Don Pasquale

~ Release by Gaetano Donizetti; Beverly Sills, Donald Gramm, Alfredo Kraus, Alan Titus, Ambrosian Opera Chorus, London Symphony Orchestra, Sarah Caldwell (see all versions of this release, 3 available)

Annotation

1996 remaster of original 1978 release. This was a FR/UK/USA release, although it was printed in The Netherlands.

Annotation last modified on 2017-04-08 20:40 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Don Pasquale: Atto II. "Quando avrete introdotto" (Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II. Recitativo “Quando avrete introdotto” (Don Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti1:40
2Don Pasquale: Atto II. "Via, da brava...Reggo appena" (Malatesta, Norina, Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II. “Via, da brava” … “Reggo appena” (Malatesta, Norina, Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti4:30
3Don Pasquale: Atto II. "Non abbiate paura, è Don Pasquale" (Malatesta, Norina, Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II, Scena 3. Recitativo “Non abbiate paura, è Don Pasquale” (Malatesta, Norina, Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:56
4Don Pasquale: Atto II. "Misericordia!" (Pasquale, Malatesta, Norina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II. “Misericordia!” (Pasquale, Malatesta, Norina)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti1:46
5Don Pasquale: Atto II. “Fra da una parte etcetera” (Malatesta, Notaro, Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Henry Newman (baritone) (from 1978-08-01 until 1978-08-09) and Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II, Scena 4. “Fra da una parte etcetera” (Malatesta, Notaro, Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:53
6Don Pasquale: Atto II. “Indietro, mascalzoni, indietro” (Ernesto, Norina, Malatesta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II, Scena 4. “Indietro, mascalzoni, indietro” (Ernesto, Norina, Malatesta)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti0:31
7Don Pasquale: Atto II. "Pria di partir, signore" (Ernesto, Pasquale, Malatesta, Norina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II. “Pria di partir, signore” (Ernesto, Pasquale, Malatesta, Norina)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti1:45
8Don Pasquale: Atto II. "Questo contratto, adunque" (Malatesta, Notaro, Norina, Pasquale, Ernesto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II. “Questo contratto, adunque” … “Siete marito e moglie” (Malatesta, Notaro, Norina, Pasquale, Ernesto)
lyricist and composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti3:30
9Don Pasquale: Atto II. "È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II, Scena 5. Quartetto “È rimasto là impietrato” (Malatesta, Pasquale, Norina, Ernesto)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:36
10Don Pasquale: Atto II. "Riunita immantinete" (Norina, Pasquale, Malatesta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II. Quartetto “Riunita immantinete” (Norina, Pasquale, Malatesta)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:59
11Don Pasquale: Atto II. "Son tradito calpastato" (Pasquale, Ernesto, Malatesta, Norina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto II. “Son tradito calpestato” (Pasquale, Ernesto, Malatesta, Norina)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:35
12Don Pasquale: Atto III. "I diamanti, presto, presto" (Coro, Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. Coro d’introduzione “I diamanti, presto, presto” (Coro, Pasquale)
lyricist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:17
13Don Pasquale: Atto III. "Vediamo. Alla modista cento scudi" (Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. Recitativo “Ah, vediamo! Alla modista cento scudi” (Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:27
14Don Pasquale: Atto III. "Dove core in tanta fretta, Signorina" (Pasquale, Norina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. Duo “Signorina in tanta fretta …” (Norina, Don Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:41
15Don Pasquale: Atto III. "Ah! È finita, Don Pasquale" (Pasquale, Norina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. “Ah! È finita, Don Pasquale” (Pasquale, Norina)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:11
16Don Pasquale: Atto III. "Via, caro sposina" (Norina, Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. “Via, caro sposino” (Norina, Pasquale) (from 1978-08-01 until 1978-08-09)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:39
17Don Pasquale: Atto III. "Qualche nota di cuffie e di merletti" (Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. “Qualche nota di cuffie e di merletti” (Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:18
18Don Pasquale: Atto III. "Che interminabile andirivieni!" (Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. “Che interminabile andirivieni” (Coro di Servi)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:41
19Don Pasquale: Atto III. "Siamo intesi … sta bene" (Malatesta, Ernesto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. “Siamo intesi … sta bene” (Malatesta, Ernesto)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti0:30
20Don Pasquale: Atto III. "Questa, repentina chiamata" (Malatesta, Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. “Questa, repentina chiamata” (Malatesta, Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:45
21Don Pasquale: Atto III. "Cheti, cheti immantinente" (Malatesta, Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. Duetto “Cheti, cheti immantinente …” (Malatesta, Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:32
22Don Pasquale: Atto III. "Aspetta, aspetta, cara sposina" (Pasquale, Malatesta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. “Aspetta, aspetta, cara sposina” (Pasquale, Malatesta)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:50
23Don Pasquale: Atto III. "Com' è gentil - la notte a mezzo april" (Ernesto, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:49
24Don Pasquale: Atto III. "Tornami a dir che m'ami" (Norina, Ernesto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. Duetto “Tornami a dir, che m'ami” (Norina, Ernesto) (from 1978-08-01 until 1978-08-09)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:15
25Don Pasquale: Atto III. "Eccoli: attenti bene..." (Pasquale, Malatesta, Norina)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. Recitativo “Eccoli: attenti bene…” (Pasquale, Malatesta, Norina)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:11
26Don Pasquale: Atto III. "Eccomi..avoi accorda Don Pasquale" (Ernesto, Malatesta, Norina, Pasquale)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. “Eccomi … A voi accorda Don Pasquale” (Ernesto, Malatesta, Norina, Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:24
27Don Pasquale: Atto III. "Bravo, bravo, va benone" (Malatesta, Norina, Ernesto, Pasquale, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-01 until 1978-08-09)
producer:
John Willan (producer) (from 1978-08-01 until 1978-08-09)
baritone vocals:
Alan Titus (baritone) (from 1978-08-01 until 1978-08-09)
bass vocals:
Donald Gramm (bass-baritone) (from 1978-08-01 until 1978-08-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-01 until 1978-08-09)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-01 until 1978-08-09)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-01 until 1978-08-09)
orchestra:
London Symphony Orchestra (from 1978-08-01 until 1978-08-09)
conductor:
Sarah Caldwell (American conductor) (from 1978-08-01 until 1978-08-09)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-01 until 1978-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-01 until 1978-08-09)
recording of:
Don Pasquale: Atto III. Finale “Bravo, bravo, va benone” (Malatesta, Norina, Ernesto, Pasquale, Coro) (from 1978-08-01 until 1978-08-09)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:18

Credits

Release

copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1996)
phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
ASIN:UK: B001JA13U6 [info]