The Very Best of Ben E. King

~ Veröffentlichung von Ben E. King (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1There Goes My Baby
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Reggie Kimber (am 1959-03-06)
Baritongesang:
Dock Green (am 1959-03-06)
Bass-Gesang:
Elsbeary Hobbs (am 1959-03-06)
Sologesang:
Ben E. King (am 1959-03-06)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
aufgenommen bei:
Coastal Recording in New York, New York, Vereinigte Staaten (am 1959-03-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 2) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 193)
recording of:
There Goes My Baby (am 1959-03-06)
Texter und Komponist(in):
Benjamin Nelson, Lover Patterson und George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. und Sony/ATV Songs LLC
The Drifters4.52:15
2Dance With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1959-07-09)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Mundell Lowe (am 1959-07-09)
Klavier:
Mike Stoller (am 1959-07-09)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-07-09)
Schlagzeug [drums]:
Osie Johnson (am 1959-07-09)
Vibraphon [vibes]:
Sal Gubin (am 1959-07-09)
vocals:
The Drifters (US doo wop/R&B vocal group) (am 1959-07-09)
arranger:
Richard Wess
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Dance With Me (am 1959-07-09)
Verfasser(in):
Lewis Lebish, Jerry Leiber, Irving Nahan, Mike Stoller und George Treadwell
publisher:
Sony/ATV Songs LLC
The Drifters52:26
3This Magic Moment
recorded in:
New York, New York, Vereinigte Staaten (am 1959-12-23)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1959-12-23)
Baritongesang:
Dock Green (am 1959-12-23)
Bass-Gesang:
Elsbeary Hobbs (am 1959-12-23)
Sologesang:
Ben E. King (am 1959-12-23)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1959-12-23) und Johnny Williams (soul/blues vocalist) (am 1959-12-23)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1959-12-23)
arranger:
Stan Applebaum (US composer, arranger and conductor)
recording of:
This Magic Moment (am 1959-12-23)
Texter und Komponist(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Unichappell Music, Inc.
The Drifters52:32
4Save the Last Dance for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-05-19)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1960-05-19)
Baritongesang:
Doc Green (am 1960-05-19)
Bass-Gesang:
Elsbeary Hobbs (am 1960-05-19)
Sologesang:
Benny Nelson (am 1960-05-19)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1960-05-19) und Johnny Williams (soul/blues vocalist) (am 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 182)
recording of:
Save the Last Dance for Me (am 1960-05-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters52:36
5I Count the Tears
recording of:
I Count the Tears
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
The Drifters42:11
6Spanish Harlem
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
Cello:
Charles McCracken (cellist) (am 1960-10-27)
Gitarre:
Al Caiola (am 1960-10-27)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1960-10-27)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1960-10-27)
Perkussion:
Phil Kraus (am 1960-10-27)
Rohrblattinstrumente:
Romeo Penque (am 1960-10-27)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-10-27)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-10-27)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 350)
recording of:
Spanish Harlem (am 1960-10-27)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Ben E. King4.42:55
7Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:57
8On the Horizon
recording of:
On the Horizon
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Jerry Leiber Music und Mike Stoller Music (ASCAP)
Ben E. King42:21
9Amor
recorded in:
New York, New York, Vereinigte Staaten (am 1961-03-29)
Produzent(in):
Leiber and Stoller (songwriting team)
flute:
Romeo Penque (am 1961-03-29)
Gitarre:
Alan Hanlon (jazz guitarist) (am 1961-03-29) und George Barnes (am 1961-03-29)
Klavier:
Moe Weschler (am 1961-03-29)
Kontrabass [bass]:
George Duvivier (am 1961-03-29)
Perkussion:
Ray Barretto (am 1961-03-29), Danny Kessler (am 1961-03-29), Phil Kraus (am 1961-03-29) und Bobby Rosengarden (am 1961-03-29)
Saiteninstrumente und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-03-29)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-03-29)
vocals:
Ben E. King (am 1961-03-29)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1961-03-29)
arranger:
Stan Applebaum (US composer, arranger and conductor) (am 1961-03-29)
cover recording of:
Amor (More and More Amor)
Texter:
Ricardo López Méndez (Mexican poet, lyricist and radio host)
Komponist(in):
Gabriel Ruiz (Mexican composer)
Teil von:
Broadway Rhythm (film)
Ben E. King42:57
10Young Boy Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
Cello:
Charles McCracken (cellist) (am 1960-10-27)
Gitarre:
Al Caiola (am 1960-10-27)
Instrumente:
Ernie Hayes (American pianist, organist and arranger) (am 1960-10-27)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1960-10-27)
Perkussion:
Phil Kraus (am 1960-10-27)
Rohrblattinstrumente:
Romeo Penque (am 1960-10-27)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-10-27)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-10-27)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
recording of:
Young Boy Blues (am 1960-10-27)
Verfasser(in):
Doc Pomus und Phil Spector
Ben E. King42:21
11Here Comes the Night
Ben E. King42:28
12Don't Play That Song (You Lied)
recorded in:
New York, New York, Vereinigte Staaten (am 1962-03-03)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Al Caiola (am 1962-03-03), Charles Macey (am 1962-03-03) und Art Ryerson (am 1962-03-03)
Klavier:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1962-03-03)
Kontrabass [bass]:
Jack Lesberg (am 1962-03-03)
Posaune:
Eddie Bert (am 1962-03-03)
Saiteninstrumente [eight strings] und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1962-03-03)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1962-03-03)
vocals:
Ben E. King (am 1962-03-03)
conductor:
Jimmy Haskell (am 1962-03-03)
arranger:
Jimmy Haskell
recording of:
Don’t Play That Song (You Lied) (am 1962-03-03)
Verfasser(in):
Ahmet Ertegun (US American Songwriter, producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Ben E. King52:56
13How Can I Forget
recording of:
How Can I Forget
Verfasser(in):
Murray Cohen und Ed Townsend
Ben E. King42:23
14I (Who Have Nothing)
Ben E. King52:33
15Supernatural Thing, Pt. 1
Ben E. King43:27
16Do It in the Name of Love
Ben E. King43:35

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/145641 [Info]
Wikidata:Q7772267 [Info]