Tracklist

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1Christ lag in Todes Banden, BWV 4: I. Sinfonia
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:10
2Christ lag in Todes Banden, BWV 4: II. "Christ lag in Todes Banden"
choir vocals:
Thomanerchor Leipzig
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:25
3Christ lag in Todes Banden, BWV 4: III. "Den Tod niemand zwingen kunnt"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:12
4Christ lag in Todes Banden, BWV 4: IV. "Jesus Christus, Gottes Sohn"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:03
5Christ lag in Todes Banden, BWV 4: V. "Es war ein wunderlicher Krieg"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:30
6Christ lag in Todes Banden, BWV 4: VI. "Hier ist das rechte Osterlamm"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:20
7Christ lag in Todes Banden, BWV 4: VII. "So feiern wir das hohe Fest"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:12
8Christ lag in Todes Banden, BWV 4: VIII. "Wir essen und leben wohl"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:13
9Ein Herz, das seinen Jesum lebend weiß, BWV 134: I. "Ein Herz, das seinen Jesum lebend weiß"
alto vocals:
Ortrun Wenkel (contralto)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": I. Recitativo (Alt, Tenor) "Ein Herz, das seinen Jesum lebend weiß"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach0:47
10Ein Herz, das seinen Jesum lebend weiß, BWV 134: II. "Auf, Gläubige, singet die lieblichen Lieder"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": II. Aria (Tenor) "Auf! Gläubige, singet die lieblichen Lieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach6:52
11Ein Herz, das seinen Jesum lebend weiß, BWV 134: III. "Wohl dir, Gott hat an dich gedacht"
alto vocals:
Ortrun Wenkel (contralto)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": III. Recitativo (Alt, Tenor) "Wohl dir! Gott hat an dich gedacht"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach2:55
12Ein Herz, das seinen Jesum lebend weiß, BWV 134: IV. "Wir danken und preisen"
alto vocals:
Ortrun Wenkel (contralto)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": IV. Aria (Duetto Alt, Tenor) "Wir danken und preisen dein brünstiges Lieben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach9:44
13Ein Herz, das seinen Jesum lebend weiß, BWV 134: V. "Doch würke selbst den Dank"
alto vocals:
Ortrun Wenkel (contralto)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": V. Recitativo (Alt, Tenor) "Doch würke selbst den Dank in unserm Munde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach2:10
14Ein Herz, das seinen Jesum lebend weiß, BWV 134: VI. "Erschallet, ihr Himmel, erfreue dich, Erde"Johann Sebastian Bach8:45
15Der Himmel lacht, die Erde jubilieret, BWV 31: I. Sonata
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:39
16Der Himmel lacht, die Erde jubilieret, BWV 31: II. "Der Himmel lacht, die Erde jubilieret"
choir vocals:
Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": II. Coro "Der Himmel lacht! die Erde jubilieret"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach4:00
17Der Himmel lacht, die Erde jubilieret, BWV 31: III. "Erwünschter Tag! Sei Seele wieder froh"
bass vocals:
Hermann Christian Polster (operatic bass)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": III. Recitativo (Basso) "Erwünschter Tag! sei, Seele, wieder froh!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:18
18Der Himmel lacht, die Erde jubilieret, BWV 31: IV. "Fürst des Lebens, starker Streiter"
bass vocals:
Hermann Christian Polster (operatic bass)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IV. Aria (Basso) "Fürst des Lebens, starker Streiter"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:58
19Der Himmel lacht, die Erde jubilieret, BWV 31: V. "So stehe denn, du Gott ergebne Seele"
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": V. Recitativo (Tenore) "So stehe dann, du gottergebne Seele"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach1:16
20Der Himmel lacht, die Erde jubilieret, BWV 31: VI. "Adam muß in uns verwesen"
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VI. Aria (Tenore) "Adam muss in uns verwesen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:26
21Der Himmel lacht, die Erde jubilieret, BWV 31: VII. "Weil denn das Haupt sein Glied"
soprano vocals:
Helga Termer (soprano)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VII. Recitativo (Soprano) "Weil dann das Haupt sein Glied"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach1:00
22Der Himmel lacht, die Erde jubilieret, BWV 31: VIII. "Letzte Stunde, brich herein"
soprano vocals:
Helga Termer (soprano)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach4:54
23Der Himmel lacht, die Erde jubilieret, BWV 31: IX. "So fahr' ich hin zu Jesu Christ"
choir vocals:
Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IX. Choral "So fahr ich hin zu Jesu Christ"
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Breitkopf 389 Choralgesänge (number: 357)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach1:11