Tracklist

1CD
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1Falstaff: I. Falstaff and Prince Henry
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar3:08
2Falstaff: II/a. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:21
3Falstaff: II/b. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar1:14
4Falstaff: II/c. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:09
5Falstaff: II/d. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:37
6Falstaff: II/e. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:18
7Falstaff: II/f. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:08
8Falstaff: II/g. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar1:52
9Falstaff: II/h. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:36
10Falstaff: II/i. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:55
11Falstaff: II/j. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar1:11
12Falstaff: II/k. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar1:19
13Falstaff: II/l. Dream Interlude:Jack Falstaff, now Sir John, a boy, and page to Thomas ...
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:28
14Falstaff: III/a. Falstaff's march - The return through GloucestershireEdward Elgar0:44
15Falstaff: III/b. Falstaff's march - The return through GloucestershireEdward Elgar0:45
16Falstaff: III/c. Falstaff's march - The return through GloucestershireEdward Elgar1:19
17Falstaff: III/d. Falstaff's march - The return through GloucestershireEdward Elgar1:13
18Falstaff: III/e. Interlude: Gloucestershire. Shallow's orchard ( Allegretto)Edward Elgar1:28
19Falstaff: III/f. The new King - The hurried ride to LondonEdward Elgar0:19
20Falstaff: III/g. The new King - The hurried ride to LondonEdward Elgar0:48
21Falstaff: IV/a. King Henry V's progress - The repudiation of Falstaff, and his death
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar1:32
22Falstaff: IV/b. King Henry V's progress - The repudiation of Falstaff, and his death
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:48
23Falstaff: IV/c. King Henry V's progress - The repudiation of Falstaff, and his death
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar1:01
24Falstaff: IV/d. King Henry V's progress - The repudiation of Falstaff, and his death
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:06
25Falstaff: IV/e. King Henry V's progress - The repudiation of Falstaff, and his death
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:51
26Falstaff: IV/f. King Henry V's progress - The repudiation of Falstaff, and his death
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar1:29
27Falstaff: IV/g. King Henry V's progress - The repudiation of Falstaff, and his death
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar0:32
28Falstaff: IV/h. King Henry V's progress - The repudiation of Falstaff, and his death
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:59
29Enigma Variations: Theme (Enigma): I. C.A.E. (the composer's wife)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13)
compilation of:
Variations on an Original Theme "Enigma", op. 36: I. CAE by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Charles Mackerras (Australian conductor) and Variations on an Original Theme "Enigma", op. 36: Theme by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Charles Mackerras (Australian conductor)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:31
30Enigma Variations: II. H.D.S.-P. ( Hew D. Stuart-Powwell)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:44
31Enigma Variations: III: R.B.T. (Richard Baxter Townshend)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:25
32Enigma Variations: IV. W.M.B. ( William Meath Baker)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:30
33Enigma Variations: V. R.P.A. ( Richard Penrose Arnold)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:01
34Enigma Variations: VI. Ysobel (Isabel Fitton)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:10
35Enigma Variations: VII. Troyte (Troyte Griffith)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:54
36Enigma Variations: VIII. W.N. (Winifred Norbury)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:51
37Enigma Variations: IX. Nimrod (A. E. Jaeger)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1985-03-11 until 1985-03-13)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:14
38Enigma Variations: X. Intermezzo: Dorabell (Dora Penny)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:35
39Enigma Variations: XI. G.R.S. (George Robertson Sinclair)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:55
40Enigma Variations: XII. B.G.N. (Basil G. Nevinson)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:51
41Enigma Variations: XIII. Romanza: *** ( Lady Mary Lygon)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:53
42Enigma Variations: XIV. Finale. E.D.U. (the composer)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:47