100 Best Opera Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Le nozze di Figaro, K 492. Act II. Voi, che sapete
Produzent(in):
Suvi Raj Grubb
Mezzosoprangesang [Cherubino]:
Teresa Berganza (mezzo-soprano) (in 1976-08)
Orchester:
English Chamber Orchestra (in 1976-08)
conductor:
Daniel Barenboim (pianist and conductor) (in 1976-08)
Tonmeister(in):
Neville Boyling (engineer) (in 1976-08)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1976-08)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1976-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:50
2Le nozze di Figaro, K 492. Act II. Porgi amor
Produzent(in):
Suvi Raj Grubb
Soprangesang [Contessa]:
Heather Harper (soprano) (in 1976-08)
Orchester:
English Chamber Orchestra (in 1976-08)
conductor:
Daniel Barenboim (pianist and conductor) (in 1976-08)
Tonmeister(in):
Neville Boyling (engineer) (in 1976-08)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1976-08)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1976-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:16
3Don Giovanni, K 527: Act II. Deh, vieni alla finestra (Serenade)
Baritongesang [Don Giovanni]:
Sir Thomas Allen (baritone)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:03
4Don Giovanni, K 527: Act I. Batti, batti, o bel Masetto
Soprangesang [Zerlina]:
Elizabeth Gale (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:52
5Die Zauberflöte, K 620: Act II. Der Hölle Rache
Produzent(in):
Helmut Storjohann (German producer)
Soprangesang und Soprangesang [Queen of the Night]:
Edda Moser (soprano) (von 1972-08-08 bis 1972-08-16)
Orchester:
Orchester der Bayerischen Staatsoper München (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (von 1972-08-08 bis 1972-08-16)
conductor:
Wolfgang Sawallisch (conductor) (von 1972-08-08 bis 1972-08-16)
Tonmeister(in):
Wolfgang Gülich (engineer) (von 1972-08-08 bis 1972-08-16)
aufgenommen bei:
Bürgerbräukeller in München, Bayern, Deutschland (von 1972-08-08 bis 1972-08-16)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (von 1972-08-08 bis 1972-08-16)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
6Die Zauberflöte, K 620: Act II. O Isis und Osiris
Produzent(in):
Helmut Storjohann (German producer)
Bass-Gesang [Sarastro]:
Kurt Moll (operatic bass) (von 1972-08-08 bis 1972-08-16)
Chorgesang [Priests]:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (von 1972-08-08 bis 1972-08-16)
Orchester:
Orchester der Bayerischen Staatsoper München (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (von 1972-08-08 bis 1972-08-16)
conductor:
Wolfgang Sawallisch (conductor) (von 1972-08-08 bis 1972-08-16)
Tonmeister(in):
Wolfgang Gülich (engineer) (von 1972-08-08 bis 1972-08-16)
aufgenommen bei:
Bürgerbräukeller in München, Bayern, Deutschland (von 1972-08-08 bis 1972-08-16)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (von 1972-08-08 bis 1972-08-16)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:12
7Così Fan Tutte, K 588: Act. Temerari... Come scoglio
Soprangesang [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:52
8Il Barbiere Di Siviglia: Act I. La calunnia è un venticello
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-08 bis 1975-05)
Produzent(in):
Christopher Bishop (conductor/producer) (von 1974-08 bis 1975-05)
bass-baritone vocals und Bass-Gesang [Basilio]:
Ruggero Raimondi (bass-baritone) (von 1974-08 bis 1975-05)
Orchester:
London Symphony Orchestra (von 1974-08 bis 1975-05)
conductor:
James Levine (US conductor and pianist) (von 1974-08 bis 1975-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (von 1974-08 bis 1975-05)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (von 1974-08 bis 1975-05)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:54
9Don Carlo: Act II. Nei giardin del bello (Veil Song)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Soprangesang [Tebaldo]:
Delia Wallis (mezzo-soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:56
10Norma: Act I. Casta Diva
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Editing:
Jennifer Howells
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1960-09-05 bis 1960-09-12)
Soprangesang [Norma]:
Maria Callas (soprano) (von 1960-09-05 bis 1960-09-12)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1960-09-05 bis 1960-09-12)
conductor:
Tullio Serafin (conductor) (von 1960-09-05 bis 1960-09-12)
chorus master:
Norberto Mola (chorus master) (von 1960-09-05 bis 1960-09-12)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1960-09-05 bis 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (von 1960-09-05 bis 1960-09-12)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
live recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1961)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini5:33
11Aida: Act I. Sequel quel guerrier... Celeste Aida
Tenor-Gesang [Radamès]:
Franco Corelli (tenor)
Orchester:
Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi4:41
12La Traviata: Act III. Teneste la promessa... Addio del passato
Soprangesang [Violetta]:
Beverly Sills (soprano)
Orchester:
Royal Philharmonic Orchestra
conductor:
Aldo Ceccato (conductor)
recording of:
La traviata: Atto III. Recitativo “Teneste la promessa” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi5:44
13Otello: Act IV. Niun mi tema
Bass-Gesang [Lodovico]:
José van Dam (Belgian operatic bass-baritone) (in 1973)
Bass-Gesang [Montano]:
Mario Machi (in 1973)
Tenor-Gesang [Cassio]:
Aldo Bottion (tenor) (in 1973)
Tenor-Gesang [Otello]:
Jon Vickers (tenor) (in 1973)
Orchester:
Berliner Philharmoniker (in 1973)
conductor:
Herbert von Karajan (conductor) (in 1973)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1973)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi6:01
14Madama Butterfly: Act II. Un bel di, vedremo
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Soprangesang [Butterfly]:
Renata Scotto (operatic soprano) (von 1966-08-16 bis 1966-08-27)
Orchester:
Orchestra del Teatro dell’Opera di Roma (von 1966-08-16 bis 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1966-08-16 bis 1966-08-27)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Teatro dell’Opera di Roma in Roma (Rom), Roma, Lazio, Italien (von 1966-08-16 bis 1966-08-27)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (von 1966-08-16 bis 1966-08-27)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:39
15Tosca: Act III. E lucevan le stelle
Produzent(in):
John Willan (producer)
Tenor-Gesang [Cavaradossi]:
Plácido Domingo (tenor) (von 1980-07-29 bis 1980-08-11)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1980-07-29 bis 1980-08-11)
conductor:
James Levine (US conductor and pianist) (von 1980-07-29 bis 1980-08-11)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1980-07-29 bis 1980-08-11)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (von 1980-07-29 bis 1980-08-11)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:53
16La Bohème: Act I. Si, mi chiamano mimi
recorded in:
Roma (Rom), Roma, Lazio, Italien (am 1969-07-17)
Soprangesang [Mimì]:
Mirella Freni (soprano) (am 1969-07-17)
Orchester:
Orchestra del Teatro dell’Opera di Roma (am 1969-07-17)
conductor:
Thomas Schippers (conductor and composer) (am 1969-07-17)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1964)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
live recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (am 1969-07-17)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:54
17Manon Lescaut: Act II. In quelle trine morbide
Soprangesang [Manon]:
Montserrat Caballé (soprano)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini2:16
18Turandot: Act I. Ascolta! Signore
Soprangesang [Liù]:
Kiri Te Kanawa (soprano)
Orchester:
London Symphony Orchestra
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:37
19Pagliacci: Act I. Recitar!... Vesti la giubba
Tenor-Gesang [Canio]:
José Carreras (Spanish tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:45
20Fedora: Act II. Amor ti vieta di non amar
Tenor-Gesang [Loris]:
Roberto Alagna (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Mark Elder (conductor)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
Komponist(in):
Umberto Giordano (Italian opera composer) (in 1898)
Librettist:
Arturo Colautti
Teil von:
Fedora: Atto II
Umberto Giordano1:46
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Nennungen

Veröffentlichungsgruppe

Teil von:100 Best (EMI Classics) (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/947595 [Info]
Allmusic:https://www.allmusic.com/album/mw0001836649 [Info]