Quatre suites pour le Magnificat

~ Release by Jean-Adam Guilain; André Isoir, Les Demoiselles de Saint-Cyr, Emmanuel Mandrin (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Suite du Premier Ton: I. Chœur: Antienne – Beata mater… / Orgue: Plein-jeu – Magnificat anima mea Dominum
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du premier ton: I. Plein jeu (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du premier ton
Jean-Adam Guillaume Guilain2:33
2Suite du Premier Ton: II. Chœur: Et exultavit spiritus meus… / Orgue: Trio – Quia respexit humilitatem…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du premier ton: II. Trio (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du premier ton
Jean-Adam Guillaume Guilain1:28
3Suite du Premier Ton: III. Chœur: Quia fecit mihi magna… / Orgue: Duo – Et misericordia ejus…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du premier ton: III. Duo (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du premier ton
Jean-Adam Guillaume Guilain1:24
4Suite du Premier Ton: IV. Chœur: Fecit potentiam in bracchio suo / Orgue: Basse de Trompette – Deposuit potentes de sede…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du premier ton: IV. Basse de Trompette (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du premier ton
Jean-Adam Guillaume Guilain1:58
5Suite du Premier Ton: V. Chœur: Esurientes implevit bonis / Orgue: Récit – Suscepit Israel puerum suum
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du premier ton: V. Récit (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du premier ton
Jean-Adam Guillaume Guilain2:06
6Suite du Premier Ton: VI. Chœur: Sicut locutus est ad Patres nostros / Orgue: Dialogue – Gloria Patri, et Filio, et Spiritui Sancto
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du premier ton: VI. Dialogue. Grand jeu (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du premier ton
Jean-Adam Guillaume Guilain1:50
7Suite du Premier Ton: VII. Chœur: Sicut erat in principio / Orgue: Petit Plein-jeu – Beat Mater… (reprise de l'antienne)
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du premier ton: VII. Petit plein jeu (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du premier ton
Jean-Adam Guillaume Guilain1:33
8Suite du Second Ton: I. Chœur: Antienne – Beata es Maria… / Orgue: Prélude – Magnificat anima mea Dominum
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du deuxième ton: Prélude (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du deuxième ton
Jean-Adam Guillaume Guilain2:46
9Suite du Second Ton: II. Chœur: Et exultavit spiritus meus… / Orgue: Tierce en Taille – Quia respexit humilitatem…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du deuxième ton: Tierce En Taille (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du deuxième ton
Jean-Adam Guillaume Guilain3:14
10Suite du Second Ton: III. Chœur: Quia fecit mihi magna… / Orgue: Duo – Et misericordia ejus…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du deuxième ton: Duo (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du deuxième ton
Jean-Adam Guillaume Guilain1:49
11Suite du Second Ton: IV. Chœur: Fecit potentiam in bracchio suo / Orgue: Basse de Trompette – Deposuit potentes de sede
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du deuxième ton: Basse de Trompette (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du deuxième ton
Jean-Adam Guillaume Guilain2:01
12Suite du Second Ton: V. Chœur: Esurientes implevit bonis / Orgue: Trio de Flûtes – Suscepit Israel puerum suum
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du deuxième ton: Trio de Flûtes (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du deuxième ton
Jean-Adam Guillaume Guilain2:04
13Suite du Second Ton: VI. Chœur: Sicut locutus est ad Patres nostros / Orgue: Dialogue – Gloria Patri, et Filio, et Spiritui Sancto
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du deuxième ton: Dialogue (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du deuxième ton
Jean-Adam Guillaume Guilain2:53
14Suite du Second Ton: VII. Chœur: Sicut erat in principio / Orgue: Petit Plein-jeu – Beata es Maria (reprise de l'antienne)
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du deuxième ton: Petit Plein Jeu (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du deuxième ton
Jean-Adam Guillaume Guilain1:29
15Suite du Troisième Ton: I. Chœur: Antienne – Prudentes Virgines… / Orgue: Plein-jeu – Magnificat anima mea Dominum
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du troisième ton: I. Plein Jeu (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du troisième ton
Jean-Adam Guillaume Guilain2:39
16Suite du Troisième Ton: II. Chœur: Et exultavit spiritus meus… / Orgue: Quatuor – Quia respexit humilitatem…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du troisième ton: II. Quatuor (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du troisième ton
Jean-Adam Guillaume Guilain3:17
17Suite du Troisième Ton: III. Chœur: Quia fecit mihi magna… / Orgue: Dialogue de Voix humaines – Et misericordia ejus…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du troisième ton: III. Dialogue de Voix humaine (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du troisième ton
Jean-Adam Guillaume Guilain3:06
18Suite du Troisième Ton: IV. Chœur: Fecit potentiam in bracchio suo / Orgue: Basse de Trompette – Deposuit potentes de sede
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du troisième ton: IV. Basse de Trompette (on 1997-09-02)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du troisième ton
Jean-Adam Guillaume Guilain2:14
19Suite du Troisième Ton: V. Chœur: Esurientes implevit bonis / Orgue: Duo – Suscepit Israel puerum suum
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du troisième ton: V. Duo (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du troisième ton
Jean-Adam Guillaume Guilain1:56
20Suite du Troisième Ton: VI. Chœur: Sicut locutus est ad Patres nostros / Orgue: Grand-jeu – Gloria Patri, et Filio, et Spiritui Sancto
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du troisième ton: VI. Cromorne en taille (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du troisième ton
Jean-Adam Guillaume Guilain2:21
21Suite du Troisième Ton: VII. Chœur: Sicut erat in principio / Orgue: Petit Plein-jeu – Prudentes Virgines (reprise de l'antienne)
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du troisième ton: VII. Grand Jeu (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du troisième ton
Jean-Adam Guillaume Guilain1:26
22Suite du Quatrième Ton: I. Chœur: Intonation / Orgue: Plein-jeu – Magnificat anima mea Dominum
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du quatrième ton: Plein Jeu (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du quatrième ton
Jean-Adam Guillaume Guilain1:39
23Suite du Quatrième Ton: II. Chœur: Et exultavit spiritus meus…/ Orgue: Cromhorne en Taille – Quia respexit humilitatem…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du quatrième ton: Cromhorne En Taille (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du quatrième ton
Jean-Adam Guillaume Guilain3:09
24Suite du Quatrième Ton: III. Chœur: Quia fecit mihi magna… / Orgue: Duo – Et misericordia ejus…
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du quatrième ton: Duo (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du quatrième ton
Jean-Adam Guillaume Guilain2:23
25Suite du Quatrième Ton: IV. Chœur: Fecit potentiam in bracchio suo / Orgue: Basse de Cromhorne – Deposuit potentes de sede
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du quatrième ton: Basse de Cromhorne
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du quatrième ton
Jean-Adam Guillaume Guilain2:28
26Suite du Quatrième Ton: V. Chœur: Esurientes implevit bonis / Orgue: Trio – Suscepit Israel puerum suum
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du quatrième ton: Trio (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du quatrième ton
Jean-Adam Guillaume Guilain2:24
27Suite du Quatrième Ton: VI. Chœur: Sicut locutus est ad Patres nostros / Orgue: Dialogue – Gloria Patri, et Filio, et Spiritui Sancto
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du quatrième ton: Dialogue (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du quatrième ton
Jean-Adam Guillaume Guilain2:55
28Suite du Quatrième Ton: VII. Chœur: Sicut erat in principio / Orgue: Petit Plein-jeu – conclusion
sound engineer:
Solène Chevassus (engineer) (in 1997)
producer:
Arnaud Moral (French audio)
editor:
Sandrine Bréchot
organ [by J. Boizard, 1714]:
André Isoir (organist) (from 1997-09-02 until 1997-09-04)
choir vocals:
Les Demoiselles de Saint-Cyr (from 1997-09-02 until 1997-09-04)
chorus master:
Emmanuel Mandrin (organist) (from 1997-09-02 until 1997-09-04)
recorded at:
Abbaye de Saint-Michel-en-Thiérache in Saint-Michel, Aisne, Hauts-de-France, France (from 1997-09-02 until 1997-09-04)
recording of:
Suite du quatrième ton: Petit Plein Jeu (from 1997-09-02 until 1997-09-04)
composer:
Jean-Adam Guilain (German/French organist & harpsichordist, c. 1680-1739)
part of:
Suite du quatrième ton
Jean-Adam Guillaume Guilain1:38

Credits

Release

liner notes:Gilles Cantagrel (musicologist)
Emmanuel Mandrin (organist)
purchase for download:https://itunes.apple.com/fr/album/id289288708 [info]