| # | Title | Artist | Rating | Length |
|---|
| 1 | We Didn’t Start the Fire- keyboard programming:
- Kevin Jones (in 1989)
- assistant engineer:
- Dana Becker, Tim Crish, David Dorn, Suzanne Hollander, Joe Pirerra and Gary Solomon
- engineer:
- Jay Healy
- producer:
- Billy Joel and Mick Jones
- mixer:
- Tom Lord‐Alge
- clavinet and lead vocals:
- Billy Joel (in 1989)
- drums (drum set):
- Liberty DeVitto (in 1989)
- electric bass guitar:
- Schuyler Deale (in 1989)
- guitar:
- David Brown (in 1989) and Joey Hunting (in 1989)
- keyboard:
- John Mahoney (in 1989)
- other instruments [sound effects]:
- Doug Kleeger (in 1989)
- percussion:
- Liberty DeVitto (in 1989), Billy Joel (in 1989) and Crystal Taliefero (in 1989)
- percussion [electronic percussion]:
- Sammy Merendino (in 1989)
- synthesizer:
- Jeff Jacobs (in 1989)
- background vocals:
- Crystal Taliefero (in 1989)
- arranger:
- Doug Kleeger
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- music videos:
- We Didn’t Start the Fire by Billy Joel
- part of:
- Cachitos Nochevieja 2022 (number: 55)
- recording of:
- We Didn’t Start the Fire (in 1989)
- lyricist and composer:
- Billy Joel
- publisher:
- EMI Songs Ltd., Impulsive Music, Universal Music Ltd. and Joelsongs (in 1989)
- arrangement of:
- We Didn’t Start the Slop Stream
| Billy Joel | 4.3 | 4:48 |
| 2 | Africa- recording engineer:
- David Leonard , Greg Ladanyi, Jamie Ledner, Jim Horn , Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian and Tom Knox
- additional engineer:
- Bruce Heigh (task: additional recording), David Paich (task: additional recording), Dick Gall (task: additional recording) and Steve Porcaro (task: additional recording)
- engineer:
- Al Schmitt, Bruce Heigh, David Paich, Dick Gall , Greg Ladanyi, Steve Porcaro and Tom Knox
- producer:
- Bruce Dickinson and Toto
- mixer:
- Elliot Scheiner (task: for 5.1 surround sound) and Greg Ladanyi
- acoustic guitar:
- Timothy B. Schmit
- bass:
- David Hungate and Michael Porcaro
- bass guitar:
- David Hungate
- congas:
- Lenny Castro
- drums (drum set) and gong:
- Jeff Porcaro
- electric guitar and guitar:
- Steve Lukather
- instruments:
- Lenny Castro
- keyboard:
- David Paich and Steve Porcaro
- keyboard and piano:
- David Paich
- marimba:
- Joe Porcaro
- percussion:
- Lenny Castro, Jeff Porcaro and Joe Porcaro
- recorder:
- Jim Horn
- synthesizer:
- Steve Porcaro
- background vocals:
- Bobby Kimball, Steve Lukather , David Paich and Timothy B. Schmit
- lead vocals:
- Jean-Michel Byron, Bobby Kimball and David Paich
- vocals:
- Bobby Kimball, David Paich, Steve Lukather and Steve Porcaro
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony Music Entertainment (in 1982) and Sony Music Entertainment Inc. (in 1982, in 1983)
- music videos:
- Africa by Toto
- part of:
- Billboard: The 500 Best Pop Songs (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
- recording of:
- Africa
- writer:
- Jeffrey Porcaro and David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Rising Storm Music, Sony Music Publishing , Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Spirit Two Music
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Toto | 4.1 | 4:56 |
| 3 | Sarah | Thin Lizzy | | 3:32 |
| 4 | Handbags & Gladrags | Rod Stewart | 4 | 4:24 |
| 5 | Perfect Day | Lou Reed | 4.3 | 3:45 |
| 6 | How Am I Supposed to Live Without You | Michael Bolton | 4 | 4:15 |
| 7 | All the Young Dudes- producer:
- David Bowie
- lead vocals:
- Ian Hunter
- arranger:
- David Bowie
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1972), CBS, Inc. (in 1972), Columbia Records (in 1972), Sony BMG Music Entertainment (in 1972) and Sony Music Entertainment Inc. (in 1972, in 1976)
- part of:
- Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (number: 253)
- recording of:
- All the Young Dudes
- lyricist and composer:
- David Bowie
- publisher:
- BMG Blue, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Music Publishing, Chrysalis Songs, EMI Music , EMI Music Publishing , EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Jones Music America, Mainman Ltd., Mainman Saag , MCA Music , Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
- sub-publisher:
- EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 , ヤマハミュージックEH(CM) , ワーナー・チャペル音楽出版 Synch事業部 , 渡辺音楽出版 CM事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Mott the Hoople | 4.2 | 3:32 |
| 8 | Rockstar | Nickelback | 3.8 | 4:16 |
| 9 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music , Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 3.85 | 4:12 |
| 10 | Wrecking Ball- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Mike Caffery , Clint Gibbs and Sven Heidinga
- mixer:
- Serban Ghenea
- cello:
- Suzie Katayama
- instruments:
- Cirkut and Dr. Luke
- strings:
- David Richard Campbell
- viola:
- Andrew Duckles and Darrin McCann
- violin:
- Charlie Bisberat , Kevin Connolly and Songa Lee
- lead vocals:
- Miley Cyrus
- phonographic copyright (℗) by:
- RCA Records (in 2013)
- music videos:
- Wrecking Ball (official video) by Miley Cyrus
- part of:
- Billboard Decade End Chart: Streaming Songs (number: 18), Billboard Year-End Hot 100 singles of 2013 (number: 18), Stereogum: The 200 Best Songs of the 2010s (number: 30), Billboard Year-End Hot 100 singles of 2014 (number: 44), Pitchfork: The 200 Best Songs of the 2010s (number: 152), Billboard: The 500 Best Pop Songs (number: 156) and BILLIONS CLUB
- recording of:
- Wrecking Ball
- writer:
- Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald , Stephan Moccio and Sacha Skarbek
- publisher:
- BMG Platinum Songs, BMG Rights Management (US) LLC , BMG Rights Management GmbH , Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing , Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc. , Sony/ATV Tunes LLC and Universal Music Publishing Canada II
| Miley Cyrus | 3.7 | 3:44 |
| 11 | Toy Soldiers | Martika | 3 | 4:20 |
| 12 | Is This Love? | Alison Moyet | 4 | 3:58 |
| 13 | All by Myself- assistant engineer:
- Joey Barbaria
- engineer:
- Jack Sherdel
- producer:
- Jimmy Ienner
- lead vocals:
- Eric Carmen (from 1975-08 until 1975-09)
- arranger:
- Eric Carmen
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1975) and Arista Records, LLC (in 1975)
- produced for:
- CAM Productions
- recorded at:
- O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
- recording of:
- All by Myself (from 1975-08 until 1975-09)
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Eric Carmen | 4.25 | 4:52 |
| 14 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:55 |
| 15 | Lady in Red | Chris de Burgh | 3.35 | 4:15 |
| 16 | (Something Inside) So Strong | Labi Siffre | | 5:35 |
| 17 | What’s Up?- recording engineer:
- David Tickle (in 1992)
- mastering:
- Stephen Marcussen
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- engineer:
- Mark Hensley
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- vocals:
- Christa Hillhouse (in 1992) and Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992, in 1993)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 4.35 | 4:12 |
| 18 | Every Rose Has Its Thorn | Poison | 4 | 4:19 |
| 19 | Without You- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- acoustic guitar:
- John Uribe (in 1971-06)
- bass guitar:
- Klaus Voormann (in 1971-06)
- drums (drum set):
- Jim Keltner (in 1971-06)
- piano:
- Gary Wright (in 1971-06)
- vocals:
- Harry Nilsson (in 1971-06)
- conductor:
- Paul Buckmaster (in 1971-06)
- brass and strings arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- BMG Music (in 1971, in 1991), RCA Records (in 1971), Sony Music Entertainment (in 1971), RCA Corporation (in 1972) and RCA Records, Inc. (in 1989)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
- cover recording of:
- Without You (in 1971-06)
- writer:
- Tom Evans and W. Peter Ham
- publisher:
- 100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music and WB Music Corp. (until 2019-05-28)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Harry Nilsson | 4.3 | 3:22 |
| 20 | All Out of Love- executive producer:
- Clive Davis
- producer:
- Robie Porter
- assistant mixer:
- Linda Corbin
- mixer:
- Jim Hilton
- bass guitar:
- Criston Barker
- drums (drum set):
- Ralph Cooper
- guitar [lead guitar]:
- David Moyse
- guitar [rhythm guitar]:
- Graham Russell
- keyboard:
- Frank Esler‐Smith and Sam McNally
- background vocals:
- Criston Barker, Tommy Dassalo , Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell
- lead vocals:
- Russell Hitchcock
- vocals:
- Graham Russell
- arranger:
- Air Supply and Robie Porter
- orchestrator:
- Frank Esler‐Smith and Robie Porter
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1980), Arista Records, LLC (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (in 1980)
- recorded at:
- Paradise Studios in Sydney, New South Wales, Australia and Studios 301 in Byron Bay , New South Wales, Australia
- mixed at:
- Larrabee Sound Studios in West Hollywood, California, United States
- part of:
- The Downloader’s Music Source Book (number: 290)
- recording of:
- All Out of Love
- writer:
- Clive Davis and Graham Russell
- publisher:
- Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music and Warner/Chappell Music Ltd.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , シンコーミュージック・エンタテイメント , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Air Supply | 4.45 | 4:01 |
| 21 | I’d Do Anything for Love (but I Won’t Do That) (radio edit) | Meat Loaf | 3 | 5:23 |
| 22 | The Living Years | Mike + the Mechanics | | 4:27 |
| 23 | Mama (edit) | Genesis | | 5:19 |
| 24 | Feel Like Makin’ Love- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- drums (drum set):
- Simon Kirke (in 1974-09)
- electric bass guitar:
- Boz Burrell (in 1974-09)
- guitar:
- Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
- keyboard:
- Mick Ralphs (in 1974-09)
- piano and lead vocals:
- Paul Rodgers (in 1974-09)
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 78)
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music , MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 4.25 | 5:13 |
| 25 | Since You Been Gone- recording engineer:
- Leigh Mantle (in 1979-04) and Dr. Michael Palmer (in 1979-04)
- engineer:
- Gary Edwards
- producer:
- Roger Glover
- bass guitar:
- Roger Glover (in 1979-04)
- drums (drum set):
- Cozy Powell (in 1979-04)
- guitar:
- Ritchie Blackmore (in 1979-04)
- keyboard:
- Don Airey (in 1979-04)
- lead vocals:
- Graham Bonnet (in 1979-04)
- phonographic copyright (℗) by:
- Polydor Incorporated (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (in 1979), UMG Recordings, Inc. (in 1979) and Universal Records Inc. (in 1979)
- recorded at:
- Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 82)
- cover recording of:
- Since You Been Gone (in 1979-04)
- lyricist and composer:
- Russ Ballard
- publisher:
- BMG Gold Songs, BMG Rights Management GmbH , Complete Music Ltd., EMI Virgin Music Ltd. , Island Music , Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. and Virgin Music (Publishers) Ltd.
| Rainbow | 4 | 3:15 |
| 26 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.4 | 4:29 |
| 27 | Love Hurts | Nazareth | 4.4 | 3:52 |
| 28 | Keep On Loving You- assistant engineer:
- Tom Cummings and Jeff Eccles
- engineer:
- Kevin Beamish
- co-producer:
- Alan Gratzer
- producer:
- Kevin Beamish, Kevin Cronin and Gary Richrath
- acoustic guitar:
- Kevin Cronin
- bass:
- Bruce Hall
- drums (drum set):
- Alan Gratzer
- guitar:
- Gary Richrath
- Hammond organ:
- Neal Doughty
- background vocals:
- Kevin Cronin , Tom Kelly and Richard Page
- arranger:
- Kevin Cronin
- phonographic copyright (℗) by:
- Epic Records (in 1980), Sony BMG Music Entertainment (in 1980), Sony Music Entertainment (in 1980), Sony Music Entertainment Inc. (in 1980, in 1981) and CBS Records Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 67)
- recording of:
- Keep On Loving You (on 1980-09-03)
- lyricist and composer:
- Kevin Cronin
- publisher:
- Bucks Music Group Ltd. , Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. , Mushroom Music , Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd.
- sub-publisher:
- Taiyō Music
| REO Speedwagon | 3.55 | 3:21 |
| 29 | Hazard | Richard Marx | | 4:41 |
| 30 | Hold Me Now | Johnny Logan | 4 | 3:02 |
| 31 | When I See You Smile | Bad English | 4 | 4:18 |
| 32 | Maybe I’m Amazed- engineer and mixer:
- Phil McDonald
- producer:
- Paul McCartney
- drums (drum set), electric bass guitar, electric guitar, organ, piano and lead vocals:
- Paul McCartney (on 1970-02-22)
- background vocals:
- Linda McCartney (on 1970-02-22) and Paul McCartney (on 1970-02-22)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 1970, in 2014) and MPL Communications Ltd. (in 2014)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London , England, United Kingdom (on 1970-02-22)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 339)
- recording of:
- Maybe I’m Amazed (on 1970-02-22)
- written in:
- London , England, United Kingdom (in 1969)
- lyricist and composer:
- Paul McCartney (in 1969)
- publisher:
- Northern Songs Ltd. and Sony/ATV Tunes LLC
| Paul McCartney | 3.8 | 3:50 |
| 33 | Nights in White Satin | The Moody Blues | 4.4 | 4:24 |
| 34 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonnano and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Scotti Bros. Industries Inc (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (in 2016)
- recorded at:
- Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (number: 63)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control , Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music , Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited , Warner/Chappell North America Limited , WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
| Survivor | 4.4 | 4:06 |
| 35 | Dakota | Stereophonics | 3.95 | 4:58 |
| 36 | Left Outside Alone (radio edit) | Anastacia | 3.6 | 3:51 |
| 37 | The Final Countdown- producer:
- Kevin Elson
- phonographic copyright (℗) by:
- CBS Records AB (in 1986), CBS, Inc. (in 1986), Sony Music Entertainment Inc. (in 1986), Epic Records (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- Copyright Control , EMI , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , EMI Music Sweden AB , Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 4.05 | 3:58 |
| 38 | Because of You- additional engineer:
- Sergio Chavez and John Hanes (task: pro-tools engineer)
- producer:
- David Hodges and Ben Moody
- additional mixer:
- Tim Roberts
- mixer:
- Serban Ghenea
- electric bass guitar:
- Marty O’Brien
- electric guitar:
- Ben Moody
- membranophone:
- Mark Colbert
- piano:
- David Hodges
- strings arranger:
- David Campbell and David Hodges
- phonographic copyright (℗) by:
- 19 Recordings Ltd. (from 2004 to present), Capitol Records, Inc. (in 2006), Sony BMG Music Entertainment (in 2006), UMG Recordings, Inc. (in 2006) and Virgin Records America, Inc. (in 2006)
- music videos:
- Because of You by Kelly Clarkson
- recording of:
- Because of You
- writer:
- Kelly Clarkson, David Hodges and Ben Moody
- publisher:
- 12 06 Publishing, KMR Music Royalties II S, Reservoir 416 (B) and Smelly Songs
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 and ヤマハミュージックEH(CM)
| Kelly Clarkson | 3.9 | 3:40 |
| 39 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.15 | 3:49 |
| 40 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
- cover recording of:
- Nothing’s Gonna Stop Us Now
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
| Starship | 3.75 | 4:30 |
| 41 | Don’t Dream It’s Over- recording engineer:
- Tchad Blake and Dennis Kirk
- assistant engineer:
- Glen Holguin
- producer:
- Mitchell Froom
- mixer:
- Michael Frondelli
- bass:
- Nick Seymour
- congas, mbira [kalimba] and shakers:
- Jorge Bermudez
- drums (drum set):
- Paul Hester
- electric guitar [Gibson Les Paul Goldtop] and lead vocals:
- Neil Finn
- electric guitar [Tom Anderson “S” Style]:
- Tim Pierce
- keyboard and organ:
- Mitchell Froom
- background vocals:
- Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1986)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- mixed at:
- Studio 55 in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 5)
- recording of:
- Don’t Dream It’s Over
- lyricist and composer:
- Neil Finn
- publisher:
- Chrysalis Music , EMI Music Publishing Ltd. , Mushroom Music , Mushroom Music Publishing and Roundhead Music
- part of:
- APRA Top 100 New Zealand Songs of All Time (number: 2)
| Crowded House | 3.9 | 3:55 |
| 42 | Hallelujah (radio edit) | Jeff Buckley | 5 | 4:15 |
| 43 | (I’ve Had) The Time of My Life- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner , Michael Lloyd , Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records , BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- sub-publisher:
- ヤマハミュージックEH(CM) (ended), Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 and フジパシフィックミュージック
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | 3.75 | 4:50 |
| 44 | Amazed (Captain mix)- phonographic copyright (℗) by:
- Sony Music Entertainment (in 2000)
- part of:
- Grammy Award: Best Country Performance by a Duo or Group nominees (number: 2000)
- recording of:
- Amazed
- writer:
- Marv Green , Chris Lindsey and Aimee Mayo
- publisher:
- Careers–BMG Music Publishing, Inc., Chrysalis One Publishing UK Ltd., Kobalt Music Publishing Ltd. , Reservoir Media Management, Inc., Round Hill Music, Silverkiss Music, Songs of Nashville DreamWorks, Universal Music Publishing MGB Ltd. and Warner–Tamerlane Publishing Corp.
| Lonestar | | 4:28 |
| 45 | More Than Words | Extreme | 5 | 3:40 |
| 46 | Broken Wings- engineer:
- Paul DeVilliers
- producer:
- Paul DeVilliers and Mr. Mister
- bass guitar and lead vocals:
- Richard Page
- drums (drum set):
- Pat Mastelotto
- guitar:
- Steve Farris
- keyboard:
- Steve George
- phonographic copyright (℗) by:
- BMG Music (in 1985), RCA Records (in 1985) and Sony Music Entertainment (in 1985)
- recording of:
- Broken Wings
- writer:
- Steve George , John Lang and Richard Page
- publisher:
- Ali‐Aja Music, Copyright Control , Entente Music , Indolent Sloth Music, Panola Park Music, Poppy‐Due Music , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Warner/Chappell North America Limited , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Mr. Mister | 3.85 | 4:40 |
| 47 | We Belong (single version) | Pat Benatar | 4.4 | 3:40 |
| 48 | Here I Go Again | Whitesnake | | 3:53 |
| 49 | Wind of Change | Scorpions | 1 | 3:39 |
| 50 | Free Bird | Lynyrd Skynyrd | 4.7 | 9:12 |
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