The Broadway Album

~ Veröffentlichung von Barbra Streisand (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Putting It Together
recording engineer:
Don Hahn (engineer)
Produzent(in):
Peter Matz und Barbra Streisand
Synthesizer:
Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
zusätzlich Sprecher:
David Geffen (in 1985), Sydney Pollack (in 1985) und Ken Sylk (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz und Barbra Streisand
Orchestrator(in):
Peter Matz
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
cover recording of:
Sunday in the Park With George: Putting It Together (in 1985)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. und Rilting Music, Inc.
Teil von:
Sunday in the Park With George
?:??
2If I Loved You
recording engineer:
Don Hahn (engineer)
Produzent(in):
Peter Matz und Barbra Streisand
Waldhorn:
Brian O’Connor (French hornist) (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
cover recording of:
If I Loved You (Carousel) (in 1985)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
?:??
3Something’s Coming
recording engineer und Mix:
John Arrias (engineer)
Produzent(in):
Richard Baskin (film composer and producer)
Synthesizer:
Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
Blechblasinstrumente [horns] arranger:
Jerry Hey
arranger:
Richard Baskin (film composer and producer) und Randy Waldman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
Randy Waldman Studio in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1985) und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
cover recording of:
West Side Story: Something’s Coming (Tony) (in 1985)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und G. Schirmer Inc.
Teil von:
West Side Story
?:??
4Not While I’m Around
recording engineer und Mix:
Don Hahn (engineer)
Produzent(in):
Richard Baskin (film composer and producer)
vocals:
Barbra Streisand (in 1985)
conductor:
Jeremy Lubbock (in 1985)
Orchestrator(in):
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
cover recording of:
Not While I’m Around (contemporary version) (in 1985)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. und Rilting Music, Inc.
?:??
5Being Alive
recording engineer:
Don Hahn (engineer)
Produzent(in):
Peter Matz und Barbra Streisand
Bassgitarre [bass]:
Neil Stubenhaus (in 1985)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1985)
Schlagzeug:
Steve Schaeffer (drummer) (in 1985)
Solo-alto saxophone:
Gary Herbig (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz und Barbra Streisand
Orchestrator(in):
Peter Matz
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
cover recording of:
Company: Being Alive (in 1985)
Orchestrator(in):
Jonathan Tunick
Texter und Komponist(in):
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. und Rilting Music, Inc.
Teil von:
Company
?:??
6I Have Dreamed / We Kiss in a Shadow / Something Wonderful
recording engineer:
John Arrias (engineer)
Keyboard-Programmierung:
Rhett Lawrence
Produzent(in):
Bob Esty (disco songwriter - producer from Massachusetts), Paul Jabara und Barbra Streisand
Keyboard:
Bob Esty (disco songwriter - producer from Massachusetts) (in 1985)
Saiteninstrumente:
Jeremy Lubbock (in 1985)
vocals:
Barbra Streisand (in 1985)
remixer:
John Arrias (engineer)
arranger:
Bob Esty (disco songwriter - producer from Massachusetts) und Paul Jabara
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1985)
medley including a cover recording of:
I Have Dreamed (The King and I) (in 1985)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The King and I (Rodgers & Hammerstein musical)
medley including a cover recording of:
Something Wonderful (The King and I) (in 1985)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
übersetzte Version von:
דבר מה נפלא כל כך
Teil von:
The King and I (Rodgers & Hammerstein musical)
medley including a cover recording of:
We Kiss in a Shadow (The King and I) (in 1985)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
?:??
7Adelaide’s Lament
recording engineer:
Don Hahn (engineer)
Produzent(in):
Peter Matz und Barbra Streisand
Kontrabass:
Chuck Berghofer (Jazz bassist) (in 1985)
membranophone:
Sol Gubin (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
Orchestrator(in):
Sid Ramin
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
cover recording of:
Adelaide’s Lament (in 1985)
Texter und Komponist(in):
Frank Loesser
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
?:??
8Send In the Clowns
recording engineer:
John Arrias (engineer)
Produzent(in):
Barbra Streisand
Englischhorn und Oboe:
Earle Dumler (multi-instrumentalist) (in 1985)
Klavier:
Randy Kerber (in 1985)
Synthesizer:
Randy Waldman (in 1985)
Waldhorn:
Richard Todd (American hornist) (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Jeremy Lubbock (in 1985)
remixer:
John Arrias (engineer)
Orchestrator(in):
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
Evergreen Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten (in 1985)
cover recording of:
Send In the Clowns (A Little Night Music) (in 1985)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
A Little Night Music (musical)
?:??
9Pretty Women / The Ladies Who Lunch
recording engineer:
Don Hahn (engineer)
Produzent(in):
Peter Matz und Barbra Streisand
Gitarre:
Oscar Castro‐Neves (in 1985)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1985)
Schlagzeug:
Sol Gubin (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz und Barbra Streisand
Orchestrator(in):
Peter Matz
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
medley including a cover recording of:
Company: The Ladies Who Lunch (in 1985)
Orchestrator(in):
Jonathan Tunick
Texter und Komponist(in):
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. und Rilting Music, Inc.
Teil von:
Company
medley including a cover recording of:
Pretty Women (Sweeney Todd) (in 1985)
Orchestrator(in):
Jonathan Tunick (, in 1979) und Sarah Travis (orchestrator, musical supervisor) (in 2004)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. und Rilting Music, Inc.
Teil von:
Sweeney Todd: The Demon Barber of Fleet Street
?:??
10Can’t Help Lovin’ That Man
recording engineer:
Don Hahn (engineer)
Produzent(in):
Peter Matz und Barbra Streisand
Mundharmonika:
Stevie Wonder (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
John Arrias (engineer)
Orchestrator(in):
Conrad Salinger (, in 1951)
zusätzliche(r) Orchestrator(in):
Peter Matz
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (in 1985)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Teil von:
The Real Book (compilation of jazz standards, volume I)
?:??
11I Loves You Porgy / Porgy, I’s Your Woman Now (Bess, You Is My Woman)
recording engineer:
Don Hahn (engineer)
Produzent(in):
Peter Matz und Barbra Streisand
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz und Barbra Streisand
Orchestrator(in):
Alexander Courage
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
medley including a cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (in 1985)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp
basiert auf:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
medley including a cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1985)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
?:??
12Somewhere
Synthesizer-Programmierung:
Michael Boddicker
assistierende(r) Techniker(in):
Jeffrey 'Woody' Woodruff (engineer)
Techniker(in):
Humberto Gatica
zusätzliche(r) Techniker(in):
Magic Moreno
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Keyboard und Synthesizer:
David Foster (Canadian music producer, arranger and composer) (in 1985) und Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
Randy Waldman Studio in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1985) und The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1985)
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1985)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story: Ballet Sequence
?:??
13I Know Him So Well (session outtake)
Gast Hintergrundgesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) (in 1985)
vocals:
Barbra Streisand (in 1985)
cover recording of:
I Know Him So Well (Chess) (in 1985)
Texter:
Tim Rice und Björn Ulvaeus
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Chess (full musical)
?:??

Nennungen

Veröffentlichung

art direction:Lane/Donald (design and art direction)
Fotografie:Richard Corman (photographer)
liner notes:Alan Bergman (American lyricist)
Marilyn Bergman
assistierende(r) Mix:Laura Livingston
Jay Willis
assistierende(r) Techniker(in):Benny Faccone
Magic Moreno
leitende(r) Produzent(in):Peter Matz
Barbra Streisand
Editing:Stewart Whitmore
remastering:Stephen Marcussen (mastering engineer)
Verwertungsgesellschaft:JASRAC (Japan rights society; do not use this as a label or work publisher!)
hergestellt von:Sony Music Japan International Inc. (do not use as a label, see the annotation)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
mixed at:A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mastered at und edited at:Marcussen Mastering in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/15413689 [Info]
ASIN:JP: B000065VNT [Info]

Veröffentlichungsgruppe

Teil von:Billboard Decade End Chart: Billboard 200 (1980s) (Nummer: 85) (Reihenfolge: 86)
Grammy Award: Album of the Year nominees (Nummer: 1987) (Reihenfolge: 120)
Discogs:https://www.discogs.com/master/74357 [Info]
Wikidata:Q768362 [Info]