Early Recordings on Deutsche Grammophon

~ Release by Dietrich Fischer‐Dieskau (see all versions of this release, 1 available)

Tracklist

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1Die schöne Magelone, Op. 33 No. 1: Keinen hat es noch gereut
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 1. Keinen hat es noch gereut (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms3:36
2Die schöne Magelone, Op. 33 No. 2: Traun! Bogen und Pfeil sind gut
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 2. Traun! Bogen und Pfeil sind gut für den Feind (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms1:44
3Die schöne Magelone, Op. 33 No. 3: Sind es Schmerzen, sind es Freuden
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 3. Sind es Schmerzen, sind es Freuden (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms5:35
4Die schöne Magelone, Op. 33 No. 4: Liebe kam aus fernen Landen
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 4. Liebe kam aus fernen Landen (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms4:37
5Die schöne Magelone, Op. 33 No. 5: So willst Du des Armen Dich gnädig erbarmen?
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 5. So willst du des Armen dich gnädig erbarmen? (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms1:34
6Die schöne Magelone, Op. 33 No. 6: Wie soll ich die Freude, die Wonne denn tragen?
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 6. Wie soll ich die Freude, die Wonne denn tragen? (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms5:49
7Die schöne Magelone, Op. 33 No. 7: War es Dir, dem diese Lippen bebten?
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 7. War es dir, dem diese Lippen bebten? (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms3:01
8Die schöne Magelone, Op. 33 No. 8: Wir müssen uns trennen, geliebtes Saitenspiel
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 8. Wir müssen uns trennen, geliebtes Saitenspiel (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms4:00
9Die schöne Magelone, Op. 33 No. 9: Ruhe, Süßliebchen
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 9. Ruhe, Süßliebchen, im Schatten (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms5:32
10Die schöne Magelone, Op. 33 No. 10: So tönet denn, schäumende Wellen
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 10. Verzweiflung. So tönet denn, schäumende Wellen (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms2:34
11Die schöne Magelone, Op. 33 No. 11: Wie schnell verschwindet so Licht als Glanz
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 11. Wie schnell verschwindet so Licht als Glanz (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms4:00
12Die schöne Magelone, Op. 33 No. 12: Muss es eine Trennung geben
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 12. Muß es eine Trennung geben (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms3:22
13Die schöne Magelone, Op. 33 No. 13: Geliebter, wo zaudert dein irrender Fuß
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 13. Sulima. Geliebter, wo zaudert dein irrender Fuß (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms1:59
14Die schöne Magelone, Op. 33 No. 14: Wie froh und frisch mein Sinn sich hebt
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 14. Wie froh und frisch mein Sinn sich hebt (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms2:32
15Die schöne Magelone, Op. 33 No. 15: Treue Liebe dauert lange
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Jerry Destinn
piano:
Jörg Demus (pianist) (from 1957-04-23 until 1957-04-27)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-04-23 until 1957-04-27)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1957-04-23 until 1957-04-27)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 15. Treue Liebe dauert lange (from 1957-04-23 until 1957-04-27)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms5:21
16Sommerabend "Dämmernd liegt der Sommerabend", Op. 85 No. 1
producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Hans Ritter
piano:
Jörg Demus (pianist) (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1957-02-07 until 1957-02-08)
recording of:
6 Lieder, op. 85: Nr. 1. Sommerabend (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 85
Johannes Brahms2:42
17Mondenschein "Nacht liegt auf dem fremden Wegen", Op. 85 No. 2
producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Hans Ritter
piano:
Jörg Demus (pianist) (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1957-02-07 until 1957-02-08)
recording of:
6 Lieder, op. 85: Nr. 2. Mondenschein (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 85
Johannes Brahms2:22
18Es liebt sich so lieblich im Lenze! "Die Wellen blinken", Op. 71 No. 1
producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Hans Ritter
piano:
Jörg Demus (pianist) (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1957-02-07 until 1957-02-08)
recording of:
5 Lieder, op. 71: Nr. 1. Es liebt sich so lieblich im Lenze! (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 71
Johannes Brahms1:48
19Meerfahrt "Mein Liebchen, wir sassen beisammen", Op. 96 No. 4
producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Hans Ritter
piano:
Jörg Demus (pianist) (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1957-02)
recording of:
4 Lieder, op. 96: Nr. 4. Meerfahrt (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
4 Lieder, op. 96
Johannes Brahms3:00
20Es schauen die Blumen, Op. 96 No. 3
producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Hans Ritter
piano:
Jörg Demus (pianist) (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1957-02-07 until 1957-02-08)
recording of:
4 Lieder, op. 96: Nr. 3. Es schauen die Blumen (from 1957-02-07 until 1957-02-08)
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer)
part of:
4 Lieder, op. 96
Johannes Brahms1:00
21Der Tod, das ist die kühle Nacht, Op. 96 No. 1
producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Hans Ritter
piano:
Jörg Demus (pianist) (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1957-02-07 until 1957-02-08)
recording of:
4 Lieder, op. 96: Nr. 1. Der Tod, das ist die kühle Nacht (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
4 Lieder, op. 96
Johannes Brahms3:27
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ASIN:US: B0008064XO [info]