A Touch of Class

~ Release by Dean Martin (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (on 1955-10-28)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
52:16
2Return to Me
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Return to Me
writer:
Daniel DiMinno (American composer, lyricist, author) and Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
arrangement of:
Return to Me (Regresa a mí)
4.52:43
3Baby, It’s Cold Outside
producer:
Lee Gillette
lead vocals:
Dean Martin (American singer/actor) (on 1959-08-06)
conductor:
Gus Levene (on 1959-08-06)
arranger:
Frank Loesser
phonographic copyright (℗) by:
Capitol (UK) Ltd. (in 1959) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1959)
part of:
Billboard Hot 100: 2026-01-03 (number: 35) and Billboard Hot 100: 2025-12-27 (number: 45)
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (on 1959-08-06)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
3.352:21
4Standing on the Corner
producer:
Lee Gillette and Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
2:50
5Cha cha cha d’amour
cover recording of:
Cha cha cha d’amour
lyricist:
Michel Marc Lanjean and Henri Salvador
composer:
Henri Salvador
recording of:
Melody of Love
lyricist:
Léona Gabriel, Marc Lanjean (French composer) and Marcel Stellman
composer:
Léona Gabriel and Henri Salvador
version of:
Cha cha cha d’amour
42:18
6Angel Baby
recording of:
Angel Baby
writer:
Carl Niessen and John Michael (US songwriter, mostly known for the song “Angel Baby”)
2:46
7Volare
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (on 1958-07-14)
conductor:
Gus Levene (on 1958-07-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (on 1958-07-14)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
43:00
8Kiss
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
orchestra:
Gus Levene and His Orchestra (in 1957)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
lyricist:
Haven Gillespie
composer:
Lionel Newman
52:23
9Please Don’t Talk About Me When I’m Gone
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Please Don’t Talk About Me When I’m Gone (on 1960-05-10)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
2:25
10That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
4.353:08
11How Do You Speak to an Angel
cover recording of:
How Do You Speak to an Angel?
lyricist:
Bob Hilliard
composer:
Jule Styne
3:09
12Hey, Brother Pour the Wine
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Hey, Brother, Pour the Wine
lyricist and composer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Frank Music Corp.
2:38
13Buona sera
conductor:
Gus Levene
recording of:
Buona sera
lyricist:
Carl Sigman
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
translated version of:
Buona sera signorina (italian version for Fred Buscaglione)
2:21
14Let Me Go Lover
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Let Me Go, Lover
lyricist:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
composer:
Jenny Lou Carson
is based on:
Let Me Go, Devil
53:02
15Under the Bridges of Paris
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Under the Bridges of Paris (on 1954-04-22)
lyricist:
Jean Rodor
composer:
Vincent Scotto
translator:
Dorcas Cochran
publisher:
Fortin Euromusic, Unichappell Music and Zodiac Music Corp.
translated version of:
Sous les ponts de Paris
52:48
16Young and Foolish
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Young and Foolish
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
2:44

Credits

Release

ASIN:US: B000007WPO [info]