40 Jahre Disco: Disco Glitter

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Fireball
Techniker(in):
Louis Austin (engineering), Martin Birch und Alan O’Duffy
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (von 1970-09 bis 1971-06)
E-Gitarre:
Ritchie Blackmore (von 1970-09 bis 1971-06)
Hammond-Orgel:
Jon Lord (von 1970-09 bis 1971-06)
Schlagzeug:
Ian Paice (von 1970-09 bis 1971-06)
Sologesang:
Ian Gillan (von 1970-09 bis 1971-06)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1971)
recording of:
Fireball (von 1970-09 bis 1971-06)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
Deep Purple4.253:25
2Crazy Horses
recording of:
Crazy Horses
Texter und Komponist(in):
Alan Osmond, Merrill Osmond und Wayne Osmond
publisher:
Kolob Music und Mike Curb Music
Version von:
Crazy Horses
The Osmonds2:31
3This Flight Tonight
Produzent(in):
Roger Glover
phonographisches Urheberrecht (℗) von:
Nazareth (Dunfermline) Ltd. (bis 1973) und Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
cover recording of:
This Flight Tonight
Texter und Komponist(in):
Joni Mitchell
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG), Joni Mitchell Publishing Corp., Siquomb Pub. Corp. und Warner Bros. Music (publisher; do NOT use as release label)
Nazareth3.753:21
4Down Down
Techniker(in):
Hugh Jones (UK producer), Damon Lyon-Shaw und Andrew Miller (engineer)
assistierende(r) Produzent(in):
Damon Lyon-Shaw
Produzent(in):
Status Quo (UK boogie rock band)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1975) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1975)
recording of:
Down Down (in 1974)
geschrieben in:
Los Angeles, California (Kalifornien), Vereinigte Staaten
Texter:
Francis Rossi
Komponist(in):
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) und Francis Rossi
publisher:
Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing und Valley Music Ltd (publisher)
Status Quo45:24
5America
Produzent(in):
Michelangelo Romano
vocals:
Gianna Nannini (in 1979)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
recording of:
America (in 1979)
Texter:
Gianna Nannini
Komponist(in):
Mauro Paoluzzi
publisher:
Ed. Jubal (publisher; do NOT use as release label) (in 1979)
Gianna Nannini4:20
6Whiskey in the Jar
Produzent(in):
Nick Tauber
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Thin Lizzy (Irish hard rock band)
publisher:
Pippin the Friendly Ranger Music Co. Ltd., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Version von:
Whiskey in the Jar (traditional)
Thin Lizzy5:52
7Roll Away the Stone
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recording of:
Roll Away the Stone
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
Island Music Limited (Island Music Ltd.) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Mott the Hoople3.53:11
8Free Me
Techniker(in):
Peter Gallen
Produzent(in):
Gerry Bron und Ken Hensley
assistierende(r) Mix:
Julian Cooper (engineer) und John Gallen (UK music producer, recording & mix engineer.)
Mix:
Peter Gallen und Robert M. Corich (remastering engineer and record producer,) (von 1990 bis 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-09)
recording of:
Free Me (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Umble Tunes Ltd.
Uriah Heep23:33
9I Hear You Knocking
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI Records UK (company credits only; file no releases here!) (in 1970) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
10Guitar King
recording of:
Guitar King
Verfasser(in):
Henk Bruysten und Alan Macfarlane
Hank the Knife & The Jets3:09
11Milk and Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.22:56
12Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:55
13Radar Love
Produzent(in):
Golden Earring
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.255:03
14You Ain’t Seen Nothing Yet
recording engineer und Mix:
Mark K. Smith (Canadian engineer)
assistierende(r) Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
assistierende(r) Mix:
Richard Dashut
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:48
15Do Anything You Wanna Do
recording of:
Do Anything You Wanna Do
Komponist(in):
Graeme Douglas und Ed Hollis (British songwriter and producer)
Eddie & the Hot Rods44:19
16Hey Willy
Produzent(in):
Ron Richards
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Hey Willy
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies53:27
17Silver Machine
Produzent(in):
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) und Hawkwind
Bassgitarre und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (am 1972-02-13)
flute und Saxophon:
Nik Turner (am 1972-02-13)
Gitarre:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13)
Schlagzeug:
Simon King (drummer) (am 1972-02-13)
Synthesizer:
Dik Mik Davies (am 1972-02-13) und Del Dettmar (am 1972-02-13)
zusätzlich Bassgitarre und zusätzlich Gitarre:
Guy Pratt (am 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (am 1972-02-13) und Nik Turner (am 1972-02-13)
remixer:
The Scourge of the Earth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Silver Machine (12″ mix) von Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (am 1972-02-13)
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
recording of:
Silver Machine
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
Hawkwind3.654:38
18Blockbuster
Produzent(in):
Phil Wainman
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Block Buster!
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. und Universal Music Publishing MGB Ltd.
The Sweet53:12
19I Was Made for Loving You
recording engineer und Mix:
Jay Messina
assistierende(r) Techniker(in):
Jim Galante und Jon Mathias (engineer)
Produzent(in):
Vini Poncia
Keyboard und Hintergrundgesang:
Vini Poncia
Schlagzeug:
Anton Fig
Sologesang:
Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:30

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