Roll on Mississippi

~ Release by Charley Pride (see all versions of this release, 2 available)

Annotation

Copyright: ℗ 1981 Sony Music Entertainment

Annotation last modified on 2025-11-23 01:25 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Roll on Mississippi
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
strings:
The Shelly Kurland Strings
strings arranger:
David Briggs (US producer and musician)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
Roll On Mississippi
writer:
Rhonda Kye Fleming (American singer-songwriter) and Dennis Morgan (US songwriter)
43:34
2I Used to Be That Way
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
strings:
The Shelly Kurland Strings
strings arranger:
D. Bergen White (American arranger, producer, conductor, musician, composer and singer)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
I Used to Be That Way (in 1980)
lyricist and composer:
John Schweers
publisher:
Sunbury Music Ltd.
52:46
3Taking the Easy Way Out
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
Taking the Easy Way Out (in 1980)
writer:
Kent Robbins and David Wills (country, 1970s-80s)
publisher:
Sunbury Music Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal–Songs of PolyGram International, Inc.
52:38
4She’s as Good as Gone
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
strings:
The Shelly Kurland Strings
strings arranger:
David Briggs (US producer and musician)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
She’s as Good as Gone (in 1980)
writer:
Charles Quillen (Country songwriter) and David Wills (country, 1970s-80s)
publisher:
Sunbury Music Ltd. and Universal–Songs of PolyGram International, Inc.
42:30
5He Can Be an Angel
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
strings:
The Shelly Kurland Strings
strings arranger:
D. Bergen White (American arranger, producer, conductor, musician, composer and singer)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
He Can Be an Angel (in 1980)
lyricist and composer:
Donny Lowery
publisher:
Bocu Music Ltd. and Universal Music–MGB Songs
43:42
6Fall Back on Me
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
strings:
The Shelly Kurland Strings
strings arranger:
David Briggs (US producer and musician)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
Fall Back on Me (in 1980)
writer:
Danny Dunn (country music songwriter) and Richard Root
publisher:
Cohran Music Publishing Company and Sunbury Music Ltd.
53:39
7Make It Special Again
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
strings:
The Shelly Kurland Strings
strings arranger:
D. Bergen White (American arranger, producer, conductor, musician, composer and singer)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
Make It Special Again (in 1980)
writer:
Gary Harrison (US country songwriter) and David Wills (country, 1970s-80s)
publisher:
Sunbury Music Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal–Songs of PolyGram International, Inc.
42:43
8You Beat ’em All
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
You Beat ’em All (in 1980)
lyricist and composer:
Ben Peters (country music songwriter)
publisher:
Sunbury Music Ltd. and Universal–Songs of PolyGram International, Inc.
42:19
9Ghost‐Written Love Letters
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
Ghost-Written Love Letters (in 1980)
lyricist and composer:
Danny Hutchins (country music songwriter)
publisher:
Roz Tense Music Publishing Company and Sunbury Music Ltd.
42:26
10You Almost Slipped My Mind
assistant engineer:
Dan Dea (sound engineer)
engineer:
Bill Harris (US sound engineer)
producer:
Jerry Bradley (producer, engineer) and Charley Pride
recorded at:
Music City Music Hall in Nashville, Tennessee, United States (in 1980-12)
recording of:
You Almost Slipped My Mind (in 1980)
writer:
Tilden R. Back (country music songwriter), Delbert Barker (country), Don Goodman and Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
publisher:
Irving Music (BMI) and Rondor Music (London) Ltd.
42:51