Gramophone Awards 97

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Canterbury Pilgrims: The Prologue (excerpt)
sound engineer:
Ralph Couzens (engineer/editor/producer)
editor:
Peter Newble (producer and engineer)
orchestra:
London Symphony Orchestra (from 1996-09-30 until 1996-10-05)
conductor:
Richard Hickox (conductor) (from 1996-09-30 until 1996-10-05)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (from 1996-09-30 until 1996-10-05)
partial recording of:
The Canterbury Pilgrims: I. Prologue (from 1996-09-30 until 1996-10-05)
composer:
Sir George Dyson (composer)
part of:
The Canterbury Pilgrims
Sir George Dyson4:53
2Violin Concerto no. 1, op. 35: III. Cadenza (conclusion)
producer:
David R. Murray
editor:
Stephen Frost (sound engineer)
violin:
Thomas Zehetmair (violinist and conductor) (from 1995-04-09 until 1995-04-11)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-04-09 until 1995-04-11)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1995-04-09 until 1995-04-11)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1995-04-09 until 1995-04-11)
partial recording of:
Violin Concerto no. 1, op. 35 (from 1995-04-09 until 1995-04-11)
composed in:
Ukraine
composer:
Karol Szymanowski (Polish composer) (in 1916)
dedicated to:
Paweł Kochański (violinist)
Karol Szymanowski3:37
3Suite no. 3 in D minor, HWV 428: V. Air (with 5 variations)
engineer:
Pauline Heister
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Matthew Cocker (editor)
piano:
Murray Perahia (pianist and conductor) (from 1996-10-26 until 1996-10-29, on 1996-11-05)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (from 1996-10-26 until 1996-10-29, on 1996-11-05)
recording of:
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428
George Frideric Handel3:49
4Kennst du das Land?
piano:
Graham Johnson (pianist)
soprano vocals:
Christine Schäfer (soprano)
recording of:
Lieder und Gesänge aus „Wilhelm Meister“, op. 98a: Nr. 1. Mignon (Kennst du das Land)
lyricist:
Johann Wolfgang von Goethe
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Lieder und Gesänge aus „Wilhelm Meister“, op. 98a
Robert Schumann4:07
5Cello Suite no. 1 in G, BWV 1007: I. Prelude / VI. Gigue
cello [violoncello]:
Mstislav Rostropovich (cellist/conductor)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach3:38
6Ascot Gavotte
choir vocals:
National Symphony Chorus (London)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings)
conductor:
John Owen Edwards
recording of:
Ascot Gavotte (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
My Fair Lady (full musical)
Frederick Loewe3:21
7Sonata for Violin Solo, Sz. 117, BB 124: I. Tempo di ciaccona (excerpt)
assistant engineer:
Philippe Carminati and Philippe Malidin
engineer:
Agnès Wargnier
producer and editor:
Alain Duchemin
violin:
Isabelle Faust (violinist)
partial recording of:
Sonata for Solo Violin, Sz.117, BB 124: I. Tempo di ciaccona
composer:
Bartók Béla (Béla Bartók, composer) (in 1944)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Sonata for Solo Violin, Sz.117, BB 124
Béla Bartók4:23
8Hippolyte et Aricie: Act II. Vous, qui de l’avenir percez la nuit profonde (excerpt)
partial recording of:
Hippolyte et Aricie: Acte II
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Simon‐Joseph Pellegrin
part of:
Hippolyte et Aricie
Jean‐Philippe Rameau4:24
9Vespers: Ave Maria, op. 37 no. 6
assistant engineer:
Jacques Doll and Geoff Miles (editor and engineer)
engineer:
Richard Lee (engineer)
editor:
Tim Oldham (editor / producer)
choir vocals:
Choir of New College Oxford (from 1996-01-06 until 1996-04-13)
orchestra:
The New College Oxford Choir
conductor:
Edward Higginbottom (keyboardist, organist) (from 1996-01-06 until 1996-04-13)
chorus master:
Edward Higginbottom (keyboardist, organist)
recorded at:
New College Chapel in Oxford, Oxfordshire, England, United Kingdom (from 1996-01-06 until 1996-04-13)
recording of:
Всенощное бдение, op. 37: 6. Богородице Дево, радуйся (All-Night Vigil, Op. 37: VI. Rejoice, O Virgin) (from 1996-01-06 until 1996-04-13)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915)
part of:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Sergei Rachmaninov3:28
10Piano Études, Book 2: VIII. Fém
piano:
Pierre‐Laurent Aimard (pianist) (from 1995-12-06 until 1995-12-09)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1995-12-06 until 1995-12-09)
recording of:
Études, Book II: No. 8. Fém (from 1995-12-06 until 1995-12-09)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti3:02
11La rondine: Act III. Ma come puoi lascarmi?
producer:
David Groves (classical music producer at EMI)
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano) (in 1996-08)
tenor vocals [Ruggero]:
Roberto Alagna (tenor) (in 1996-08)
orchestra:
London Symphony Orchestra (in 1996-08)
conductor:
Antonio Pappano (conductor and pianist) (in 1996-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-08)
partial recording of:
La rondine: Atto III (in 1996-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine
recording of:
La rondine: Atto III. “Ma come puoi lasciarmi?” (Ruggero, Magda) (in 1996-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto III
Giacomo Puccini5:22
12Fantazia no. 5 a 4
viola da gamba [viol]:
Catherine Finnis, Joanna Levine and Susanna Pell (viol player)
recording of:
Fantasia for strings No. 5, Z. 736
composer:
Henry Purcell (Baroque composer) (on 1680-06-11)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 736)
Henry Purcell3:24
13Maddalena ai piedi di Cristo: Parte II. In lagrime stemprato il cor
recording engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1995-01)
producer:
Thomas Drescher (German musicologist)
soprano vocals [Maddalena]:
María Cristina Kiehr (soprano) (in 1995-01)
orchestra:
Orchestre de la Schola Cantorum Basiliensis (in 1995-01)
conductor:
René Jacobs (conductor) (in 1995-01)
partial recording of:
Maddalena ai piedi di Cristo (in 1995-01)
composer:
Antonio Caldara (Italian composer)
Antonio Caldara4:25
14Violoncello Concerto: II. Adagiati. Largo, desolato, grigio (excerpt)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
Steven Epstein (classical music producer)
cello [violoncello]:
Yo‐Yo Ma (cellist) (from 1996-01-06 until 1996-01-09)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (from 1996-01-06 until 1996-01-09)
conductor:
David Zinman (conductor) (from 1996-01-06 until 1996-01-09)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (from 1996-01-06 until 1996-01-09)
partial recording of:
Violoncello Concerto: II. Adagiati. Largo, desolato, grigio (from 1996-01-06 until 1996-01-09)
composer:
Christopher Rouse (American composer) (from 1992 until 1993)
part of:
Violoncello Concerto
Christopher Rouse4:35
15Fors seulement
recording engineer:
Paul Proudman (from 1996-05-05 until 1996-05-06)
producer:
Jonathan Freeman-Attwood
vocals:
The Clerks’ Group (UK early music vocal ensemble, fka The Clerks’ Group) (from 1996-05-05 until 1996-05-06)
conductor:
Edward Wickham (from 1996-05-05 until 1996-05-06)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1997)
recorded at:
St Andrew’s Church (West Wratting) in West Wratting, Cambridgeshire, England, United Kingdom (from 1996-05-05 until 1996-05-06)
recording of:
Fors seulement (from 1996-05-05 until 1996-05-06)
lyricist and composer:
Pierre de la Rue (Franco-Flemish Renaissance composer)
Pierre de la Rue3:33
16Vertigo: Scène d’amour (conclusion)
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra
conductor:
Joel McNeely (American score composer)
partial recording of:
Scène d’amour (Vertigo)
composer:
Bernard Herrmann (composer)
part of:
Vertigo (1958 film)
Bernard Herrmann3:35
17Die Schöpfung, Hob. XXI:2, Part I: The Fourth Day. “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
recording engineer:
Stephan Flock (in 1995-02)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer) (in 1995-02)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (in 1995-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-02)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (in 1995-02)
tenor vocals [Uriel]:
Michael Schade (tenor) (in 1995-02)
orchestra:
The English Baroque Soloists (in 1995-02)
conductor:
John Eliot Gardiner (in 1995-02)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1995-02)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (in 1995-02)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:46
18Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (excerpt)
orchestra:
London Symphony Orchestra (in 1994-12)
conductor:
Sir Colin Davis (English conductor) (in 1994-12)
partial recording of:
Symphony no. 1 in E minor, op. 39: IV. Finale. (Quasi una Fantasia). Andante - Allegro molto (in 1994-12)
composer:
Jean Sibelius (Finnish composer) (from 1898 until 1900)
part of:
Symphony no. 1 in E minor, op. 39
Jean Sibelius4:09
19Tzigane (excerpt)
engineer:
Andrew Groves (engineer) and Krzysztof Jarosz (audio)
producer:
Christopher Pope (producer)
editor:
Simon Bertram
piano:
Pascal Rogé (pianist) (in 1996-04)
violin:
Chantal Juillet (violinist) (in 1996-04)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1996-04)
partial recording of:
Tzigane (for violin and piano) (in 1996-04)
composer:
Maurice Ravel (French composer) (from 1922 until 1924)
dedicated to:
Jelly d’Arányi
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 76)
Maurice Ravel2:23

Credits

Release

compiler:Lionel Salter (British keyboardist, composer, musicologist)
manufactured by:CD Systems
copyrighted (©) by:Gramophone Publications Limited (in 1997)
Discogs:https://www.discogs.com/release/9773540 [info]