Nouveau monde: Baroque Arias and Songs

~ Release by Patricia Petibon, La Cetra, Andrea Marcon (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Vendado es amor, no es ciego: Aria “El bajel que no recela” (Eumene)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
El bajel que no recela (in 2012-02)
composer:
José de Nebra
José de Nebra5:31
2Yo soy la locura (Passacaille: La folie)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Yo soy la locura (in 2012-02)
composer:
Henry le Bailly (French composer, c. 1590-1637)
Henry le Bailly2:40
3Cachua al Nacimento de Christo Nuestro Señor
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Cachua: Al Nacimiento de Christo Nuestro Señor (A Voz y Bajo) (in 2012-02)
composer:
[anonymous] (special purpose artist)
[traditional]3:14
4Vendado es amor, no es ciego: En amor, pastorcillos (Anquises)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
En amor, pastorcillos (in 2012-02)
composer:
José de Nebra
José de Nebra1:48
5Dido and Aeneas, Act 3: Thy Hand, Belinda… When I Am Laid in Earth (Dido’ lament)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 2012-02)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:22
6Danse du Grand Calumet de la Paix (Rondeau) – Duet & Chorus “Forêts paisibles” (Zima, Adario, Sauvages)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
baritone vocals:
Kevin Greenlaw (baritone) (in 2012-02)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages: I. Danse du grand calumet de Paix executée par les Sauvages (in 2012-02)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages
Jean‐Philippe Rameau4:13
7Cantata spagnuola, HWV 140: No se enmendará jamás
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Nò se emenderá jamás, HWV 140 (in 2012-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1707-09)
part of:
Händel-Werke-Verzeichnis (number: HWV 140)
George Frideric Handel3:36
8Tonada La Lata a voz y bajo para bailar cantando
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Tonada: La Lata (A Voz y Bajo, Para Bailar Cantando) (in 2012-02)
composer:
[anonymous] (special purpose artist)
[traditional]2:10
9Mon amy s’en est allé (Branle double)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Mon amy s'en est allé (in 2012-02)
composer:
[anonymous] (special purpose artist)
[anonymous]3:35
10Tonada El Congo a voz y bajo para bailar cantando
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Tonada: El Congo (A Voz y Bajo, Para Baylar Cantando) (in 2012-02)
composer:
[anonymous] (special purpose artist)
[traditional]3:20
11Sans frayeur dans ce bois (Chaconne)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Sans frayeur dans ce bois, H. 467 (in 2012-02)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 467)
Marc‐Antoine Charpentier2:29
12Médée, Act 3: Scene 3. Quel prix de mon amour ! (Médée)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Médée: Acte III, Scène III. "Quel prix de mon amour" (in 2012-02)
composer:
Marc‐Antoine Charpentier (composer) (in 1693)
part of:
Médée, H. 491
Marc‐Antoine Charpentier5:35
13Médée, Act 3: Scene 5. Noires filles du Styx (Médée) / Scene 6. L’Enfer obéit à ta voix (Médée, La Jalousie, La Vengeance, Démons)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Médée: Acte III, Scène V. "Noires filles du Stix" (in 2012-02)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier3:57
14Médée, Act 3: Scene 7. Dieu du Cocyte et des royaumes sombres – Seconde entrée des Démons (Médée, La Jalousie, La Vengeance, Démons)
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Médée: Acte III, Scène VII. "Dieu du Cocyte & des Royaumes sombres" (in 2012-02)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Médée, H. 491
Marc‐Antoine Charpentier4:49
15Greensleeves
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Greensleeves (in 2012-02)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Sven “Delgado” Jordan and Alex Trime
[traditional]4:09
16J’ai vu le loup
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
J’ai vu le loup, le renard et la belette (in 2012-02)
lyricist and composer:
[traditional] (special purpose artist)
version of:
Ai vis lo lop
[traditional]2:54
17Les Indes galantes: La nuit couvre les cieux !
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Les Indes galantes, Première entrée “Le Turc généreux”: “La nuit couvre les cieux” (Émilie, Chœur) (in 2012-02)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes galantes: Acte I "Le Turc généreux"
Jean‐Philippe Rameau4:45
18King Arthur, Act 5: Fairest Isle
recording engineer:
Rainer Maillard
assistant engineer:
Philip Krause (engineer)
associate producer:
Renaud Loranger (producer)
executive producer:
Dr. Alexander Buhr
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Patricia Petibon (soprano) (in 2012-02)
orchestra:
La Cetra Barockorchester Basel (in 2012-02)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2012-02)
recorded at:
Martinskirche (Basel) in Basel, Basel-Stadt, Switzerland (in 2012-02)
recording of:
Seven Songs: Fairest Isle (in 2012-02)
composer:
Henry Purcell (Baroque composer)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
arrangement of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus)
Henry Purcell3:38

Credits

Release

liner notes:Olivier Lexa (liner notes author)
liner notes translator:Kenneth Chalmers (liner notes author)
Gudrun Meier (linernotes, Übersetzung)
miscellaneous support:Carlos Fernández Aransay (conductor, musicologist, translator) (task: language coach)
stream for free:https://open.spotify.com/album/3blsKup2WhLtJxeEeQde3N [info]