Gramophone Awards 2007

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Don Giovanni: Serenade
baritone vocals:
Simon Keenlyside (baritone)
orchestra:
Munich Radio Orchestra (The Munich Radio Orchestra)
conductor:
Ulf Schirmer (conductor)
partial recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:12
2String Quartet no. 2: 4th Movt
string quartet:
Pavel Haas Quartet
partial recording of:
String Quartet no. 2 “Intimate Letters”: IV. Allegro
composer:
Leoš Janáček (Czech composer) (in 1928)
part of:
String Quartet no. 2 “Intimate Letters”
Leoš Janáček2:45
3Ein Deutsches Requiem: "Denn alles Fleisch, es ist wie Gras’
baritone vocals:
Thomas Quasthoff (bass-baritone)
choir vocals:
Berlin Radio Choir (Berlin Radio Chorus)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Berlin Philharmonic Orchestra
conductor:
Simon Rattle (conductor)
partial recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms3:47
4Cello Suite no. 1: Gigue
recording engineer:
Simon Eadon (classical music engineer)
producer:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (from 2005-12-04 until 2005-12-08)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2007)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2005-12-04 until 2005-12-08)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue) (from 2005-12-04 until 2005-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach1:43
5Lieder: “Zueignung”
piano:
Helmut Deutsch (Austrian pianist)
tenor vocals:
Jonas Kaufmann (tenor)
recording of:
Zueignung, op. 10 no. 1 (for voice and piano)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss1:43
6Messiah: “For Unto Us a Child Is Born”
engineer and producer:
Philip Hobbs (engineer/producer)
orchestra:
Dunedin Consort (Scottish baroque music ensemble) (from 2006-05-01 until 2006-05-04)
conductor:
John Butt (conductor and organist) (from 2006-05-01 until 2006-05-04)
phonographic copyright (℗) by:
Linn Records (in 2006)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom (from 2006-05-01 until 2006-05-04)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 2006-05-01 until 2006-05-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:44
7Alhambra Fantasy (excerpt)
orchestra:
London Sinfonietta
conductor:
Oliver Knussen (British composer and conductor)
partial recording of:
Alhambra Fantasy
composer:
Julian Anderson (British composer) (in 2000)
Julian Anderson2:51
8Beata viscera
recording engineer:
Martin Haskell (sound engineer) and Iestyn Rees (engineer)
producer:
Jonathan Freeman-Attwood
choir vocals:
The Cardinall’s Musick (from 2006-05-10 until 2006-05-12)
conductor:
Andrew Carwood (from 2006-05-10 until 2006-05-12)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2006-05-10 until 2006-05-12)
recording of:
Beata viscera Mariae Virginis, T 66 (à 5, Gradualia I (1605)) (from 2006-05-10 until 2006-05-12)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 66)
part of:
Gradualia ac cantiones sacrae, Liber 1 (1605)
William Byrd1:49
9Symphony in G minor: 3rd Movt. Vivace (excerpt)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
partial recording of:
Symphony in G minor: III. Vivace
composer:
Ernest John Moeran (English composer)
part of:
Symphony in G minor
Ernest John Moeran1:58
10Matilde di Shabran: “Alma rea! Perchè t’involi?”
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor)
orchestra:
Orquesta Sinfónica de Galicia
conductor:
Riccardo Frizza (conductor)
recording of:
Matilde di Shabran: Ah, perché, perché la morte
composer:
Gioachino Rossini (composer)
part of:
Matilde di Shabran, ossia Bellezza, e cuor di ferro: Atto II
Gioachino Rossini2:28
11Symphony no. 7: 1st Movt. Moderato (excerpt)
orchestra:
London Symphony Orchestra
conductor:
Valery Gergiev (conductor)
partial recording of:
Symphony no. 7 in C-sharp minor, op. 131: I. Moderato
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1951 until 1952)
part of:
Symphony no. 7 in C-sharp minor, op. 131
Sergei Prokofiev3:00
12Götterdämmerung: “Schweigt eures Jammers jauchzenden Schwall”
soprano vocals:
Astrid Varnay (soprano)
orchestra:
Bayreuth Festival Opera (Bayreuth Festival Orchestra)
conductor:
Joseph Keilberth (conductor)
partial recording of:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?"
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
Richard Wagner2:34
13Concerto grosso no. 4: 3rd Movt. Allegro
orchestra:
Academy of Ancient Music (in 2006-01)
conductor:
Richard Egarr (conductor) (in 2006-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 2006-01)
recording of:
Concerto grosso in F major, op. 3 no. 4, HWV 315: III. Allegro (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1716)
part of:
Concerto grosso in F major, op. 3 no. 4, HWV 315
George Frideric Handel1:40
14Symphony no. 2, “Resurrection”: 5th Movt (excerpt)
choir vocals:
Hungarian Radio Choir (Hungarian Radio and Television Chorus)
orchestra:
Budapest Festival Orchestra
conductor:
Iván Fischer (conductor)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:02
15Piano Concerto no. 2: 3rd Movt. Andante (excerpt)
piano:
Nelson Freire (pianist)
orchestra:
Leibzig Gewandhaus Orchestra (Leipzig Gewandhaus Orchestra)
conductor:
Riccardo Chailly (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms3:59
16Requiem: Libera Me
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Messa da requiem: VIIa. Libera me: Libera me, Domine
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIa. Responsorium. Libera me, Domine: Libera me
part of:
Messa da requiem: VII. Libera me (soprano, coro)
Giuseppe Verdi8:12
17Gamba Sonata no. 2: 4th Movt. Allegro moderato
cello:
Daniel Müller‐Schott (cellist)
piano:
Angela Hewitt (Canadian classical pianist)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: IV. Allegro moderato
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach2:59
18Stimmung: Models 49, 50 (excerpt)
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
partial recording of:
Stimmung, Nr. 24
composer:
Karlheinz Stockhausen (composer) (in 1968)
Karlheinz Stockhausen1:11
19Clarinet Sonata, op. 129: 2nd Movt (excerpt)
clarinet:
Robert Plane (clarinettist)
piano trio:
Gould Piano Trio
partial recording of:
Clarinet Sonata in F major, op. 129: II. Caoine. Adagio (quasi fantasia)
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
Clarinet Sonata in F major, op. 129
Sir Charles Villiers Stanford2:06
20Virgo Sancta Katherira
choir vocals:
The Brabant Ensemble (UK early music choir)
conductor:
Stephen Rice (conductor)
Nicolas Gombert2:56
21Cello Sonata, op. 109: 2nd Movt (excerpt)
cello:
Xavier Gagnepain (cellist)
piano:
Jean-Michel Dayez (pianist)
partial recording of:
Sonate pour violoncelle & piano no. 1, op. 109: II. Andante
composer:
Gabriel Fauré (French composer) (in 1917)
part of:
Sonate pour violoncelle & piano no. 1, op. 109
Gabriel Fauré2:38
22Symphony: 1st Movt. Allegro assai
orchestra:
Estonian National Symphony Orchestra
conductor:
Mihkel Kütson
partial recording of:
Sümfoonia: I. Allegro assai (Symphony: I. Allegro assai)
composer:
Ester Mägi (Estonian composer) (in 1968)
part of:
Sümfoonia (Symphony)
Tõnis Mägi2:24
23String Quartet no. 3: 2nd Movt (excerpt)
string quartet:
Edinburgh Quartet
Hans Gál1:47
24Concerto for Solo Piano (excerpt)
piano:
Marc‐André Hamelin (Canadian pianist)
partial recording of:
12 études dans tous les tons mineurs, op. 39: No. 8. Concerto for solo piano: I. Allegro assai
composer:
Charles‐Valentin Alkan (French pianist and composer) (in 1857)
part of:
12 études dans tous les tons mineurs, op. 39
Charles‐Valentin Alkan2:01
25Cello Concerto: 1st Movt. Adagio – Moderato (excerpt)
cello:
Natalie Clein (cellist)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar3:22
26Don Giovanni: “L’ultima prova”
baritone vocals:
Johannes Weisser (Norwegian baritone)
orchestra:
Freiburg Baroque Orchestra
conductor:
René Jacobs (conductor)
recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:50
27Die Walküre: Akt III (excerpt)
baritone vocals:
Hans Hotter (German operatic bass-baritone)
soprano vocals:
Astrid Varnay (soprano)
orchestra:
Bayreuth Festival Orchestra
conductor:
Clemens Krauss (conductor)
partial recording of:
Die Walküre, WWV 86B: Akt III
composer and librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B
Richard Wagner2:08
28Identify the Excerpts and What Links Them
Various Artists3:02