Integral Billie Holiday 1946 - 1959 (Digital download)

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium: The Lady Sings
2▶Digitales Medium: Lover Man/The Blues are Brewin
3▶Digitales Medium: with Tiny Grimes Sextet/Solitude
4▼Digitales Medium: Recital/Stay With Me
Nr.TitelBewertungLänge
1If the Moon Turns Green
recording of:
If the Moon Turns Green (in 1952-04)
Texter:
Paul Coates (songwriter; “If the Moon Turns Green”) (am 1934-11-27)
Komponist(in):
Bernie Hanighen (am 1934-11-27)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (am 1934-11-27)
2:45
2Remember
recording of:
Remember (in 1952-04)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
2:35
3Autumn in New York
recording of:
Autumn in New York (1934) (in 1952-04)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
3:42
4My Man
recorded in:
New York, New York, Vereinigte Staaten (am 1952-07-27)
Gitarre:
Freddie Green (am 1952-07-27)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-07-27)
Kontrabass und Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1952-07-27)
Schlagzeug:
J.C. Heard (am 1952-07-27) und Gus Johnson (drums) (am 1952-07-27)
Tenorsaxophon:
Paul Quinichette (am 1952-07-27)
Trompete:
Joe Newman (US jazz trumpeter) (am 1952-07-27)
vocals:
Billie Holiday (am 1952-07-27)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (am 1952-07-27)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
42:38
5Lover Come Back to Me
Instrumente:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [Bass]:
Ray Brown (jazz bassist)
Schlagzeug:
Gus Johnson (drums)
Tenorsaxophon:
Paul Quinichette
Trompete:
Joe Newman (US jazz trumpeter)
vocals:
Billie Holiday
recording of:
Lover, Come Back to Me (from "The New Moon") (am 1952-07-27)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
53:36
6Stormy Weather
Gitarre:
Freddie Green (am 1952-07-27)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-07-27)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-07-27)
Schlagzeug:
Gus Johnson (drums) (am 1952-07-27)
Tenorsaxophon:
Paul Quinichette (am 1952-07-27)
Trompete:
Joe Newman (US jazz trumpeter) (am 1952-07-27)
vocals:
Billie Holiday (am 1952-07-27)
recording of:
Stormy Weather (am 1952-07-27)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
53:42
7Yesterdays
2:49
8He's Funny That Way
recording of:
She’s Funny That Way (am 1952-07-27)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
3:13
9I Can't Face the Music
recording of:
I Can’t Face the Music (am 1952-07-27)
Texter:
Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
3:16
10How Deep Is the Ocean
vocals:
Billie Holiday (am 1954-04-14)
recording of:
How Deep Is the Ocean? (am 1954-04-14)
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
52:58
11What a Little Moonlight Can Do
recording of:
I Cried for You (am 1954-04-14)
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
3:11
12I Cried for You (1954)
recording of:
I Cried for You (am 1954-04-14)
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
2:29
13I Wished on the Moon (1955)
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
I Wished on the Moon (am 1955-02-14)
Texter:
Dorothy Parker
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
46:50
14Ain't Misbehaving
recording of:
Ain’t Misbehavin’ (am 1955-02-14)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
54:40
15Everything Happens to Me
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Everything Happens to Me (am 1955-02-14)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2.56:23
16Say It Isn't So
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Say It Isn’t So (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
3.353:04
17I've Got My Love to Keep Me Warm
sonstige Unterstützung:
Leroy Lovett (am 1955-02-14)
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.753:58
18Always
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Always (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
43:59
19Do Nothing Till You Hear From Me (1955)
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Do Nothin’ Till You Hear From Me (am 1955-02-14)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
55:02
5▶Digitales Medium: Music For Torching/Velvet Mood