Romantic Opera

~ Release by Giuseppe Verdi. Giacomo Puccini (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Turandot: Atto III. “Nessun dorma!”
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini52:58
2Aida: Atto I. “Celeste Aida”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:36
3Gianni Schicchi: “O mio babbino caro”
producer:
Michael Haas (classical music producer)
soprano vocals [Lauretta]:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1999-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini4.52:50
4Don Giovanni: Atto I. “Là ci darem la mano”
producer:
Michael Woolcock (producer)
baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (from 1996-10-05 until 1996-10-07)
mezzo-soprano vocals:
Monica Groop (mezzosoprano) (from 1996-10-05 until 1996-10-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1996-10-05 until 1996-10-07)
conductor:
Sir Georg Solti (conductor) (from 1996-10-05 until 1996-10-07)
balance engineer:
Neil Hutchinson (sound engineer) (from 1996-10-05 until 1996-10-07) and James Lock (James Locke, engineer) (from 1996-10-05 until 1996-10-07)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1996-10-05 until 1996-10-07)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1996-10-05 until 1996-10-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:53
5La Wally: Atto I. “Ebben? Ne andrò lontana”
soprano vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1996)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani3:41
6La Bohème: Atto II. “Quando m’en vo”
soprano vocals:
Renée Fleming (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:47
7Die Zauberflöte: Akt II. “Ein Mädchen oder Weibchen”
producer:
Christopher Raeburn (producer)
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:02
8Lakmé : Acte I. « Viens, Mallika » … « Dôme épais »
engineer:
Michael Mailes (engineer) (on 1967-10-12) and Kenneth Wilkinson (engineer) (on 1967-10-12)
producer:
John Mordler (producer)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:01
9Les Pêcheurs de perles : Acte I. « Au fond du temple saint »
bass vocals [Zurga]:
Nicolaï Ghiaurov (operatic bass)
tenor vocals [Nadir]:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Robin Stapleton (conductor)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (ended)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet6:37
10Tosca: Atto II. “Vissi d’arte, vissi d’amore”
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (in 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1984-05)
conductor:
Sir Georg Solti (conductor) (in 1984-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:22
11Carmen : Acte II. « La Fleur que tu m’avais jetée »
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:54
12Il Barbiere di Siviglia: Atto I. “Una voce poco fa” … “Io sono docile”
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Rosina]:
Agnes Baltsa (mezzo-soprano) (in 1982-06)
orchestra:
Academy of St Martin in the Fields (in 1982-06)
conductor:
Neville Marriner (conductor) (in 1982-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1982-06)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1982-06)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:42
13L’elisir d’amore: Atto II. “Una furtiva lagrima”
recording engineer:
Ingmar Haas (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
tenor vocals:
Joseph Calleja (tenor) (from 2005-05-16 until 2005-05-21)
orchestra:
Academy of St Martin in the Fields (from 2005-05-16 until 2005-05-21)
conductor:
Carlo Rizzi (conductor) (from 2005-05-16 until 2005-05-21)
balance engineer:
Philip Siney (sound engineer)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2005-05-16 until 2005-05-21)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 2005-05-16 until 2005-05-21)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:13
14La Traviata: Atto I. “Follie! Delirio vano è questo!” … “Sempre libera”
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals:
Alfredo Kraus (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Zubin Mehta (conductor)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:38
15La Bohème: Atto I. “Che gelida manina"
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:39
16Carmen : Acte I. « L’amour est un oiseau rebelle » (Havanaise)
choir vocals:
The John Alldis Choir (from 1975-07 until 1975-12)
mezzo-soprano vocals [Carmen]:
Tatiana Troyanos (mezzo-soprano) (from 1975-07 until 1975-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (conductor) (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1975-07 until 1975-12)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1975)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:18
17Tosca: Atto III. “E lucevan le stelle”
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:16
18La Traviata: Atto I. “Libiamo ne’ lieti calici” (Brindisi)
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:59
19La Rondine: Atto I. “Chi il bel sogno di Doretta”
soprano vocals and soprano vocals [Magda]:
Renée Fleming (soprano)
orchestra:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini3:39
20Manon Lescaut: Atto I. “Donna non vidi mai”
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
London Symphony Orchestra
conductor:
Jesús López Cobos (conductor)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:27
21Le nozze di Figaro: Atto II. “Voi che sapete”
mezzo-soprano vocals [Cherubino]:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
György Fischer (pianist and conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:46
22Così fan tutte: Atto I. “Soave sia il vento”
baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Pilar Lorengar (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:58
23Roméo et Juliette : Acte I. « Ah, je veux vivre »
soprano vocals:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1999-07)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (in 1999-07)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles Gounod3:42
24Madama Butterfly: Atto II. “Un bel dì vedremo”
soprano vocals:
Renée Fleming (soprano) (in 1999-07)
orchestra:
English Chamber Orchestra and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Jeffrey Tate (conductor) and Mackerras (Australian conductor) (in 1999-07)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1999-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 2000)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3.54:53
25La Belle Hélène : Acte I. « Au Mont Ida » (Le Jugement de Paris)
recording engineer:
Ingmar Haas (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
tenor vocals:
Joseph Calleja (tenor) (from 2005-05-16 until 2005-05-21)
orchestra:
Academy of St Martin in the Fields (from 2005-05-16 until 2005-05-21)
conductor:
Carlo Rizzi (conductor) (from 2005-05-16 until 2005-05-21)
balance engineer:
Philip Siney (sound engineer)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2005-05-16 until 2005-05-21)
recording of:
La Belle Hélène : Acte I, Scène 7. Jugement de Pâris « Au mont Ida, trois déesses » (Pâris) (from 2005-05-16 until 2005-05-21)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
La Belle Hélène: Acte I
Jacques Offenbach3:50
26Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
mezzo-soprano vocals [Dalila]:
Marilyn Horne (American operatic mezzo-soprano) (on 1967-10-13)
orchestra:
Orchester der Wiener Volksoper (in 1967-10), Wiener Opernorchester (Vienna State Opera Orchestra) (on 1967-10-13) and Wiener Opernorchester (on 1967-10-13)
conductor:
Henry Lewis (conductor) (on 1967-10-13)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1967-10-13)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (on 1967-10-13)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns6:28
27La Bohème: Atto I. “Sì. Mi chiamano Mimì”
soprano vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
John Mauceri (conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:49
28Tosca: Atto I. “Recondita armonia”
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:10
29Norma: Atto I. “Casta Diva”
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini6:49
30Rigoletto: Atto III. “Bella figlia dell’amore”
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi4:01
31Turandot: Atto I. “Signore, ascolta”
soprano vocals [Liù]:
Montserrat Caballé (soprano) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:40
32Le Nozze di Figaro: Atto II. “Porgi amor”
producer:
Christopher Raeburn (producer)
soprano vocals [La Contessa]:
Kiri Te Kanawa (soprano) (in 1981-06)
vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:30
33Rusalka: Act I. “O Silver Moon”
soprano vocals [Rusalka]:
Renée Fleming (soprano) (in 1996-12)
orchestra:
London Symphony Orchestra (in 1996-12)
conductor:
Sir Georg Solti (conductor) (in 1996-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1996-12)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:56
34Die Zauberflöte: Akt I. “Der Vogelfänger bin ich ja”
producer:
Christopher Raeburn (producer)
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: "Der Vogelfänger bin ich ja" (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
Wolfgang Amadeus Mozart2:54
35La Bohème: Atto I. “O soave fanciulla” (Love Duet)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:56
36La Bohème: Atto III. “Donde lieta uscì al tuo grido”
soprano vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:06
37Les Pêcheurs de Perles : Acte I. « Je crois entendre encore »
recording engineer:
Ingmar Haas (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
tenor vocals:
Joseph Calleja (tenor) (from 2005-05-16 until 2005-05-21)
orchestra:
Academy of St Martin in the Fields (from 2005-05-16 until 2005-05-21)
conductor:
Carlo Rizzi (conductor) (from 2005-05-16 until 2005-05-21)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Gaumont (film company) (in 2021)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2005-05-16 until 2005-05-21)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (from 2005-05-16 until 2005-05-21)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:18
38Les Contes d’Hoffmann : Acte II. « Belle nuit, ô nuit d’amour »
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:10
39Die Zauberflöte: Akt II. “Ach, ich fühl’s”
producer:
Christopher Raeburn (producer)
soprano vocals:
Pilar Lorengar (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:21
40Tristan und Isolde: Akt III. “Mild und leise wie er lächelt” (Isoldes Liebestod)
recording engineer:
James Brown (Decca engineer, 1960s) (on 1960-09-30)
soprano vocals:
Birgit Nilsson (soprano) (on 1960-09-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1960-09-30)
conductor:
Sir Georg Solti (conductor) (on 1960-09-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1960-09-30)
mixed at:
Decca Studios: Studio 1 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (on 1960-09-30)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner7:05