Legion: Complete Motion Picture Score

~ Veröffentlichung von John Frizzell (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1When I Was a Little Girl
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
When I Was a Little Girl
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
2Michael Descends
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Michael Descends
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
3Self Surgery
?:??
4Angel Without Wings
?:??
5It's Started
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
It’s Started
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
6Nightmare
?:??
7Jeep and Charlie
?:??
8Old and Pissed Off
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Old and Pissed Off
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
9This Is Not a Test
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
This Is Not a Test
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
10Angry Granny
?:??
11The Aftermath
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
The Aftermath
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
12Clouds Don't Buzz
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Clouds Don’t Buzz
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
13And Now, What?
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Now What?
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
14They're Here
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
They’re Here
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
15On the Roof
?:??
16The Ice Cream Man
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
The Ice Cream Man
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
17Attack of the Possessed Pt. 1
?:??
18Attack of the Possessed Pt. 2
?:??
19We Got Them Running
?:??
20God's Plan
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
God’s Plan
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
21Percy's Story
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Percy's Story
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
22Beer Chat
?:??
23Faith
?:??
24Dark World
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Dark World
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
25Percy's Death
?:??
26Bob Blames Himself
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Bob Blames Himself
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
27The Broadcast
?:??
28I Didn't Even Want This Baby
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
I Didn’t Even Want This Baby
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
29Gas Station Getaway
?:??
30Open the Door
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Open the Door
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
31Are We Safe Now?
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Are We Safe Now?
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
32Killed by an Angel
?:??
33A Rebellious Son
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
A Rebellious Son
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
34The Battle
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
The Battle
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
35Die Like One of Them
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
Die Like One of Them
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
36Car Chase & Car Crash
?:??
37That Is Why You Failed Him
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
That Is Why You Failed Him
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
38You Are the True Protector
recording engineer:
Peter Fuchs (engineer/mixer)
assistierende(r) Techniker(in):
Martin Roller
Koproduzent(in):
Haim Mazar (production music composer)
Produzent(in):
John Frizzell (American score composer) und M.V. Gerhard (executive-producer for La-La Land Records)
Mix:
Frederik Wiedmann
Editing:
Brian Richards (engineer)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Screen Gems
recording of:
You Are the True Protector
Orchestrator(in):
John Frizzell (American score composer), Haim Mazar (production music composer) und Thomas Parisch (Composer and oboist, co-founded PearUp)
Komponist(in):
John Frizzell (American score composer)
?:??
39You Are the True Protector (alternate)
?:??
40End Credits Pt. 1
?:??
41End Credits Pt. 2
?:??

Nennungen

Veröffentlichungsgruppe

IMDb:https://www.imdb.com/title/tt1038686/ [Info]
Eigenständige Webseite:https://legionmovie.com/ [Info]
Wikidata:Q287960 [Info]