All About the Best of the 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Flashdance… What a Feeling
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara24:07
2Celebration
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang2:56
3Only the Lonely
recording of:
Only the Lonely
lyricist and composer:
Martha Davis (of The Motels)
The Motels3:14
4Shake Your Love
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming and producer:
Fred Zarr
assistant engineer:
Bill Esses
assistant mixer:
Jim Goatley
mixer:
Phil Castellano (brother of John, uncle of Richie) and Fred Zarr
guitar:
David “Jaz” Grant
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Carrie Johnson, Libby Johnson and Jeff Smith (US saxophonist)
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 8)
recording of:
Shake Your Love
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
Debbie Gibson53:40
5Casablanca
engineer:
Doug Johnson (audio engineer)
producer:
Sonny Limbo
recorded at:
Pyramid Studios in Lookout Mountain, Tennessee, United States (from 1981-01 until 1981-11) and Southern Tracks in Atlanta, Georgia, United States (from 1981-01 until 1981-11)
recording of:
Casablanca
writer:
John Healy ("Casablanca" writer), Bertie Higgins and Sonny Limbo
publisher:
Bike Music, Chappell & Co., Inc. (USA) and Jen‐Lee Music Company
Bertie Higgins4:34
6Nothing’s Going to Stop Us Now
recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship4:19
7In a Big Country
recording of:
In a Big Country
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country5:49
8Be Near Me
assistant engineer:
Paul Corkett, Charles Harrowell, Mark Stent (producer, engineer), Mike Drake, Heff Moraes, Dietmar Schillinger and Paul Wright (UK recording engineer)
engineer and mixer:
Martyn Webster (engineer)
producer:
Martin Fry and Mark White (ABC/Vice Versa)
bass guitar:
Brad Lang
cymbal:
David Palmer (drummer (ABC/The The))
lead vocals:
Martin Fry
arranger:
Mark White (ABC/Vice Versa)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1985, in 1987) and Universal Music Operations (not release label) (in 2005)
recorded at:
Jacobs Studios in Farnham, Surrey, England, United Kingdom (from 1984 until 1985)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
The Downloader’s Music Source Book (number: 71)
recording of:
Be Near Me
lyricist and composer:
Martin Fry and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music and Nymph Music, Inc.
ABC3.53:48
9I Will Survive
phonographic copyright (℗) by:
OVC Ltd. and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1978)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.254:49
10Use It Up and Wear It OutOdyssey4:01
11Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44
12Don’t Leave Me This Way
part of:
RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 3)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4:09
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