screening Room
5:27
13Long Beach Harbour 1947
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
enthält Samples von:
James McNamara (American newscaster) (Sprecher [voiceover])
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Long Beach Harbour 1947
Komponist(in):
Hoagy Carmichael, Mitchell Parish, Howard Shore (Canadian score composer) und Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
basiert auf:
Stardust (the jazz standard)
basiert auf:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (Sinfonie Nr. 6 h-Moll, Op. 74 "Pathétique": I. Adagio – Allegro non troppo)
3:49
14The Way of the Future
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
The Way of the Future
4:01