Annotazione

Experience on disc the performance that won Audra McDonald her unprecedented sixth Tony Award. "One of the greatest performances I ever hope to see" is how New York Magazine described McDonald's portrayal of Billie Holiday in Lady Day at Emerson's Bar & Grill, Lanie Robertson's award-winning play with music dramatizing one of the final concerts in the beloved singer's extraordinary, tragic life. Recorded live at Broadway's Circle in the Square Theatre, the two-disc set features McDonald's "spellbinding, tour-de-force" (NY Daily News) renditions of signature Holiday songs such as "God Bless the Child," "What a Little Moonlight Can Do," "Strange Fruit" and "Taint Nobody's Biz-ness." The Associated Press proclaimed Lady Day at Emerson's Bar & Grill "one of the supreme honors of the Broadway season," while The New York Times delighted in "the pleasure of hearing Ms. McDonald breathe aching life into some of Holiday's greatest songs... with sensitive musicianship and rich seams of feeling that command rapt admiration." Now, "the best 90 minutes you'll ever witness" (NY1) have been preserved on disc by PS Classics, giving audiences the chance to savor "not just one but two of the most extraordinarily gifted dramatic vocalists America has produced" (Los Angeles Times).

Annotazione modificata l'ultima volta il 2016-04-19 17:42 UTC.

Elenco tracce

1CD
#TitoloValutazioneDurata
1Introduction1:57
2I Wonder Where Our Love Has Gone
registrazione di:
(I Wonder) Where Our Love Has Gone
paroliere e compositore:
Buddy Johnson
editore:
Consolidated Music Publishers (a division of Music Sales Corp.)
1:44
3When a Woman Loves a Man
registrazione di:
When a Woman Loves a Man
paroliere:
Johnny Mercer (nel 1938)
compositore:
Bernie Hanighen (nel 1938) e Gordon Jenkins (nel 1938)
editore:
Anne-Rachel Music Corp.
2:19
4“I’m even glad to be back in Philly…”
1:47
5“I want to introduce my accompanist…”
0:54
6What a Little Moonlight Can Do
registrazione di:
What a Little Moonlight Can Do
paroliere e compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) e Warner Brothers Music Inc.
2:52
7“We got this contract…”
2:24
8Crazy He Calls Me
registrazione di:
Crazy He Calls Me
paroliere:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
compositore:
Carl Sigman
editore:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:25
9“They used to be hangin’ from the rafters…”
7:07
10Gimme a Pigfoot (and a Bottle of Beer)
registrazione di:
Gimme a Pigfoot (and a Bottle of Beer)
compositore:
Wesley A. Wilson
editore:
Northern Music (song publisher)
2:02
11“That was in the early thirties…”
1:44
12Baby Doll
registrazione di:
Baby Doll
autore:
Bessie Smith (Tennessee blues singer) e Harold Webman
editore:
Frank Music Corp.
2:05
13“I better watch myself here…”
6:50
14God Bless the Child
registrazione di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
4:23
15“That was for my mama…”
0:16
2CD

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