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~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1My Heart
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1925-11-12)
Banjo:
Johnny St. Cyr (am 1925-11-12)
Klarinette:
Johnny Dodds (am 1925-11-12)
Klavier:
Lil Hardin Armstrong (am 1925-11-12)
Kornett:
Louis Armstrong (am 1925-11-12)
Posaune:
Kid Ory (am 1925-11-12)
recording of:
My Heart (Will Always Lead Me Back to You) (am 1925-11-12)
Komponist(in):
Lil Hardin Armstrong
2:32
2Yes! I’m in the Barrel
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1925-11-12)
Banjo:
Johnny St. Cyr (am 1925-11-12)
Klarinette:
Johnny Dodds (am 1925-11-12)
Klavier:
Lil Armstrong (am 1925-11-12)
Kornett:
Louis Armstrong (am 1925-11-12)
Posaune:
Kid Ory (am 1925-11-12)
recording of:
Yes, I'm In the Barrel (am 1925-11-12)
Komponist(in):
Louis Armstrong
2:44
3Gut Bucket Blues
recording of:
Gut Bucket Blues
Komponist(in):
Louis Armstrong
2:49
4Come Back, Sweet Papa
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-02-22)
alto saxophone und Klarinette:
Johnny Dodds (am 1926-02-22)
Banjo:
Johnny St. Cyr (am 1926-02-22)
Klavier:
Lil Armstrong (am 1926-02-22)
Kornett:
Louis Armstrong (am 1926-02-22)
Posaune:
Kid Ory (am 1926-02-22)
recording of:
Come Back Sweet Papa (am 1926-02-22)
Komponist(in):
Paul Barbarin (jazz drummer from New Orleans) und Luis Russell
2:32
5Georgia Grind
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-02-26)
Banjo:
Johnny St. Cyr (am 1926-02-26)
Klarinette:
Johnny Dodds (am 1926-02-26)
Klavier:
Lil Hardin Armstrong (am 1926-02-26)
Posaune:
Kid Ory (am 1926-02-26)
Trompete:
Louis Armstrong (am 1926-02-26)
vocals:
Louis Armstrong (am 1926-02-26) und Lil Hardin Armstrong (am 1926-02-26)
recording of:
Georgia Grind (am 1926-02-26)
Verfasser(in):
Spencer Williams (US jazz composer, pianist & singer)
2:38
6Heebie Jeebies
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-02-26)
Banjo:
Johnny St. Cyr (am 1926-02-26)
Klarinette:
Johnny Dodds (am 1926-02-26)
Klavier:
Lil Hardin Armstrong (am 1926-02-26)
Kornett und Sologesang:
Louis Armstrong (am 1926-02-26)
Posaune:
Kid Ory (am 1926-02-26)
recording of:
Heebie Jeebies (am 1926-02-26)
Texter und Komponist(in):
Boyd Atkins
2:58
7Cornet Chop Suey
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-02-26)
Banjo:
Johnny St. Cyr (am 1926-02-26)
Klarinette:
Johnny Dodds (am 1926-02-26)
Klavier:
Lil Hardin Armstrong (am 1926-02-26)
Kornett:
Louis Armstrong (am 1926-02-26)
Posaune:
Kid Ory (am 1926-02-26)
recording of:
Cornet Chop Suey (am 1926-02-26)
Komponist(in):
Louis Armstrong
3:07
8Oriental Strut
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-02-26)
Banjo:
Johnny St. Cyr (am 1926-02-26)
Klarinette:
Johnny Dodds (am 1926-02-26)
Klavier:
Lil Hardin Armstrong (am 1926-02-26)
Kornett:
Louis Armstrong (am 1926-02-26)
Posaune:
Kid Ory (am 1926-02-26)
recording of:
Oriental Strut (am 1926-02-26)
Verfasser(in):
Johnny St. Cyr
3:10
9You’re Next
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-02-26)
Banjo:
Johnny St. Cyr (am 1926-02-26)
Klarinette:
Johnny Dodds (am 1926-02-26)
Klavier:
Lil Hardin Armstrong (am 1926-02-26)
Kornett:
Louis Armstrong (am 1926-02-26)
Posaune:
Kid Ory (am 1926-02-26)
3:23
10Muskrat Ramble
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-02-26)
Banjo:
Johnny St. Cyr (am 1926-02-26)
Klarinette:
Johnny Dodds (am 1926-02-26)
Klavier:
Lil Hardin Armstrong (am 1926-02-26)
Kornett:
Louis Armstrong (am 1926-02-26)
Posaune:
Kid Ory (am 1926-02-26)
recording of:
Muskrat Ramble (1926 original instrumental version) (am 1926-02-26)
Komponist(in):
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
2:35
11Don’t Forget to Mess Around
recording of:
Don’t Forget to Mess Around
Verfasser(in):
Louis Armstrong und Paul Barbarin (jazz drummer from New Orleans)
3:15
12I’m Gonna Gitcha
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-06-16)
Banjo:
Johnny St. Cyr (am 1926-06-16)
Klarinette:
Johnny Dodds (am 1926-06-16)
Klavier:
Lil Hardin Armstrong (am 1926-06-16)
Kornett:
Louis Armstrong (am 1926-06-16)
Posaune:
Kid Ory (am 1926-06-16)
vocals:
Louis Armstrong (am 1926-06-16)
2:54
13Dropping Shucks
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-06-16)
Banjo:
Johnny St. Cyr (am 1926-06-16)
Klarinette:
Johnny Dodds (am 1926-06-16)
Klavier:
Lil Hardin Armstrong (am 1926-06-16)
Kornett:
Louis Armstrong (am 1926-06-16)
Posaune:
Kid Ory (am 1926-06-16)
vocals:
Louis Armstrong (am 1926-06-16)
recording of:
Droppin’ Shucks (am 1926-06-16)
Verfasser(in):
Lil Hardin Armstrong
3:04
14Who’s It
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-06-16)
Banjo:
Johnny St. Cyr (am 1926-06-16)
Klarinette:
Johnny Dodds (am 1926-06-16)
Klavier:
Lil Hardin Armstrong (am 1926-06-16)
Kolbenflöte und Kornett:
Louis Armstrong (am 1926-06-16)
Posaune:
Kid Ory (am 1926-06-16)
recording of:
Who’s It (am 1926-06-16)
Komponist(in):
Richard M. Jones (US jazz pianist)
2:56
15The King of the Zulu’s (At a Chit’lin’ Rag)
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-06-23)
Banjo:
Johnny St. Cyr (am 1926-06-23)
Klarinette:
Johnny Dodds (am 1926-06-23)
Klavier:
Lil Hardin Armstrong (am 1926-06-23)
Kornett:
Louis Armstrong (am 1926-06-23)
Posaune:
Kid Ory (am 1926-06-23)
Sprecher:
Clarence Babcock (am 1926-06-23)
vocals:
Louis Armstrong (am 1926-06-23) und Lil Hardin Armstrong (am 1926-06-23)
recording of:
King of the Zulus (am 1926-06-23)
Komponist(in):
Lil Hardin Armstrong
3:11
16Big Fat Ma and Skinny Pa
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-06-23)
Banjo:
Johnny St. Cyr (am 1926-06-23)
Klarinette:
Johnny Dodds (am 1926-06-23)
Klavier:
Lil Hardin Armstrong (am 1926-06-23)
Kornett:
Louis Armstrong (am 1926-06-23)
Posaune:
Kid Ory (am 1926-06-23)
Sprecher:
Clarence Babcock (am 1926-06-23)
vocals:
Louis Armstrong (am 1926-06-23)
recording of:
Big Fat Ma and Skinny Pa (am 1926-06-23)
Verfasser(in):
Richard M. Jones (US jazz pianist)
3:02
17Lonesome Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-06-23)
Banjo:
Johnny St. Cyr (am 1926-06-23)
Klarinette:
Johnny Dodds (am 1926-06-23)
Klavier:
Lil Hardin Armstrong (am 1926-06-23)
Kornett:
Louis Armstrong (am 1926-06-23)
Posaune:
Kid Ory (am 1926-06-23)
vocals:
Louis Armstrong (am 1926-06-23)
3:10
18Sweet Little Papa
recording of:
Sweet Little Papa
Komponist(in):
Kid Ory
2:49
19Jazz Lips
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-11-16)
Banjo:
Johnny St. Cyr (am 1926-11-16)
Klarinette:
Johnny Dodds (am 1926-11-16)
Klavier:
Lil Hardin Armstrong (am 1926-11-16)
Kornett:
Louis Armstrong (am 1926-11-16)
Posaune:
Kid Ory (am 1926-11-16)
recording of:
Jazz Lips (am 1926-11-16)
Komponist(in):
Lil Hardin Armstrong
3:08
20Skid – Dat – De – Dat
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-11-16)
Banjo:
Johnny St. Cyr (am 1926-11-16)
Klarinette:
Johnny Dodds (am 1926-11-16)
Klavier:
Lil Hardin Armstrong (am 1926-11-16)
Kornett:
Louis Armstrong (am 1926-11-16)
Posaune:
Kid Ory (am 1926-11-16)
vocals:
Louis Armstrong (am 1926-11-16)
recording of:
Skid-dat-de-dat (am 1926-11-16)
Komponist(in):
Lil Hardin Armstrong
3:11
21Big Butter and Egg Man
recording of:
Big Butter and Egg Man
Verfasser(in):
Louis Armstrong und Percy Venable (in 1926)
3:10
22Sunset Cafe Stomp
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-11-16)
Banjo:
Johnny St. Cyr (am 1926-11-16)
Klarinette:
Johnny Dodds (am 1926-11-16)
Klavier:
Lil Hardin Armstrong (am 1926-11-16)
Kornett:
Louis Armstrong (am 1926-11-16)
Posaune:
Kid Ory (am 1926-11-16)
vocals:
May Alix (am 1926-11-16)
recording of:
Sunset Café Stomp (am 1926-11-16)
Komponist(in):
Louis Armstrong
2:52
23You Made Me Love You
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-11-27)
Banjo:
Johnny St. Cyr (am 1926-11-27)
Klarinette:
Johnny Dodds (am 1926-11-27)
Klavier:
Lil Hardin Armstrong (am 1926-11-27)
Kornett:
Louis Armstrong (am 1926-11-27)
Posaune:
Hy Clark (US jazz trombonist) (am 1926-11-27)
vocals:
Louis Armstrong (am 1926-11-27)
recording of:
You Made Me Love You (am 1926-11-27)
Verfasser(in):
Louis Armstrong und Percy Venable
2:57
24Irish Black Bottom
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-11-27)
Banjo:
Johnny St. Cyr (am 1926-11-27)
Klarinette:
Johnny Dodds (am 1926-11-27)
Klavier:
Lil Hardin Armstrong (am 1926-11-27)
Kornett:
Louis Armstrong (am 1926-11-27)
Posaune:
Hy Clark (US jazz trombonist) (am 1926-11-27)
vocals:
Louis Armstrong (am 1926-11-27)
recording of:
Irish Black Bottom (am 1926-11-27)
Komponist(in):
Percy Venable
2:43
25Willie the Weeper
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-07)
Banjo und Gitarre:
Johnny St. Cyr (am 1927-05-07)
Klarinette:
Johnny Dodds (am 1927-05-07)
Klavier:
Lil Hardin Armstrong (am 1927-05-07)
Kornett:
Louis Armstrong (am 1927-05-07)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-07)
Schlagzeug:
Baby Dodds (am 1927-05-07)
Tuba:
Pete Briggs (am 1927-05-07)
Interpret(in):
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Willie the Weeper (am 1927-05-07)
Verfasser(in):
Marty Bloom, Walter Melrose und Grant Rymal
3:09
26Wild Man Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-07)
Banjo:
Johnny St. Cyr (am 1927-05-07)
Klarinette:
Johnny Dodds (am 1927-05-07)
Klavier:
Lil Armstrong (am 1927-05-07)
Kornett:
Louis Armstrong (am 1927-05-07)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-07)
Schlagzeug:
Baby Dodds (am 1927-05-07)
Tuba:
Pete Briggs (am 1927-05-07)
recording of:
Wild Man Blues (am 1927-05-07)
Komponist(in):
Louis Armstrong und Ferdinand Joseph LaMothe
3:15
27Chicago Breakdown
alto saxophone:
Boyd Atkins (am 1927-05-09) und Joe Walker (US early jazz saxophonist) (am 1927-05-09)
Banjo und Gitarre:
Rip Bassett (am 1927-05-09)
baritone saxophone:
Joe Walker (US early jazz saxophonist) (am 1927-05-09)
Klarinette und Sopransaxophon:
Boyd Atkins (am 1927-05-09)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1927-05-09)
Kornett:
Louis Armstrong (am 1927-05-09) und Bill Wilson (US early jazz cornetist) (am 1927-05-09)
Posaune:
Honoré Dutrey (am 1927-05-09)
Schlagzeug:
Tubby Hall (am 1927-05-09)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1927-05-09)
Tuba:
Pete Briggs (am 1927-05-09)
recording of:
Chicago Breakdown (am 1927-05-09)
Komponist(in):
Jelly Roll Morton
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
3:26
28Alligator Crawl
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-10)
Banjo:
Johnny St. Cyr (am 1927-05-10)
Klarinette:
Johnny Dodds (am 1927-05-10)
Klavier:
Lil Hardin Armstrong (am 1927-05-10)
Kornett:
Louis Armstrong (am 1927-05-10)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-10)
Schlagzeug:
Warren “Baby” Dodds (am 1927-05-10)
Tuba:
Pete Briggs (am 1927-05-10)
Interpret(in):
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Alligator Crawl (am 1927-05-10)
Texter:
Joe Davis (US lyricist, producer, publisher & promoter) und Andy Razaf
Komponist(in):
Fats Waller
3:03
29Potato Head Blues
recording of:
Potato Head Blues
Komponist(in):
Louis Armstrong
2:57
30Melancholy Blues
recording of:
Melancholy Blues
Verfasser(in):
Marty Bloom und Walter Melrose
3:03
31Weary Blues
recording of:
Weary Blues
Texter:
George Cates und Mort Greene
Komponist(in):
Artie Matthews
3:01
32Twelfth Street Rag
recording of:
Twelfth Street Rag
Texter:
Andy Razaf
Komponist(in):
Euday L. Bowman
3:11
33Keyhole Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-13)
Banjo:
Johnny St. Cyr (am 1927-05-13)
Klarinette:
Johnny Dodds (am 1927-05-13)
Klavier:
Lil Hardin Armstrong (am 1927-05-13)
Kornett:
Louis Armstrong (am 1927-05-13)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-13)
Schlagzeug:
Warren “Baby” Dodds (am 1927-05-13)
Tuba:
Pete Briggs (am 1927-05-13)
vocals:
Louis Armstrong (am 1927-05-13)
recording of:
Keyhole Blues (am 1927-05-13)
Komponist(in):
Wesley A. Wilson
3:29
34S.O.L. Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-13)
Banjo:
Johnny St. Cyr (am 1927-05-13)
Klarinette:
Johnny Dodds (am 1927-05-13)
Klavier:
Lil Hardin Armstrong (am 1927-05-13)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-13)
Schlagzeug:
Baby Dodds (am 1927-05-13)
Trompete:
Louis Armstrong (am 1927-05-13)
Tuba:
Pete Briggs (am 1927-05-13)
vocals:
Louis Armstrong (am 1927-05-13)
recording of:
S.O.L. Blues (am 1927-05-13)
Texter und Komponist(in):
Louis Armstrong
2:58
35Gully Low Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-14)
Banjo:
Johnny St. Cyr (am 1927-05-14)
Klarinette:
Johnny Dodds (am 1927-05-14)
Klavier:
Lil Armstrong (am 1927-05-14)
Kornett:
Louis Armstrong (am 1927-05-14)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-14)
Schlagzeug:
Baby Dodds (am 1927-05-14)
Tuba:
Pete Briggs (am 1927-05-14)
vocals:
Louis Armstrong (am 1927-05-14)
recording of:
Gully Low Blues (am 1927-05-14)
Verfasser(in):
Louis Armstrong
3:21
36That’s When I’ll Come Back to You
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-14)
Banjo:
Johnny St. Cyr (am 1927-05-14)
Klarinette:
Johnny Dodds (am 1927-05-14)
Klavier und zusätzlich vocals:
Lil Hardin Armstrong (am 1927-05-14)
Kornett:
Louis Armstrong (am 1927-05-14)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-14)
Schlagzeug:
Warren “Baby” Dodds (am 1927-05-14)
Tuba:
Pete Briggs (am 1927-05-14)
vocals:
Louis Armstrong (am 1927-05-14)
recording of:
That’s When I’ll Come Back to You (am 1927-05-14)
Texter und Komponist(in):
Fred Biggs
3:00
37Put ’Em Down Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-09-02)
Banjo:
Johnny St. Cyr (am 1927-09-02)
Klarinette:
Johnny Dodds (am 1927-09-02)
Klavier:
Lil Armstrong (am 1927-09-02)
Kornett:
Louis Armstrong (am 1927-09-02)
Posaune:
Kid Ory (am 1927-09-02)
vocals:
Louis Armstrong (am 1927-09-12)
recording of:
Put 'Em Down Blues (am 1927-09-02)
Komponist(in):
Louis Armstrong
3:11
38Ory’s Creole Trombone
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-09-02)
Banjo:
Johnny St. Cyr (am 1927-09-02)
Klarinette:
Johnny Dodds (am 1927-09-02)
Klavier:
Lil Armstrong (am 1927-09-02)
Kornett und Trompete:
Louis Armstrong (am 1927-09-02)
Posaune:
Kid Ory (am 1927-09-02)
recording of:
Ory’s Creole Trombone (am 1927-09-02)
Komponist(in):
Kid Ory
3:05
39The Last Time
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-09-06)
Banjo und Gitarre:
Johnny St. Cyr (am 1927-09-06)
Klarinette:
Johnny Dodds (am 1927-09-06)
Klavier:
Lil Hardin Armstrong (am 1927-09-06)
Kornett:
Louis Armstrong (am 1927-09-06)
Posaune:
Kid Ory (am 1927-09-06)
vocals:
Louis Armstrong (am 1927-09-06)
recording of:
The Last Time (am 1927-09-06)
Texter und Komponist(in):
Bill Ewing (1920s) und Sara Martin (1920s US blues singer, 1884–1955)
3:25
40Struttin’ With Some Barbecue
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Bass:
George "Pops" Foster (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
arranger:
Chippie Willett
recording of:
Struttin’ With Some Barbecue (am 1938-01-12)
Komponist(in):
Lil Hardin Armstrong
3:02
41Hear Me Talkin’ to Ya?
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Hear Me Talkin' to Ya (am 1939-04-05)
Texter und Komponist(in):
Louis Armstrong
3:25
42St. James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
Arrangement von:
St. James Infirmary
Version von:
The Unfortunate Lass (Bad Girl's Lament)
3:19
43Tight Like This
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-12-12)
alto saxophone:
Don Redman (am 1928-12-12)
Banjo:
Mancy "Peck" Carr (am 1928-12-12)
Klarinette:
Don Redman (am 1928-12-12) und Jimmy Strong (am 1928-12-12)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-12-12)
Posaune:
Fred Robinson (American trombonist) (am 1928-12-12)
Schlagzeug:
Zutty Singleton (am 1928-12-12)
Tenorsaxophon:
Jimmy Strong (am 1928-12-12)
Trompete und Sologesang:
Louis Armstrong (am 1928-12-12)
vocals:
Louis Armstrong (am 1928-12-12)
Interpret(in):
Louis Armstrong and His Savoy Ballroom Five (am 1928-12-12)
recording of:
Tight Like This (am 1928-12-12)
Texter und Komponist(in):
Langston Curl
33:20
44Knockin’ a Jug
recording of:
Knockin’ a Jug
Komponist(in):
Louis Armstrong und Eddie Condon
3:26
45I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:32
46Mahogany Hall Stomp
recorded in:
New York, New York, Vereinigte Staaten (am 1929-03-05)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-03-05)
Banjo:
Eddie Condon (am 1929-03-05)
Gitarre:
Lonnie Johnson (American blues and jazz musician) (am 1929-03-05)
Klarinette:
Albert Nicholas (am 1929-03-05)
Klavier:
Luis Russell (am 1929-03-05)
Kontrabass:
George "Pops" Foster (am 1929-03-05)
Posaune:
J.C. Higginbotham (am 1929-03-05)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-03-05)
Tenorsaxophon:
Teddy Hill (am 1929-03-05)
Trompete:
Louis Armstrong (am 1929-03-05)
recording of:
Mahogany Hall Stomp (am 1929-03-05)
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
3:27
47Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
3:24
48(What Did I Do to Do So) Black and Blue
recording of:
Black and Blue
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
3:09
49That Rhythm Man
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klarinette:
Jimmy Strong (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
That Rhythm Man (am 1929-07-22)
Verfasser(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Thomas Waller (Fats Waller)
3:10
50Sweet Savanna Sue
recording of:
Sweet Savannah Sue
Texter:
Andy Razaf
Komponist(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Fats Waller
3:14
51Some of These Days
recording of:
Some of These Days
Texter und Komponist(in):
Shelton Brooks
Verfasser(in):
Spencer Williams (US jazz composer, pianist & singer)
3:14
52When You’re Smiling
3:31
53After You’ve Gone
recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
3:23
54I Ain’t Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Tenorsaxophon:
Teddy Hill (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:45
55Dallas Blues
3:16
56St. Louis Blues
recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:01
57Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:21
58Song of the Islands
recording of:
Song of the Islands (Na Lei O Hawaii)
Texter und Komponist(in):
Charles E. King (known as the composer of “Ke kali nei au”)
3:29
59Bessie Couldn’t Help It
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Tenorsaxophon:
Teddy Hill (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
Orchester:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (am 1930-02-01)
Verfasser(in):
Charles A. Bayha, Jacques Richmond (songwriter) und Byron Warner (active in the 1960's)
3:22
60Love, You Funny Thing
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-02)
alto saxophone:
Lester Boone (am 1932-03-02) und George James (US jazz saxophonist) (am 1932-03-02)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-02)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-02)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-02)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-02)
Schlagzeug:
Tubby Hall (am 1932-03-02)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-02)
Trompete:
Louis Armstrong (am 1932-03-02) und Zilner Randolph (am 1932-03-02)
vocals:
Louis Armstrong (am 1932-03-02)
recording of:
Love, You Funny Thing (am 1932-03-02)
Verfasser(in):
Fred Ahlert und Roy Turk
3:46
61The New Tiger Rag
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone (am 1932-03-11)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-11)
Klarinette:
George James (US jazz saxophonist) (am 1932-03-11)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-11)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-11)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-11)
Schlagzeug:
Tubby Hall (am 1932-03-11)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-11)
Trompete:
Louis Armstrong (am 1932-03-11) und Zilner Randolph (am 1932-03-11)
vocals:
Louis Armstrong (am 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1932-03-11)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
3:29
62Keepin’ Out of Mischief Now
cover recording of:
Keepin’ Out of Mischief Now
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
3:37
63Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone und George James (US jazz saxophonist)
Gitarre:
Mike McKendrick (Jazz banjo and guitar)
Klavier:
Charlie Alexander (US jazz pianist)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
Posaune:
Preston Jackson (jazz trombonist)
Schlagzeug:
Tubby Hall
Tenorsaxophon:
Albert Washington (jazz tenor sax)
Trompete:
Louis Armstrong und Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (am 1932-03-11)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
3:29
64That’s My Home
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08, am 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Gitarre:
John Trueheart (am 1932-12-08)
Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass] und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08, am 1932-12-28), Louis Bacon (am 1932-12-08), Billy Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08, am 1932-12-28)
Orchester:
Louis Armstrong and His Orchestra (am 1932-12-28)
recording of:
That’s My Home (am 1932-12-08)
Komponist(in):
Ben Ellison, Leon René und Otis René
43:10
65Hobo, You Can’t Ride This Train
recording of:
Hobo, You Can’t Ride This Train
Verfasser(in):
Louis Armstrong
3:01
66I Hate to Leave You Now
3:10
67You’ll Wish You´d Never Been Born
recording of:
You’ll Wish You’d Never Been Born
Komponist(in):
Louis Armstrong
3:15
68Medley: (Part II) When You’re Smiling / Saint James Infirmary / Dinah
4:32
69Medley: (Part I) You Rascal You / When It’s Sleepy Time Down South / Nobody’s Sweetheart
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-21)
alto saxophone:
Arthur Davey (US jazz saxophonist) (am 1932-12-21) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1932-12-21)
Banjo, Gitarre und Posaune:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1932-12-21)
Klavier:
Wesley Robinson (US jazz pianist) (am 1932-12-21)
Schlagzeug:
Benny Hill (US jazz drummer, active 1930s) (am 1932-12-21)
Tenorsaxophon:
Ellsworth Blake (US jazz saxophonist) (am 1932-12-21)
Trompete:
Louis Armstrong (am 1932-12-21) und Charlie Gaines (US jazz trumpeter) (am 1932-12-21)
Tuba [brass bass]:
Ed Hayes (US jazz bassist/tuba player) (am 1932-12-21)
vocals:
Louis Armstrong (am 1932-12-21)
medley including a recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1932-12-21)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
Nobody’s Sweetheart (am 1932-12-21)
Texter:
Ernie Erdman (Songwriter/composer and pianist) und Gus Kahn
Komponist(in):
Billy Meyers (US jazz songwriter) und Elmer Schoebel
medley including a recording of:
When It’s Sleepy Time Down South (am 1932-12-21)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
4:20
70I’ve Got the World on a String
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:15
71I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
3:01
72Hustlin’ and Bustlin’ for Baby
recording of:
Hustlin’ and Bustlin’ for Baby
Verfasser(in):
Harry M. Woods (American 1920/30s songwriter)
3:08
73High Society
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (am 1933-01-26)
Texter:
Walter Melrose
Komponist(in):
Porter Steele (in 1901-04)
basiert auf:
High Society (march composed by Porter Steele in 1901)
3:24
74He’s a Son of the South
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
vocals:
Louis Armstrong (am 1933-01-26)
recording of:
He’s a Son of the South (am 1933-01-26)
Texter:
Joe Davis (US lyricist, producer, publisher & promoter)
Komponist(in):
Reginald Foresythe
2:38
75Some Sweet Day
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
recording of:
Some Sweet Day (am 1933-01-27)
Texter:
Ed Rose (lyricist)
Komponist(in):
Tony Jackson (New Orleans ragtime pianist) und Abe Olman
recording of:
Some Sweet Day (in 1933)
Texter:
Ed Rose (lyricist)
Komponist(in):
Tony Jackson (New Orleans ragtime pianist) und Abe Olman
3:01
76Basin Street Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
cover recording of:
Basin Street Blues (am 1933-01-27)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:25
77Honey, Do!
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
recording of:
Honey, Do (am 1933-01-27)
Verfasser(in):
J.C. Johnson und Andy Razaf
2:37
78Snowball
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-28)
alto saxophone:
Scoville Browne (am 1933-01-28) und George Oldham (am 1933-01-28)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-28)
Klarinette:
Scoville Browne (am 1933-01-28), Budd Johnson (am 1933-01-28) und George Oldham (am 1933-01-28)
Klavier:
Teddy Wilson (am 1933-01-28)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-28)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-28)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-28)
Tenorsaxophon:
Budd Johnson (am 1933-01-28)
Trompete:
Louis Armstrong (am 1933-01-28), Zilner Randolph (am 1933-01-28) und Elmer Whitlock (US trumpet player) (am 1933-01-28)
vocals:
Louis Armstrong (am 1933-01-28)
recording of:
Snowball (am 1933-01-28)
Verfasser(in):
Hoagy Carmichael
3:10
79Mahogany Hall Stomp
recording of:
Mahogany Hall Stomp
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:35
80Swing, You Cats
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-28)
alto saxophone:
Scoville Browne (am 1933-01-28) und George Oldham (am 1933-01-28)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-28)
Klarinette:
Scoville Browne (am 1933-01-28), Budd Johnson (am 1933-01-28) und George Oldham (am 1933-01-28)
Klavier:
Teddy Wilson (am 1933-01-28)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-28)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-28)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-28)
Tenorsaxophon:
Budd Johnson (am 1933-01-28)
Trompete:
Louis Armstrong (am 1933-01-28), Zilner Randolph (am 1933-01-28) und Elmer Whitlock (US trumpet player) (am 1933-01-28)
recording of:
Swing, You Cats (am 1933-01-28)
Verfasser(in):
Zilner Randolph
recording of:
Some Sweet Day
Texter:
Ed Rose (lyricist)
Komponist(in):
Tony Jackson (New Orleans ragtime pianist) und Abe Olman
2:37
81Honey, Don’t You Love Me Anymore
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-24)
alto saxophone:
Scoville Browne (am 1933-04-24) und George Oldham (am 1933-04-24)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-24)
Klarinette:
Scoville Browne (am 1933-04-24), Budd Johnson (am 1933-04-24) und George Oldham (am 1933-04-24)
Klavier:
Charlie Beal (am 1933-04-24)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-04-24)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-24)
Schlagzeug:
Sid Catlett (am 1933-04-24)
Tenorsaxophon:
Budd Johnson (am 1933-04-24)
Trompete:
Louis Armstrong (am 1933-04-24), Zilner Randolph (am 1933-04-24) und Elmer Whitlock (US trumpet player) (am 1933-04-24)
vocals:
Louis Armstrong (am 1933-04-24)
recording of:
Honey, Don’t You Love Me Anymore? (am 1933-04-24)
Verfasser(in):
Fred Meadows und Terry Shand (jazz pianist/composer)
2:57
82Mississippi Basin
recording of:
Mississippi Basin
Texter:
Andy Razaf
Komponist(in):
Reginald Foresythe
3:03
83Laughin’ Louie
recording of:
Laughin' Louie
Verfasser(in):
Clarence Gaskill
3:25
84Tomorrow Night
recording of:
Tomorrow Night
Verfasser(in):
Louis Armstrong, Ralph Matthews und Clarence Williams (US jazz pianist, composer, singer and bandleader)
3:13
85There’s a Cabin in the Pines
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
vocals:
Louis Armstrong (am 1933-04-26)
recording of:
There's a Cabin in the Pines (am 1933-04-26)
Texter und Komponist(in):
Billy Hill (US songwriter)
3:17
86Mighty River
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
vocals:
Louis Armstrong (am 1933-04-26)
recording of:
Mighty River (am 1933-04-26)
Texter und Komponist(in):
Billy Baskette (US pianist & composer)
2:37
87Sweet Sue, Just You
recording of:
Sweet Sue, Just You
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:45
88I Wonder Who
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
vocals:
Louis Armstrong (am 1933-04-26)
Orchester:
Louis Armstrong and His Orchestra (in 1933)
recording of:
I Wonder Who (am 1933-04-26)
Verfasser(in):
Paul Barbarin (jazz drummer from New Orleans)
3:05
89St. Louis Blues
recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:40
90Don’t Play Me Cheap
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
vocals:
Louis Armstrong (am 1933-04-26)
recording of:
Don’t Play Me Cheap (am 1933-04-26)
Verfasser(in):
Harry Dial und Zilner Randolph
2:54
91I’m in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Bass:
George "Pops" Foster (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
43:11
92You Are My Lucky Star
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
You Are My Lucky Star (from 1935’s “Broadway Melody of 1936” and 1952’s “Singin’ in the Rain”) (am 1934-10-03)
Texter:
Arthur Freed (bis 1935-08-25)
Komponist(in):
Nacio Herb Brown (US songwriter) (bis 1935-08-25)
publisher:
Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
3:02
93La Cucaracha
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
La cucaracha (am 1934-10-03)
Texter und Komponist(in):
[traditional] (special purpose artist)
2:43
94Got a Bran’ New Suit
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
Got a Bran’ New Suit (am 1935-10-03)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
2:54
95I’ve Got My Fingers Crossed
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-21)
Gitarre:
Lee Blair (am 1935-11-21)
Klavier:
Luis Russell (am 1935-11-21)
Kontrabass:
George "Pops" Foster (am 1935-11-21)
Posaune:
Jimmy Archey (am 1935-11-21) und Harry White (jazz trombonist) (am 1935-11-21)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-21), Henry “Moon” Jones (swing era reeds) (am 1935-11-21) und Bingie Madison (am 1935-11-21)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-21)
Tenorsaxophon:
Greely Walton (am 1935-11-21)
Trompete:
Gus Aiken (am 1935-11-21), Louis Armstrong (am 1935-11-21), Louis Bacon (am 1935-11-21) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-21)
vocals:
Louis Armstrong (am 1935-11-21)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-21)
recording of:
I’ve Got My Fingers Crossed (am 1935-11-21)
Texter:
Ted Koehler
Komponist(in):
Jimmy McHugh (songwriter)
2:31
96Ol’ Man Mose
recording of:
Ol’ Man Mose
Verfasser(in):
Louis Armstrong und Zilner Randolph
2:34
97I’m Shooting High
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22), Henry “Moon” Jones (swing era reeds) (am 1935-11-22) und Bingie Madison (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
I’m Shooting High (am 1935-11-22)
Verfasser(in):
Ted Koehler und Jimmy McHugh (songwriter)
42:55
98(Was I to Blame for) Falling in Love With You
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22) und Henry “Moon” Jones (swing era reeds) (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klarinette:
Bingie Madison (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (am 1935-11-22)
Verfasser(in):
Chester Conn, Gus Kahn und Victor Young (American composer, arranger, violinist & conductor)
3:11
99Red Sails in the Sunset
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
Red Sails in the Sunset (am 1935-12-13)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:03
100On Treasure Island
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
On Treasure Island (am 1935-12-13)
Texter:
Edgar Leslie
Komponist(in):
Joe Burke (American composer)
3:06
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ASIN:DE: B000M5AJY0 [Info]