Changes: The Complete 1970s Atlantic Studio Recordings

~ Veröffentlichung von Charles Mingus (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD: Mingus Moves
2▶CD: Changes One
3▼CD: Changes Two
Nr.TitelBewertungLänge
1Free Cell Block F, ’Tis Nazi U.S.A.
recording engineer:
Gene Paul
leitende(r) Produzent(in):
Nesuhi Ertegun
Produzent(in):
İlhan Mimaroğlu (Turkish-American electronic composer)
Klavier:
Don Pullen (pianist) (am 1974-12-30)
Kontrabass [bass]:
Charles Mingus (am 1974-12-30)
Schlagzeug:
Dannie Richmond (drummer) (am 1974-12-30)
Tenorsaxophon:
George Adams (jazz musician) (am 1974-12-30)
Trompete:
Jack Walrath (am 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) und Bobby Warner
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1974-12-30)
recording of:
Free Cell Block F, ‘Tis Nazi U.S.A. (am 1974-12-30)
Komponist(in):
Charles Mingus
6:53
2Orange Was the Color of Her Dress, Then Silk Blue
recording engineer:
Gene Paul
leitende(r) Produzent(in):
Nesuhi Ertegun
Produzent(in):
İlhan Mimaroğlu (Turkish-American electronic composer)
Klavier:
Don Pullen (pianist) (am 1974-12-30)
Kontrabass [bass]:
Charles Mingus (am 1974-12-30)
Schlagzeug:
Dannie Richmond (drummer) (am 1974-12-30)
Tenorsaxophon:
George Adams (jazz musician) (am 1974-12-30)
Trompete:
Jack Walrath (am 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) und Bobby Warner
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1974-12-30)
recording of:
Orange Was the Color of Her Dress, Then Silk Blue (am 1974-12-30)
Komponist(in):
Charles Mingus
17:29
3Black Bats and Poles
recording engineer:
Gene Paul
leitende(r) Produzent(in):
Nesuhi Ertegun
Produzent(in):
İlhan Mimaroğlu (Turkish-American electronic composer)
Klavier:
Don Pullen (pianist) (am 1974-12-30)
Kontrabass [bass]:
Charles Mingus (am 1974-12-30)
Schlagzeug:
Dannie Richmond (drummer) (am 1974-12-30)
Tenorsaxophon:
George Adams (jazz musician) (am 1974-12-30)
Trompete:
Jack Walrath (am 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) und Bobby Warner
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1974-12-30)
recording of:
Black Bats and Poles (am 1974-12-30)
Komponist(in):
Jack Walrath
6:20
4Duke Ellington’s Sound of Love
recording engineer:
Gene Paul
leitende(r) Produzent(in):
Nesuhi Ertegun
Produzent(in):
İlhan Mimaroğlu (Turkish-American electronic composer)
Klavier:
Don Pullen (pianist) (am 1974-12-30)
Kontrabass [bass]:
Charles Mingus (am 1974-12-30)
Schlagzeug:
Dannie Richmond (drummer) (am 1974-12-30)
Tenorsaxophon:
George Adams (jazz musician) (am 1974-12-30)
Trompete:
Marcus Belgrave (am 1974-12-30) und Jack Walrath (am 1974-12-30)
Gast vocals:
Jackie Paris (am 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) und Bobby Warner
arranger:
Sy Johnson
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1974-12-30)
recording of:
Duke Ellington's Sound of Love (am 1974-12-30)
Texter und Komponist(in):
Charles Mingus
4:12
5For Harry Carney
recording engineer:
Gene Paul
leitende(r) Produzent(in):
Nesuhi Ertegun
Produzent(in):
İlhan Mimaroğlu (Turkish-American electronic composer)
Klavier:
Don Pullen (pianist) (am 1974-12-28)
Kontrabass [bass]:
Charles Mingus (am 1974-12-28)
Schlagzeug:
Dannie Richmond (drummer) (am 1974-12-28)
Tenorsaxophon:
George Adams (jazz musician) (am 1974-12-28)
Trompete:
Jack Walrath (am 1974-12-28)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) und Bobby Warner
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1974-12-28)
recording of:
For Harry Carney (am 1974-12-28)
Komponist(in):
Sy Johnson
8:01
4▶CD: Three or Four Shades of Blues
5▶CD: Cumbia & Jazz Fusion
6▶CD: Me, Myself an Eye
7▶CD: Something Like a Bird

Nennungen

Veröffentlichung

Fotografie:Guy Le Querrec/Magnum Photos (photographer) (Aufgabe: cover photos, booklet cover and back photos)
liner notes:Andrew Homzy
sonstige Unterstützung:Brian Priestley (Aufgabe: additional research, narrative and analytical texts)
Jack Walrath (Aufgabe: additional research, narrative and analytical texts)
Produzent(in):Florence Joelle Halfon (producer) (Aufgabe: produced for release)
remastering:John Webber (mastering engineer)
design:Bruno Tilley (art director and designer)
remastered at:AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Discogs:https://www.discogs.com/release/27497193 [Info]