Cantata: Yet Can I Hear…

~ Release by Bejun Mehta, Akademie für Alte Musik Berlin (see all versions of this release, 1 available)

Tracklist

1Hybrid SACD
#TitleArtistRatingLength
1Mi palpita il cor, HWV 132c: Recitative: Mi palpita il cor / Allegro: Agitata è l’alma mia / Recitative: Tormento e gelosia
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
partial recording of:
Mi palpita il cor, HWV 132c (in 2017-05)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 132c)
Georg Friedrich Händel2:06
2Mi palpita il cor, HWV 132c: Aria (Lamento): Ho tanti affanni in petto
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
partial recording of:
Mi palpita il cor, HWV 132c (in 2017-05)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 132c)
Georg Friedrich Händel6:14
3Mi palpita il cor, HWV 132c: Recitative: Clori, di te mi lagno
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
partial recording of:
Mi palpita il cor, HWV 132c (in 2017-05)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 132c)
Georg Friedrich Händel0:49
4Mi palpita il cor, HWV 132c: Aria (Allegro): Se un di m’adora
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
partial recording of:
Mi palpita il cor, HWV 132c (in 2017-05)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 132c)
Georg Friedrich Händel3:18
5Ich habe genug, BWV 82: Aria: Ich habe genug
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug" (in 2017-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach6:51
6Ich habe genug, BWV 82: Recitative: Ich habe genug
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (in 2017-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach1:06
7Ich habe genug, BWV 82: Aria: Schlummert ein
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 2017-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach9:05
8Ich habe genug, BWV 82: Recitative: Mein Gott, wenn kömmt das schöne: Nun!
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Kantate, BWV 82a "Ich habe genug": IV. Recitativo (Soprano) "Mein Gott! wann kömmt das schöne: Nun!" (in 2017-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach0:40
9Ich habe genug, BWV 82: Aria (Vivace): Ich freue mich auf meinen Tod
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod" (in 2017-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach3:35
10Trauermusik: Aria: Schlage doch, gewünschte Stunde
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Aria, BWV 53 "Schlage doch, gewünschte Stunde" (in 2017-05)
composer:
[anonymous] (special purpose artist)
librettist:
Salomon Franck
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) and Georg Melchior Hoffmann (composer and organist)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 53), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 53 / Anh. II 23‑>) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 703)
Melchior Hoffmann6:46
11Siete rose rugiadose, HWV 162: Aria (Largo): Siete rose rugiadose
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Siete rose ruggiadose, HWV 162 (in 2017-05)
composer:
George Frideric Handel (German‐British baroque composer) (from 1711 until 1712)
part of:
Händel-Werke-Verzeichnis (number: HWV 162)
Georg Friedrich Händel5:09
12Pianti, sospiri e dimandar mercede, RV 676: Recitative: Pianti, sospiri e dimandar mercede
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": I. Recitativo "Pianti, sospiri e dimandar mercede" (in 2017-05)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Antonio Vivaldi0:59
13Pianti, sospiri e dimandar mercede, RV 676: Aria (Larghetto): Lusiga è del nocchier
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": II. Aria. Larghetto "Lusinga è del nocchier" (in 2017-05)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Antonio Vivaldi4:15
14Pianti, sospiri e dimandar mercede, RV 676: Recitative: O ingannato nocchiero
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": III. Recitativo "O ingannato nocchiero" (in 2017-05)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Antonio Vivaldi1:08
15Pianti, sospiri e dimandar mercede, RV 676: Aria (Allegro molto): Cor ingrato dispietato
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": IV. Aria. Allegro molto "Cor ingrato, dispietato" (in 2017-05)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Antonio Vivaldi3:35
16Lamento: Ach, daß ich Wassers g’nug hätte
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
Ach, dass ich Wassers g’nug hätte (attribution doubtful) (in 2017-05)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
previously attributed to:
Heinrich Bach
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/B/9) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 642)
Johann Christoph Bach7:13
17I Will Magnify Thee, HWV 250b: Air (Andante): I Will Magnify Thee
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
I Will Magnify Thee, HWV 250b (in 2017-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
premiered at:
St James's Palace: Chapel Royal in London (Greater London), England, United Kingdom (on 1724-01-05)
part of:
Händel-Werke-Verzeichnis (number: HWV 250b)
Georg Friedrich Händel4:10
18The Choice of Hercules, HWV 69: Recitative: Oh Cease, Enchanting Siren!
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
partial recording of:
The Choice of Hercules, HWV 69: No. 14. Recitative "Short is my way, fair, easy, smooth and plain" (Pleasure, Hercules) (in 2017-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1750)
part of:
The Choice of Hercules, HWV 69
Georg Friedrich Händel0:18
19The Choice of Hercules, HWV 69: Air (Largo e mezzo piano): Yet Can I Hear That Dulcet Lay
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland and Bejun Mehta (countertenor)
countertenor vocals:
Bejun Mehta (countertenor) (in 2017-05)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2017-05)
balance engineer:
Markus Heiland
concertmaster:
Bernhard Forck (conductor/violinist) (in 2017-05)
recorded at:
Nikodemus-Kirche in Berlin, Germany (in 2017-05)
recording of:
The Choice of Hercules, HWV 69: No. 15. Air "Yet can I hear that dulcet lay" (Hercules) (in 2017-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1750)
part of:
The Choice of Hercules, HWV 69
part of:
The Choice of Hercules, HWV 69
Georg Friedrich Händel4:23

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ASIN:UK: B079FLYHYD [info]