The Platinum Collection

~ Release by Nigel Kennedy (see all versions of this release, 1 available)

Annotation

Le quattro stagioni: Recorded: 28 & 29.XI.1986 & 14.III.1989. WarnerClassics.com mentions that "we returned to the un-soundproofed St John-at-Hackney one evening some months after the original sessions to record his new thoughts on the slow movements" but doesn't explain what happened during 1989 sessions.

Annotation last modified on 2016-07-23 14:52 UTC.

Tracklist

1▶CD: The Four Seasons
2▼CD: Classic Kennedy
#TitleArtistRatingLength
1The Four Seasons: III. Presto from Concerto no. 2 ín G minor "Summer", RV 315
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
cello:
Charles Tunnell (from 1998-06-18 until 1998-06-25)
flute:
David Heath (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1998-06-18 until 1998-06-25)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:39
2Meditation from Thaïs
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
editor:
Paul Baily (audio engineer) (in 1998-06) and Sally Drew (Decca engineer) (in 1998-06)
harp:
Osian Ellis (Welsh harpist and composer) (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
choir vocals:
London Voices (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
chorus master:
Terry Edwards (British choir director) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1998-06-18 until 1998-06-25)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:36
3Scarborough Fair
producer:
David Groves (classical music producer at EMI) (in 1998-06) and Nigel Kennedy (violinist) (in 1998-06)
editor:
Sally Drew (Decca engineer) and Paul Baily (audio engineer) (in 1998-06)
cimbalom and percussion:
Greg Knowles (percussionist) (in 1988-06)
double bass:
Rory McFarlane (from 1998-06-18 until 1998-06-25)
flute:
David Heath (in 1998-06)
guitar:
Doug Boyle (from 1998-06-18 until 1998-06-25)
uilleann pipes:
Liam O’Flynn (in 1988-06)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
choir vocals:
London Voices (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
chorus master:
Terry Edwards (British choir director) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Scarborough Fair (for violin and orchestra, arr. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
[traditional] (special purpose artist)
arrangement of:
Scarborough Fair
[traditional]4:41
4Hungarian Dance no. 5
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Hungarian Dance no. 5 in G minor: Allegro - Vivace (for violin and orchestra, orch. Kennedy, Lenehan, Messiter) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist), John Lenehan (classical pianist) and Malcolm Messiter (oboist)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Johannes Brahms2:54
5Nocturne in C-sharp minor, op. posth
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
arranger:
Nigel Kennedy (violinist), John Lenehan (classical pianist) and Malcolm Messiter (oboist)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Nocturne no. 20 in C‐sharp minor (catch‐all for arrangements) (from 1998-06-18 until 1998-06-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
arrangement of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
Fryderyk Chopin3:40
6Gymnopédie no. 2
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Deuxième Gymnopédie (orch. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2)
Erik Satie2:07
7Prelude no. 1
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Prelude no. 1 (for violin and orchestra, arr. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
George Gershwin (composer) (in 1926)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
George Gershwin1:56
8Air on the G String from Orchestral Suite no. 3 in D, BWV 1068
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
flute:
David Heath (from 1998-06-18 until 1998-06-25)
oboe:
John Anderson (classical oboist) (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach5:28
9Danny Boy
producer:
David Groves (classical music producer at EMI) (in 1998-06) and Nigel Kennedy (violinist) (in 1998-06)
editor:
Paul Baily (audio engineer) and Sally Drew (Decca engineer)
harp:
Osian Ellis (Welsh harpist and composer) (from 1998-06-18 until 1998-06-25)
uilleann pipes:
Liam O’Flynn (in 1998-06)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
choir vocals:
London Voices (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
chorus master:
Terry Edwards (British choir director) (in 1998-06)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Danny Boy (for violin and orchestra, arr. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
[traditional] (special purpose artist)
arrangement of:
Danny Boy
[traditional]4:14
10Czardas
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Csárdás (orchestrated by Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist)
composer:
Vittorio Monti (Italian violinist and composer)
orchestration of:
Csárdás
recording of:
Csárdás
composer:
Vittorio Monti (Italian violinist and composer) (until 1904)
Vittorio Monti5:25
11The Arrival of the Queen of Sheba
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
oboe:
Janice Knight (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1998-06-18 until 1998-06-25)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:01
12Ave Maria
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
flute:
David Heath (from 1998-06-18 until 1998-06-25)
guitar:
Fábio Zanon (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Ave Maria (for violin and orchestra, orch. Kennedy & Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
orchestration of:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach, Charles-François Gounod2:32
13The Girl with the Flaxen Hair
producer:
David Groves (classical music producer at EMI) (in 1998-06) and Nigel Kennedy (violinist) (in 1998-06)
editor:
Paul Baily (audio engineer) (in 1998-06) and Sally Drew (Decca engineer) (in 1998-06)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-06, from 1998-06-18 until 1998-06-25)
recording of:
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (orch. Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
orchestration of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:59
14Gymnopédie no. 1
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
editor:
Paul Baily (audio engineer) (in 1998-06) and Sally Drew (Decca engineer) (in 1998-06)
oboe:
John Anderson (classical oboist) (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Gymnopédie no. 1: Lent et douloureux (orchestrated by Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Erik Satie (French composer)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Erik Satie2:47
15Prelude no. 2
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
cello:
Charles Tunnell (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Prelude no. 2 (for violin and orchestra, arr. Lenehan & Kennedy) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
George Gershwin (composer) (in 1926)
orchestration of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
George Gershwin4:19
16The Flight of the Bumble-Bee
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov1:20
17Banjo and Fiddle
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Banjo and Fiddle (for violin and orchestra, orch. Kennedy & Lenehan) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
William Kroll
orchestration of:
Banjo and Fiddle (for violin and piano)
William Kroll3:05
18Zigeunerweisen
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra) (from 1998-06-18 until 1998-06-25)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate9:41
19Urge for Going
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
double bass:
Rory McFarlane (from 1998-06-18 until 1998-06-25)
guitar:
Doug Boyle (from 1998-06-18 until 1998-06-25) and Fábio Zanon (from 1998-06-18 until 1998-06-25)
harp:
Osian Ellis (Welsh harpist and composer) (from 1998-06-18 until 1998-06-25)
violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
instrumental recording of:
Urge for Going (from 1998-06-18 until 1998-06-25)
lyricist and composer:
Joni Mitchell
Joni Mitchell4:10
20Melody in the Wind
producer:
David Groves (classical music producer at EMI) and Nigel Kennedy (violinist)
editor:
Paul Baily (audio engineer) (in 1998-06) and Sally Drew (Decca engineer) (in 1998-06)
double bass:
Rory McFarlane (from 1998-06-18 until 1998-06-25)
guitar:
Doug Boyle (from 1998-06-18 until 1998-06-25)
harpsichord and violin:
Nigel Kennedy (violinist) (from 1998-06-18 until 1998-06-25)
oboe:
John Anderson (classical oboist) (from 1998-06-18 until 1998-06-25) and Janice Knight (from 1998-06-18 until 1998-06-25)
orchestra:
English Chamber Orchestra (from 1998-06-18 until 1998-06-25)
conductor:
Paul Barritt (violinist) (from 1998-06-18 until 1998-06-25)
balance engineer:
Jonathan Allen (engineer) (from 1998-06-18 until 1998-06-25)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-06-18 until 1998-06-25)
recording of:
Melody in the Wind (for violin and orchestra) (from 1998-06-18 until 1998-06-25)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Nigel Kennedy (violinist)
Nigel Kennedy5:51
3▶CD: Mendelssohn: Violin Concerto in E minor / Bruch: Violin Concerto no. 1 in G minor / Schubert: Rondo in A

Credits

Release

part of:The Platinum Collection (EMI Classics) (order: 1)
ASIN:UK: B000MQ55FC [info]
DE: B000MQ55FC [info]