Motown Greatest Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1What’s Going On
Produzent(in):
Marvin Gaye
Mix:
Lawrence Miles (am 1971-05-06)
Instrumente:
Detroit Symphony Orchestra (am 1971-05-06) und The Funk Brothers (am 1971-05-06)
Klavier, Perkussion [box drum] und Sologesang:
Marvin Gaye (am 1971-05-06)
Hintergrundgesang:
Lem Barney (am 1971-05-06), Mel Farr (am 1971-05-06) und Marvin Gaye (am 1971-05-06)
conductor:
David Van dePitte (am 1971-05-06)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1971)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1971-05-06)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 102) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (am 1971-05-06)
Texter und Komponist(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. und Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye3.953:51
2Papa Was a Rollin’ Stone
Produzent(in):
Norman Whitfield
Sologesang:
Dennis Edwards (US soul & R’n’B singer) (in 1972), Damon Harris (in 1972) und Richard Street (in 1972)
conductor:
Paul Riser (in 1972)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
Texter und Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations3.46:53
3My Cherie Amour
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (von 1967 bis 1968)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967 bis 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 399)
recording of:
My Cherie Amour (von 1967 bis 1968)
Verfasser(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:55
4Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.452:35
5I Want You Back
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1969-07)
Gitarre:
Donald Peake, David T. Walker und Tito Jackson (in 1969-07)
Gitarre [lead guitar]:
Louis Shelton (in 1969-07)
Keyboard:
Clarence McDonald und Ronnie Rancifer (in 1969-07)
Klavier:
Fonce Mizell, Freddie Perren, Joe Sample und Ronnie Rancifer (in 1969-07)
Perkussion:
Sandra Crouch und Marlon Jackson (in 1969-07)
Schlagzeug:
Gene Pello und Johnny Jackson (drummer for Jackson 5) (in 1969-07)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) und Tito Jackson (in 1969-07)
Sologesang:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
The Sound Factory West in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1969-07, von 1969-07 bis 1969-09)
Musikvideos:
I Want You Back von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 23), Billboard Year-End Hot 100 singles of 1970 (Nummer: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 104) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 120)
recording of:
I Want You Back (in 1969-07)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. und Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
The Jackson 54.152:56
6Reach Out I’ll Be There
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1966)
Hintergrundgesang:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) und Lawrence Payton (in 1966)
Sologesang:
Levi Stubbs (in 1966)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 78) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops42:59
7Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:38
8The Tears of a Clown
Gitarre:
Marvin Tarplin (am 1966-09-26)
Instrumente:
The Funk Brothers (am 1966-09-26)
Hintergrundgesang:
Warren “Pete” Moore (am 1966-09-26), Claudette Robinson (am 1966-09-26), Bobby Rogers (am 1966-09-26) und Ronald White (soul singer, founding member of The Miracles) (am 1966-09-26)
Sologesang:
Smokey Robinson (am 1966-09-26)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1966-09-26)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 190) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 313)
recording of:
The Tears of a Clown (am 1966-09-26)
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.92:59
9My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:48
10How Sweet It Is (to Be Loved by You)
Mix:
Suha Gur
Bass:
James Jamerson
Gitarre:
Willie Woods (US guitarist & songwriter)
Keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
Saxophon:
Junior Walker
cover recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jr. Walker & the All Stars43:00
11Ben
Produzent(in):
The Corporation (Motown songwriters)
Sologesang:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
Texter:
Don Black (English lyricist)
Komponist(in):
Walter Scharf
publisher:
Jobette Music (in 1972)
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 2)
Michael Jackson3.852:44
12My Old Piano
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
recording of:
My Old Piano
Texter und Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Chic Music, Inc.
Diana Ross3:53
1325 Miles
recording of:
25 Miles
Verfasser(in):
Johnny Bristol, Harvey Fuqua und Edwin Starr
Edwin Starr3:21
14Do You Love Me
Produzent(in):
Berry Gordy Jr.
Gitarre:
Huey Davis (guitarist) (am 1962-06-03)
Instrumente:
The Funk Brothers (am 1962-06-03)
Hintergrundgesang:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (am 1962-06-03), Hubert Johnson (singer) (am 1962-06-03) und Sylvester Potts (am 1962-06-03)
Sologesang:
Billy Gordon (The Contours) (am 1962-06-03)
zusätzlich Sologesang:
Billy Hoggs (am 1962-06-03)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1962-06-03)
Musikvideos:
Do You Love Me (music video) von The Contours (60s soul)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 9)
recording of:
Do You Love Me (am 1962-06-03)
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Contours4.352:53
15Behind a Painted Smile
recording of:
Behind a Painted Smile
Verfasser(in):
Ivy Jo Hunter und Beatrice Verdi
publisher:
EMI Music Publishing (do not use as a release label!)
The Isley Brothers2:43
16Superfreak
recording engineer und Mix:
Tom "Super" Flye
assistierende(r) Techniker(in):
Rick "Port Hole" Sanchez
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
leitende(r) Produzent(in):
Alonzo Miller (Singer-songwriter, producer)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
andere Instrumente [flexatone] und Vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Bass:
Oscar Alston
Gitarre:
Tom McDermott (guitarist)
Händeklatschen und Perkussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Tom McDermott (guitarist)
Hybrid-Piano und Synthesizer [Crumar]:
Levi Ruffin, Jr.
Schlagzeug:
Lanise Hughes
Tenorsaxophon:
Daniel LeMelle
Hintergrundgesang:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street und Otis Williams (US baritone singer, member of The Temptations & The Distants)
Horn arranger:
Daniel LeMelle und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Hintergrundgesang) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 153) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 477)
recording of:
Super Freak
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James4.153:19
17Don’t Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:37
18You Are Everything
Produzent(in):
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
Verfasser(in):
Linda Creed und Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye43:07
19Walk Away From Love
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1975)
cover recording of:
I’m Gonna Walk Away From Love
Texter und Komponist(in):
Charles H. Kipps Jr
David Ruffin3:17
20With You I’m Born Again
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Billy Preston & Syreeta3:39
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