Messe in H-Moll

~ Release by Bach; Arnold Schoenberg Chor, Concentus Musicus Wien, Harnoncourt (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:53
2Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:06
3Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in unum Dominum
contralto vocals:
Jadwiga Rappé (alto) (in 1986-04)
soprano vocals:
Angela Maria Blasi (soprano) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:06
4Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:59
5Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
6Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:27
7Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum
bass vocals:
Robert Holl (bass‐baritone) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:13
8Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:55
9Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et expecto
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:27
10Messe in H-moll, BWV 232: III. Sanctus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:22
11Messe in H-moll, BWV 232: IV. Osanna
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:37
12Messe in H-moll, BWV 232: IV. Benedictus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
tenor vocals:
Kurt Equiluz (tenor) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:48
13Messe in H-moll, BWV 232: IV. Agnus Dei
alto vocals:
Jadwiga Rappé (alto)
contralto vocals:
Jadwiga Rappé (alto) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:15
14Messe in H-moll, BWV 232: IV. Dona nobis pacem
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:52

Credits

Release

liner notes:Wolf-Eberhard von Lewinski
manufactured by:Warner Music Manufacturing Europe (aka WMME Alsdorf; manufacturing company; not for release label use!)
copyrighted (©) by:TELDEC Classics International GmbH (in 1995)
part of:Das Alte Werk (order: 29)
Discogs:https://www.discogs.com/release/3649575 [info]
ASIN:DE: B00000E8OL [info]
discography entry:http://www.bach-cantatas.com/Vocal/BWV232-Harnoncourt.htm#V2 [info]