The Roaring Seventies

~ Release by Sir Simon Rattle (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics release, © 2025 Parlophone Records Limited
A Warner Classics release, ℗ 2025 Parlophone Records Limited

Annotation last modified on 2025-01-19 16:13 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1The Nutcracker, op. 71: Act 2: No. 12a, Divertissement. Chocolate, Spanish Dance
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12a. Дивертисмент (а) Шоколад: испанский танец (The Nutcracker, op. 71: Act II, Scene III. Divertimento: Chocolate: Spanish Dance, Chocolate: Spanish Dance) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:13
2The Nutcracker, op. 71: Act 2: No. 12c, Divertissement. Tea, Chinese Dance
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12c. Дивертисмент (в) Чай: китайский танец (Tea: Chinese dance) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:12
3The Nutcracker, op. 71: Act 2: No. 12d, Divertissement. Trepak, Russian Dance
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:09
4The Nutcracker, op. 71: Act 2: No. 12e, Divertissement. Dance of the Reed-Flutes
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:29
5Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven3:32
63 Gymnopédies: No. 3, Lent et grave
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2002-04-14 until 2002-04-15)
conductor:
Simon Rattle (conductor) (from 2002-04-14 until 2002-04-15)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Philharmonie, Berlin in Mitte, Berlin, Germany (from 2002-04-14 until 2002-04-15)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy) (from 2002-04-14 until 2002-04-15)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:45
7Carmina Burana: Introduction "Fortuna Imperatrix Mundi": O Fortuna
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2004-12-29 until 2004-12-31)
producer:
Stephen Johns (producer)
editor:
Jennifer Howells, Simon Kiln and Jørn Pedersen
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2004-12-29 until 2004-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-12-29 until 2004-12-31)
conductor:
Simon Rattle (conductor) (from 2004-12-29 until 2004-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-12-29 until 2004-12-31)
live recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 2004-12-29 until 2004-12-31)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:29
8Carmina Burana: Pt. 1 "Uf dem Anger": Tanz
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2004-12-29 until 2004-12-31)
producer:
Stephen Johns (producer)
editor:
Jennifer Howells, Simon Kiln and Jørn Pedersen
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-12-29 until 2004-12-31)
conductor:
Simon Rattle (conductor) (from 2004-12-29 until 2004-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-12-29 until 2004-12-31)
live recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 2004-12-29 until 2004-12-31)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:44
9Carmina Burana: Pt. 2 "In taberna": Estuans interius
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2004-12-29 until 2004-12-31)
producer:
Stephen Johns (producer)
editor:
Jennifer Howells, Simon Kiln and Jørn Pedersen
baritone vocals:
Christian Gerhaher (baritone) (from 2004-12-29 until 2004-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-12-29 until 2004-12-31)
conductor:
Simon Rattle (conductor) (from 2004-12-29 until 2004-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-12-29 until 2004-12-31)
live recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 2004-12-29 until 2004-12-31)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:16
10Symphony no. 14 in G minor, op. 135: II. Malagueña
producer:
Stephen Johns (producer)
soprano vocals:
Karita Mattila (soprano) (from 2005-09-16 until 2005-09-19)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-09-16 until 2005-09-19)
conductor:
Simon Rattle (conductor) (from 2005-09-16 until 2005-09-19)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2005-09-16 until 2005-09-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-09-16 until 2005-09-19)
live recording of:
Symphony no. 14, op. 135: II. Allegretto. "Malagueña" (from 2005-09-16 until 2005-09-19)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1969)
part of:
Symphony no. 14, op. 135
Dmitri Shostakovich2:51
11Pictures at an Exhibition: Promenade I (orch. Ravel, M. A 24)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-12-29 until 2007-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:43
12Pictures at an Exhibition: Il. Il vecchio castello (orch. Ravel, M. A 24)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-12-29 until 2007-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky4:38
13Pictures at an Exhibition: III. Tuileries (orch. Ravel, M. A 24)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-12-29 until 2007-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:09
14Pictures at an Exhibition: V. Ballet of the Unhatched Chicks (orch. Ravel, M. A 24)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-12-29 until 2007-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:12
15Pictures at an Exhibition: VII. Limoges, le marché (orch. Ravel, M. A 24)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-12-29 until 2007-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:21
16Pictures at an Exhibition: X. The Hut on Fowl's Legs "Baba Yaga" (orch. Ravel, M. A 24)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-12-29 until 2007-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky3:26
17Pictures at an Exhibition: XI. The Knight's Gate in the Old Capital of Kiev
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-12-29 until 2007-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky6:01
18Prologue - The Highest Point
choir vocals:
State Choir Latvija (The State Choir Latvija)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recording of:
Prologue - The Highest Point
composer:
Reinhold Heil, Johnny Klimek (Australian score composer) and Tom Tykwer
Johnny Klimek1:51
19Lost Love
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
Johnny Klimek1:46
20Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2007-02)
conductor:
Simon Rattle (conductor) (in 2007-02)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2007-02)
live recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (in 2007-02)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn3:40
21Adagio for Strings
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:57
22Wonderful Town: Act 1: Overture
producer:
John Fraser (UK producer)
orchestra:
Birmingham Contemporary Music Group (in 1998-06)
conductor:
Simon Rattle (conductor) (in 1998-06)
balance engineer:
Mike Hatch (engineer/editor) (in 1998-06)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-06)
recording of:
Wonderful Town: Act I. Overture (in 1998-06)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Wonderful Town
Leonard Bernstein5:19
23Songs of a Fairy-Tale Princess, op. 31: No. 2, The Nightingale
producer:
Stephen Johns (producer)
soprano vocals:
Iwona Sobotka (soprano) (on 2006-03-20)
orchestra:
City of Birmingham Symphony Orchestra (on 2006-03-20)
conductor:
Simon Rattle (conductor) (on 2006-03-20)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (on 2006-03-20)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (on 2006-03-20)
recording of:
Pieśni księżnicki z baśni, op. 31: No. 2. Słowik (for voice and orchestra) (on 2006-03-20)
orchestrator:
Karol Szymanowski (Polish composer) (in 1933)
lyricist:
Zofia Szymanowska
composer:
Karol Szymanowski (Polish composer)
orchestration of:
Pieśni księżnicki z baśni, op. 31: No. 2. Słowik
part of:
Pieśni księżnicki z baśni, op. 31 (Songs of the Fairy-tale Princess, for voice and orchestra, partial orch. by the composer)
part of:
Pieśni księżnicki z baśni, op. 31 (Songs of the Fairy-tale Princess, orch. completed by Oramo)
part of:
Pieśni księżnicki z baśni, op. 31 (Songs of the Fairy-tale Princess, orch. completed by Dozza)
Karol Szymanowski2:55
24The Rite of Spring: Pt. 1 "Adoration of the Earth": Introduction
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-11-08 until 2012-11-10)
conductor:
Simon Rattle (conductor) (from 2012-11-08 until 2012-11-10)
balance engineer:
René Möller (from 2012-11-08 until 2012-11-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-11-08 until 2012-11-10)
live recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (from 2012-11-08 until 2012-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:23
25The Rite of Spring: Pt. 1 "Adoration of the Earth": Augurs of Spring
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-11-08 until 2012-11-10)
conductor:
Simon Rattle (conductor) (from 2012-11-08 until 2012-11-10)
balance engineer:
René Möller (from 2012-11-08 until 2012-11-10)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-11-08 until 2012-11-10)
live partial recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 2012-11-08 until 2012-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
partial recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:21
26The Rite of Spring: Pt. 1 "Adoration of the Earth": Dances of the Young Girls
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-11-08 until 2012-11-10)
conductor:
Simon Rattle (conductor) (from 2012-11-08 until 2012-11-10)
balance engineer:
René Möller (from 2012-11-08 until 2012-11-10)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-11-08 until 2012-11-10)
live partial recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 2012-11-08 until 2012-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
partial recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:53
27The Rite of Spring: Pt. 1 "Adoration of the Earth": Ritual of Abduction
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-11-08 until 2012-11-10)
conductor:
Simon Rattle (conductor) (from 2012-11-08 until 2012-11-10)
balance engineer:
René Möller (from 2012-11-08 until 2012-11-10)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-11-08 until 2012-11-10)
live recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (from 2012-11-08 until 2012-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:19
28The Rite of Spring: Pt. 1 "Adoration of the Earth": Spring Rounds
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-11-08 until 2012-11-10)
conductor:
Simon Rattle (conductor) (from 2012-11-08 until 2012-11-10)
balance engineer:
René Möller (from 2012-11-08 until 2012-11-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-11-08 until 2012-11-10)
live recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (from 2012-11-08 until 2012-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:36
29The Rite of Spring: Pt. 2 "The Sacrifice": Glorification of the Chosen One
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-11-08 until 2012-11-10)
conductor:
Simon Rattle (conductor) (from 2012-11-08 until 2012-11-10)
balance engineer:
René Möller (from 2012-11-08 until 2012-11-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-11-08 until 2012-11-10)
live recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (from 2012-11-08 until 2012-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:36
30The Rite of Spring: Pt. 2 "The Sacrifice": Sacrificial Dance
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-11-08 until 2012-11-10)
conductor:
Bernard Haitink (conductor) and Simon Rattle (conductor) (from 2012-11-08 until 2012-11-10)
balance engineer:
René Möller (from 2012-11-08 until 2012-11-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-11-08 until 2012-11-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (from 2012-11-08 until 2012-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:55
31Così fan tutte, K. 588: Ouvertura
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Simon Rattle (conductor)
recording of:
Così fan tutte: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:08
32Carmen, WD 31: Prélude
assistant engineer:
Julian Steger (engineer)
engineer:
René Möller
producer and editor:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-04-16 until 2012-04-21)
conductor:
Simon Rattle (conductor) (from 2012-04-16 until 2012-04-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-04-16 until 2012-04-21)
recording of:
Carmen : Prélude (from 2012-04-16 until 2012-04-21)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet43:20
33Carmen, WD 31: Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur)
assistant engineer:
Julian Steger (engineer)
engineer:
René Möller
producer and editor:
Christoph Franke (engineer/producer)
choir vocals:
Chor der Deutschen Staatsoper Berlin (from 2012-04-16 until 2012-04-21)
mezzo-soprano vocals [Carmen]:
Magdalena Kožená (mezzo-soprano) (from 2012-04-16 until 2012-04-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-04-16 until 2012-04-21)
conductor:
Simon Rattle (conductor) (from 2012-04-16 until 2012-04-21)
chorus master:
Nicholas Jenkins (chorus master) (from 2012-04-16 until 2012-04-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-04-16 until 2012-04-21)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 2012-04-16 until 2012-04-21)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:19
34Carmen, WD 31: Act 1: Séguedille. "Près des remparts de Séville" (Carmen, Don José)
assistant engineer:
Julian Steger (engineer)
engineer:
René Möller
producer and editor:
Christoph Franke (engineer/producer)
mezzo-soprano vocals [Carmen]:
Magdalena Kožená (mezzo-soprano) (from 2012-04-16 until 2012-04-21)
tenor vocals [Don José]:
Jonas Kaufmann (tenor) (from 2012-04-16 until 2012-04-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-04-16 until 2012-04-21)
conductor:
Simon Rattle (conductor) (from 2012-04-16 until 2012-04-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-04-16 until 2012-04-21)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 2012-04-16 until 2012-04-21)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:32
35Carmen, WD 31: Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)
assistant engineer:
Julian Steger (engineer)
engineer:
René Möller
producer and editor:
Christoph Franke (engineer/producer)
mezzo-soprano vocals [Carmen]:
Magdalena Kožená (mezzo-soprano) (from 2012-04-16 until 2012-04-21)
mezzo-soprano vocals [Mercédès]:
Rachel Frenkel (mezzo-soprano) (from 2012-04-16 until 2012-04-21)
soprano vocals [Frasquita]:
Christina Landshamer (German soprano) (from 2012-04-16 until 2012-04-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-04-16 until 2012-04-21)
conductor:
Simon Rattle (conductor) (from 2012-04-16 until 2012-04-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-04-16 until 2012-04-21)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 2012-04-16 until 2012-04-21)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:34
36Carmen, WD 31: Act 2: "Votre toast, je peux vous le rendre" - "Toréador, en garde !" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga)
assistant engineer:
Julian Steger (engineer)
engineer:
René Möller
producer and editor:
Christoph Franke (engineer/producer)
baritone vocals [Escamillo]:
Kostas Smoriginas (Lithuanian bass-baritone) (from 2012-04-16 until 2012-04-21)
baritone vocals [Moralès]:
Andrè Schuen (baritone) (from 2012-04-16 until 2012-04-21)
bass vocals [Zuniga]:
Christian Van Horn (bass-baritone) (from 2012-04-16 until 2012-04-21)
choir vocals:
Chor der Deutschen Staatsoper Berlin (from 2012-04-16 until 2012-04-21)
mezzo-soprano vocals [Carmen]:
Magdalena Kožená (mezzo-soprano) (from 2012-04-16 until 2012-04-21)
mezzo-soprano vocals [Mercédès]:
Rachel Frenkel (mezzo-soprano) (from 2012-04-16 until 2012-04-21)
soprano vocals [Frasquita]:
Christina Landshamer (German soprano) (from 2012-04-16 until 2012-04-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-04-16 until 2012-04-21)
conductor:
Simon Rattle (conductor) (from 2012-04-16 until 2012-04-21)
chorus master:
Nicholas Jenkins (chorus master) (from 2012-04-16 until 2012-04-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-04-16 until 2012-04-21)
partial recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 2012-04-16 until 2012-04-21)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:02
37Porgy and Bess, Act 1: "Summertime" (Clara, Chorus)
engineer:
Mark Vigars (engineer)
assistant producer:
Tony Harrison (producer and sound engineer for classical music)
producer:
David R. Murray
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals [Clara]:
Harolyn Blackwell (soprano) (in 1988-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-02)
conductor:
Simon Rattle (conductor) (in 1988-02)
chorus master:
Craig Rutenberg (pianist, vocal accompanist, coach and teacher) (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene I
George Gershwin3:28
38Violin Concerto no. 1 in D major, op. 19: III. Moderato
producer:
Stephen Johns (producer)
violin:
Sarah Chang (violinist) (from 2005-06-15 until 2005-06-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-06-15 until 2005-06-17)
conductor:
Simon Rattle (conductor) (from 2005-06-15 until 2005-06-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-06-15 until 2005-06-17)
recording of:
Violin Concerto no. 1 in D major, op. 19: III. Moderato – Allegro moderato – Moderato – Piú tranquillo (from 2005-06-15 until 2005-06-17)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 1 in D major, op. 19
Sergei Prokofiev8:12
39Symphony no. 7 in A major, op. 92: II. Allegretto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:25
40Gurre-Lieder: Pt. 1: Introduktion. Mässig bewegt
engineer:
Andy Beer, Mike Cox (engineer) and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-09)
conductor:
Simon Rattle (conductor) (in 2001-09)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 2001-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-09)
recording of:
Gurre-Lieder: Part I. Orchestral prelude (in 2001-09)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schoenberg6:57
41Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven11:59
42Lulu Suite: II. Ostinato (Allegro)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1987-12-21)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1987-12-21)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1987-12-21)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1987-12-21)
recording of:
Lulu Suite: II. Ostinato: Allegro (from 1987-12-19 until 1987-12-21)
composer:
Alban Berg (Austrian composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg3:52
43Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenen Schritt. Streng. Wie ein Kondukt
engineer:
Andy Beer (from 2002-09-07 until 2002-09-10) and Graham Kirkby (engineer) (from 2002-09-07 until 2002-09-10)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2002-09-07 until 2002-09-10)
conductor:
Simon Rattle (conductor) (from 2002-09-07 until 2002-09-10)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2002-09-07 until 2002-09-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2002-09-07 until 2002-09-10)
live recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (from 2002-09-07 until 2002-09-10)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:04
44Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
engineer:
Andy Beer (from 2002-09-07 until 2002-09-10) and Graham Kirkby (engineer) (from 2002-09-07 until 2002-09-10)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2002-09-07 until 2002-09-10)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2002-09-07 until 2002-09-10)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2002-09-07 until 2002-09-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2002-09-07 until 2002-09-10)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 2002-09-07 until 2002-09-10)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:35
45Symphony no. 5 in C minor, op. 67: I. Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:24
46Fidelio, op. 72: Overture
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:52
47Fidelio, op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:40
48Éclairs sur l'au-delà...: VI. Les sept anges aux sept trompettes
engineer:
Arne Akselberg (from 2004-06-17 until 2004-06-19)
producer:
Stephen Johns (producer)
editor:
Andy Beer and Graham Kirby
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-06-17 until 2004-06-19)
conductor:
Simon Rattle (conductor) (from 2004-06-17 until 2004-06-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-06-17 until 2004-06-19)
recording of:
Éclairs sur l’Au-delà: VI. Les Sept Anges aux sept trompettes
composer:
Olivier Messiaen (composer and organist) (from 1987 until 1991)
part of:
Éclairs sur l’Au-delà
Olivier Messiaen4:03
49Éclairs sur l'au-delà...: X. Le chemin de l'invisible
engineer:
Arne Akselberg (from 2004-06-17 until 2004-06-19)
producer:
Stephen Johns (producer)
editor:
Andy Beer and Graham Kirby
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-06-17 until 2004-06-19)
conductor:
Simon Rattle (conductor) (from 2004-06-17 until 2004-06-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-06-17 until 2004-06-19)
recording of:
Éclairs sur l’Au-delà: X. Le Chemin de l’Invisible
composer:
Olivier Messiaen (composer and organist) (from 1987 until 1991)
part of:
Éclairs sur l’Au-delà
Olivier Messiaen3:43
50The Water Goblin, op. 107, B. 195: II. Andante mesto come prima
engineer:
Andy Beer (from 2004-03-04 until 2004-06-25) and Graham Kirby (from 2004-03-04 until 2004-06-25)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-03-04 until 2004-06-25)
conductor:
Simon Rattle (conductor) (from 2004-03-04 until 2004-06-25)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2004-03-04 until 2004-06-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-03-04 until 2004-06-25)
partial recording of:
Vodník, op. 107, B. 195 (The Water Goblin, op. 107, B. 195) (from 2004-03-04 until 2004-06-25)
premiered in:
London (Greater London), England, United Kingdom (on 1896-11-14)
composer:
Antonín Dvořák (composer) (from 1896-01-06 until 1896-02-11)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 107) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 195)
Antonín Dvořák4:54
51Prélude à l'après-midi d'un faune, CD 87, L. 86
engineer:
Andy Beer, Jochen Hofmann and Tobias Lehmann
producer:
Stephen Johns (producer)
editor:
Stephen Frost (sound engineer) and Raphael Mouterde
flute:
Emmanuel Pahud (flutist) (from 2004-09-17 until 2004-09-19)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-09-17 until 2004-09-19)
conductor:
Simon Rattle (conductor) (from 2004-09-17 until 2004-09-19)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2004-09-17 until 2004-09-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-09-17 until 2004-09-19)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 2004-09-17 until 2004-09-19)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:24
52La Mer, CD 111, L. 109: II. Jeux de vagues
engineer:
Andy Beer, Jochen Hofmann and Tobias Lehmann
producer:
Stephen Johns (producer)
editor:
Stephen Frost (sound engineer) and Raphael Mouterde
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2004-09-17 until 2004-09-19)
conductor:
Simon Rattle (conductor) (from 2004-09-17 until 2004-09-19)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2004-09-17 until 2004-09-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2004-09-17 until 2004-09-19)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 2004-09-17 until 2004-09-19)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:47
53Les illuminations, op. 18: no. 2, Villes
producer:
John Fraser (UK producer)
tenor vocals:
Ian Bostridge (tenor) (from 2005-04-04 until 2005-04-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-04-04 until 2005-04-10)
conductor:
Simon Rattle (conductor) (from 2005-04-04 until 2005-04-10)
balance engineer:
Arne Akselberg (from 2005-04-04 until 2005-04-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2005-04-04 until 2005-04-10)
recording of:
Les Illuminations, op. 18: II. Villes (from 2005-04-04 until 2005-04-10)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:28
54Serenade, op. 31: no. 6, Hymn
producer:
John Fraser (UK producer)
French horn:
Radek Baborák (horn player) (from 2005-04-04 until 2005-04-10)
tenor vocals:
Ian Bostridge (tenor) (from 2005-04-04 until 2005-04-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-04-04 until 2005-04-10)
conductor:
Simon Rattle (conductor) (from 2005-04-04 until 2005-04-10)
balance engineer:
Arne Akselberg (from 2005-04-04 until 2005-04-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2005-04-04 until 2005-04-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn (from 2005-04-04 until 2005-04-10)
lyricist:
Ben Jonson (English playwright & poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten2:05
55Ein Heldenleben, op. 40: I. Der Held
Richard Strauss4:16
56Symphony no. 3 in F major, op. 90: II. Andante
recording engineer and editor:
René Möller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-10-29 until 2008-11-14)
conductor:
Simon Rattle (conductor) (from 2008-10-29 until 2008-11-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Philharmonie, Berlin in Mitte, Berlin, Germany (from 2008-10-29 until 2008-11-14)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: II. Andante (from 2008-10-29 until 2008-11-14)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms9:18
57Symphony no. 3 in F major, op. 90: III. Poco allegretto
recording engineer and editor:
René Möller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-10-29 until 2008-11-14)
conductor:
Simon Rattle (conductor) (from 2008-10-29 until 2008-11-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Philharmonie, Berlin in Mitte, Berlin, Germany (from 2008-10-29 until 2008-11-14)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 2008-10-29 until 2008-11-14)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms46:44
58Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-06-08 until 2005-06-11)
conductor:
Simon Rattle (conductor) (from 2005-06-08 until 2005-06-11)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-06-08 until 2005-06-11)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace (from 2005-06-08 until 2005-06-11)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert12:15
59Violin Concerto no. 1 in A minor, op. 99: V. Burlesque. Allegro con brio - Presto
producer:
Stephen Johns (producer)
violin:
Sarah Chang (violinist) (from 2005-06-15 until 2005-06-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-06-15 until 2005-06-17)
conductor:
Simon Rattle (conductor) (from 2005-06-15 until 2005-06-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-06-15 until 2005-06-17)
recording of:
Violin Concerto no. 1 in A minor, op. 77 / 99: IV. Burleske (from 2005-06-15 until 2005-06-17)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1947 until 1955)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 1 in A minor, op. 77 / 99
Dmitri Shostakovich4:51
60The Planets, op. 32: I. Mars, the Bringer of War
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:25
61The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:03
62Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
producer:
Stephen Johns (producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2006-10-26 until 2006-10-29)
soprano vocals:
Dorothea Röschmann (soprano) (from 2006-10-26 until 2006-10-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-10-26 until 2006-10-29)
conductor:
Simon Rattle (conductor) (from 2006-10-26 until 2006-10-29)
chorus master:
Simon Halsey (conductor) (from 2006-10-26 until 2006-10-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-10-26 until 2006-10-29)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2007)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 2006-10-26 until 2006-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:35
63Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven12:08
64Flute Concerto: I. Allegro moderato
flute:
Emmanuel Pahud (flutist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
recording of:
Flute Concerto, FS 119: I. Allegro moderato
composer:
Carl Nielsen (Danish composer) (in 1926)
part of:
Flute Concerto, FS 119
Carl Nielsen11:59
65Prince Igor: Act 2: Polovtsian Dances (instrumental version)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-12-29 until 2007-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-12-29 until 2007-12-31)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (from 2007-12-29 until 2007-12-31)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin12:11
66Symphony of Psalms: I. Exaudi orationem meam
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-09-20 until 2007-09-22)
producer:
Stephen Johns (producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2007-09-20 until 2007-09-22)
vocals:
Rundfunkchor Berlin (Berlin Radio Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-09-20 until 2007-09-22)
conductor:
Simon Halsey (conductor) and Simon Rattle (conductor) (from 2007-09-20 until 2007-09-22)
chorus master:
Simon Halsey (conductor)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-09-20 until 2007-09-22)
recording of:
Symphony of Psalms: I. “Exaudi orationem meam, Domine” (1948 revision) (from 2007-09-20 until 2007-09-22)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (until 1948)
part of:
Symphony of Psalms (1948 revised version)
recording of:
Symphony of Psalms: I. "Exaudi orationem meam, Domine"
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1930)
part of:
Symphony of Psalms
Igor Stravinsky3:24
67L'Oiseau de feu: Tableau I: Danse infernale de tous les sujets de Kachtcheï
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
partial recording of:
L’Oiseau de feu: no. 13: Tableau I, Danse infernale de tous les sujets de Kachtcheï / Berceuse / Réveil de Kachtcheï / Mort de Kachtcheï / Profondes ténèbres (The Firebird: Act I, no. 13: Infernal Dance of All Kastchei's Subjects / Lullaby / Kastchei's Awakening / Kastchei's Death / Profound Darkness)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky4:36
68Symphonie fantastique, op. 14, H 48: II. Un bal. Valse. Allegro non troppo
engineer:
Mike Cox (engineer)
producer:
Stephen Johns (producer)
editor:
Simon Kiln
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-05-30 until 2008-06-01)
conductor:
Simon Rattle (conductor) (from 2008-05-30 until 2008-06-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2008-05-30 until 2008-06-01)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 2008-05-30 until 2008-06-01)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:27
69Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant
recording engineer:
René Möller (from 2008-09-24 until 2008-09-28)
producer:
Christophe Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-09-24 until 2008-09-28)
conductor:
Simon Rattle (conductor) (from 2008-09-24 until 2008-09-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009) and Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2008-09-24 until 2008-09-28)
live recording of:
Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant (from 2008-09-24 until 2008-09-28)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
live recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour orchestre) (from 2008-09-24 until 2008-09-28)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel2:36
70Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête
recording engineer:
René Möller (from 2008-09-24 until 2008-09-28)
producer:
Christophe Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-09-24 until 2008-09-28)
conductor:
Simon Rattle (conductor) (from 2008-09-24 until 2008-09-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2008-09-24 until 2008-09-28)
live recording of:
Ma mère l’Oye : Tableau III : Les Entretiens de la Belle et de la Bête (from 2008-09-24 until 2008-09-28)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel5:06
71Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino
recording engineer and editor:
René Möller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-10-29 until 2008-11-14)
conductor:
Simon Rattle (conductor) (from 2008-10-29 until 2008-11-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Philharmonie, Berlin in Mitte, Berlin, Germany (from 2008-10-29 until 2008-11-14)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) (from 2008-10-29 until 2008-11-14)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms5:27
72Piano Concerto in A minor, op. 54: I. Allegro affettuoso
recording engineer:
Mike Hatch (engineer/editor) (from 1992-04-22 until 1992-04-24)
producer:
Simon Woods (producer)
piano:
Lars Vogt (pianist) (from 1992-04-22 until 1992-04-24)
orchestra:
City of Birmingham Symphony Orchestra (from 1992-04-22 until 1992-04-24)
conductor:
Simon Rattle (conductor) (from 1992-04-22 until 1992-04-24)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1992-04-22 until 1992-04-24)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (from 1992-04-22 until 1992-04-24)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
revision of:
Phantasie in A minor
Robert Schumann15:13
73Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2007-10-24 until 2007-10-27)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2007-10-24 until 2007-10-27)
conductor:
Simon Rattle (conductor) (from 2007-10-24 until 2007-10-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2007-10-24 until 2007-10-27)
live recording of:
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend (from 2007-10-24 until 2007-10-27)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler26:02
74Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
recording engineer and editor:
René Möller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-10-29 until 2008-11-14)
conductor:
Simon Rattle (conductor) (from 2008-10-29 until 2008-11-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Philharmonie, Berlin in Mitte, Berlin, Germany (from 2008-10-29 until 2008-11-14)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: I. Allegro non troppo (from 2008-10-29 until 2008-11-14)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms13:21
75Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese. Presto (orch. Schoenberg)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-10-30 until 2009-11-07)
conductor:
Simon Rattle (conductor) (from 2009-10-30 until 2009-11-07)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-10-30 until 2009-11-07)
recording of:
Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese. Presto (Schönberg orchestration) (from 2009-10-30 until 2009-11-07)
orchestrator:
Arnold Schönberg (Arnold Schoenberg, composer)
composer:
Johannes Brahms (German composer)
orchestration of:
Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla Zingarese. Presto
part of:
Piano Quartet no. 1 in G minor, op. 25 (Schönberg orchestration)
Johannes Brahms9:11
76The Nutcracker, op. 71: Miniature Overture
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Pyotr Ilyich Tchaikovsky3:09
77The Nutcracker, op. 71:Act 1: No. 2, March
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Pyotr Ilyich Tchaikovsky2:26
78The Nutcracker, op. 71: Act 2: No. 13, Waltz of the Flowers
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky6:56
79The Nutcracker, op. 71: Act 2: No. 14a, Pas de deux. Andante maestoso
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14a. Па-де-де: Танец Принца Оршада и Феи Драже (Dance of the Prince & the Sugar-Plum Fairy) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky5:07
80The Nutcracker, op. 71: Act 2: No. 14c, Pas de deux. Variation II "Dance of the Sugar Plum Fairy"
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:25
81Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
engineer:
René Moeller (from 2010-10-28 until 2010-10-30)
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2010-10-28 until 2010-10-30)
conductor:
Simon Rattle (conductor) (from 2010-10-28 until 2010-10-30)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2010-10-28 until 2010-10-30)
live recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (from 2010-10-28 until 2010-10-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler24:24
82Symphony no. 2 in C minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz!"
engineer:
René Moeller (from 2010-10-28 until 2010-10-30)
producer:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2010-10-28 until 2010-10-30)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (from 2010-10-28 until 2010-10-30)
soprano vocals:
Kate Royal (soprano) (from 2010-10-28 until 2010-10-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2010-10-28 until 2010-10-30)
conductor:
Simon Rattle (conductor) (from 2010-10-28 until 2010-10-30)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2010-10-28 until 2010-10-30)
edit of:
Symphony no. 2 in C minor “Resurrection”: Finale: Langsam. Misterioso: „Aufersteh'n, ja aufersteh'n wirst du“ (Klopstock/Mahler) – Etwas bewegter – Mit Aufschwung, aber nicht eilen by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Simon Rattle (conductor)
live partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 2010-10-28 until 2010-10-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:46
83Symphony no. 9 in D minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell
assistant engineer:
Tom Russbüldt
engineer:
René Moeller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-02-07 until 2012-02-09)
conductor:
Simon Rattle (conductor) (from 2012-02-07 until 2012-02-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-02-07 until 2012-02-09)
live recording of:
Symphony no. 9 in D-minor, WAB 109: II. Scherzo: Bewegt, lebhaft (1894 version, ed. Cohrs 2000) (from 2012-02-07 until 2012-02-09)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (1894 version, ed. Cohrs 2000)
Anton Bruckner10:57
84The Bells, op. 35: III. Presto
producer and editor:
Christoph Franke (engineer/producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2012-11-08 until 2012-11-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2012-11-08 until 2012-11-11)
conductor:
Simon Rattle (conductor) (from 2012-11-08 until 2012-11-11)
chorus master:
Simon Halsey (conductor)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2012-11-08 until 2012-11-11)
live recording of:
The Bells, op. 35: III. Presto (from 2012-11-08 until 2012-11-11)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1913)
part of:
The Bells, op. 35
Sergei Rachmaninoff7:58
85The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (excerpt)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Simon Rattle (conductor)
partial recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst4:48
864 Chansons françaises: No. 3, L'enfance
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1982-04-22 until 1982-04-23)
conductor:
Simon Rattle (conductor) (from 1982-04-22 until 1982-04-23)
balance engineer:
Michael Sheady (engineer) (from 1982-04-22 until 1982-04-23)
recorded at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (from 1982-04-22 until 1982-04-23)
recording of:
L'Enfance (from 1982-04-22 until 1982-04-23)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1928)
part of:
Quatre chansons françaises
Benjamin Britten4:31
87Images pour orchestre, CD 118, L. 122, Pt. 2 "Iberia": No. 1, Par les rues et par les chemins
producer:
David R. Murray
editor:
Tony Harrison (producer and sound engineer for classical music)
orchestra:
City of Birmingham Symphony Orchestra (from 1989-02-15 until 1989-02-17)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1989-02-15 until 1989-02-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1989-02-15 until 1989-02-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1989-02-15 until 1989-02-17)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (from 1989-02-15 until 1989-02-17)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy7:14
88Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear
producer:
David R. Murray
editor:
Tony Harrison (producer and sound engineer for classical music)
orchestra:
City of Birmingham Symphony Orchestra (from 1989-02-15 until 1989-02-17)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1989-02-15 until 1989-02-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1989-02-15 until 1989-02-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1989-02-15 until 1989-02-17)
recording of:
Musique pour “Le Roi Lear”, L. 107, CD 116: Le Sommeil de Lear (from 1989-02-15 until 1989-02-17)
orchestrator:
Jean Roger‐Ducasse (French composer)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Musique pour “Le Roi Lear”, L. 107, CD 116 (orch. Roger-Ducasse)
Claude Debussy3:24
89Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro
recording engineer and editor:
René Möller
producer:
Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-10-29 until 2008-11-14)
conductor:
Simon Rattle (conductor) (from 2008-10-29 until 2008-11-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009)
recorded at:
Philharmonie, Berlin in Mitte, Berlin, Germany (from 2008-10-29 until 2008-11-14)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: I. Un poco sostenuto – Allegro (from 2008-10-29 until 2008-11-14)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms13:59
90Miroirs, M. 43: V. La vallée des cloches
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-04-06 until 1990-04-14)
conductor:
Simon Rattle (conductor) (from 1990-04-06 until 1990-04-14)
balance engineer:
Michael Sheady (engineer) (from 1990-04-06 until 1990-04-14)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1990-04-06 until 1990-04-12)
recording of:
Miroirs: La vallée des cloches (Arr. Grainger) (from 1990-04-06 until 1990-04-14)
composer:
Maurice Ravel (French composer)
arranger:
Percy Grainger (Australian composer 1882–1961)
arrangement of:
Miroirs: V. La Vallée des cloches
Maurice Ravel5:28
91Concierto de Aranjuez: II. Adagio (excerpt)
classical guitar and guitar:
Julian Bream
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo54:45
92Variations on an Original Theme, op. 36 "Enigma": Variation IX. Nimrod
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1993-08-28 until 1993-08-29)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:26
93A Faust Symphony, S. 108: III. (a) Mephistopheles (live)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
David R. Murray
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1994-04-15 until 1994-04-17)
conductor:
Simon Rattle (conductor) (from 1994-04-15 until 1994-04-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1994-04-15 until 1994-04-17)
recording of:
Eine Faust-Symphonie, S. 108: III. Mephistopheles. Allegro vivace, ironico (from 1994-04-15 until 1994-04-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Eine Faust-Symphonie, S. 108 (A Faust Symphony)
Franz Liszt16:04
94Rhapsody in Blue (opening)
grand piano:
Wayne Marshall (British pianist, organist and conductor)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
partial recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
composer:
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
premiered at:
Aeolian Hall in New York, New York, United States (on 1924-02-12)
version of:
Rhapsody in Blue (original 1924 two-piano manuscript version)
George Gershwin4:41
95Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (excerpt)
piano:
Cécile Ousset (French pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff4:33
962 Pieces from Kuolema, op. 44: no. 2, Scene with Cranes
producer:
John Fraser (UK producer)
orchestra:
City of Birmingham Symphony Orchestra (on 1984-05-04)
conductor:
Simon Rattle (conductor) (on 1984-05-04)
balance engineer:
Michael Sheady (engineer) (on 1984-05-04)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1984-05-04)
recording of:
Scene With Cranes, op. 44 no. 2 (for orchestra) (on 1984-05-04)
premiered in:
Vaasa, Pohjanmaa (Ostrobothnia), Finland (on 1906-12-14)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1904)
part of:
2 Pieces from Kuolema, op. 44
Jean Sibelius5:33
97Boléro, M. 81
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
orchestra:
City of Birmingham Symphony Orchestra (from 1990-10-16 until 1990-10-21)
conductor:
Simon Rattle (conductor) (from 1990-10-16 until 1990-10-21)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-10-16 until 1990-10-21)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-10-16 until 1990-10-21)
recording of:
Boléro (from 1990-10-16 until 1990-10-21)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel16:07
98Tevot, op. 24
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
live recording of:
Tevot
composer:
Thomas Adès (British composer, pianist and conductor) (in 2007)
Thomas Adès22:22
99Ein deutsches Requiem, op. 45: II. Denn alles Fleisch es ist wie Gras
producer:
Stephen Johns (producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2006-10-26 until 2006-10-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-10-26 until 2006-10-29)
conductor:
Simon Rattle (conductor) (from 2006-10-26 until 2006-10-29)
chorus master:
Simon Halsey (conductor) (from 2006-10-26 until 2006-10-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-10-26 until 2006-10-29)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2007)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 2006-10-26 until 2006-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms14:14
100Violin Concerto in B minor, op. 61: II. Andante
engineer:
Jonathan Stokes (engineer) (from 2020-09-18 until 2020-09-19)
producer:
Stephen Johns (producer)
mixer and editor:
Jonathan Stokes (engineer)
violin:
Renaud Capuçon (violinist) (from 2020-09-18 until 2020-09-19)
orchestra:
London Symphony Orchestra (from 2020-09-18 until 2020-09-19)
conductor:
Simon Rattle (conductor) (from 2020-09-18 until 2020-09-19)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2021)
recorded at:
St Luke’s, Old Street in Islington, London (Greater London), England, United Kingdom (from 2020-09-18 until 2020-09-19)
recording of:
Violin Concerto in B minor, op. 61: II. Andante (from 2020-09-18 until 2020-09-19)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
Edward Elgar12:51