Steve Wright in the Afternoon: The Oldies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Rocket Man
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra :
Davey Johnstone
chitarra basso :
Dee Murray
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
sintetizzatore :
David Hentschel
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 149) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 242)
registrazione di:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Elton John3.84:41
21999
tecnico di registrazione:
Peggy McCreary (dal 1982-07 al 1982-08)
produttore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
basso elettrico , batteria elettronica [Pearl SY-1 Syncussion] , battimani , campanaccio , chitarra elettrica , drum machine [Linn LM-1] , piatti , sintetizzatore [ARP Omni-2] , sintetizzatore [Oberheim OB-Xa] e tamburello :
Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
voce di accompagnamento:
Jesse Johnson (original guitarist for The Time) (dal 1982-07 al 1982-08)
voce principale:
Lisa Coleman (US pianist/keyboardist & composer) (dal 1982-07 al 1982-08), Dez Dickerson (dal 1982-07 al 1982-08), Jill Jones (American singer, songwriter, and actress) (dal 1982-07 al 1982-08) e Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
arrangiatore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
edit di:
1999 (album version) di Prince (“The Artist Formerly Known as…”)
video musicali:
1999 di Prince (“The Artist Formerly Known as…”)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 339)
registrazione di:
1999 (dal 1982-07 al 1982-08)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music, Warner Chappell Music (publisher as Warner/Chappell Music) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:39
3I’ve Gotta Get a Message to You
produttore:
Bee Gees e Robert Stigwood
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1968), Maurice Gibb (nel 1968) e Robin Gibb (nel 1968)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1968), PolyGram International Music B.V. (not for release label use!) (nel 1968) e Robert Stigwood Organisation Ltd. (nel 1968)
registrazione di:
I’ve Gotta Get a Message to You (nel 1968-07)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc. (BMI), Universal Music Careers e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bee Gees2.752:59
4Valerie
assistente tecnico:
Nobby
produttore:
Steve Winwood
registrata presso:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Regno Unito
registrazione di:
Valerie
autore:
Will Jennings e Steve Winwood
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell North America
Steve Winwood44:08
5Echo Beach
assistente tecnico:
Laurence Diana
tecnico:
Richard Manwaring (Producer)
produttore:
Mike Howlett
diritti fonografici (℗) detenuti da:
Dindisc Ltd (nel 1980) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980, nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (nel 1979-08)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 87)
registrazione di:
Echo Beach
paroliere e compositore:
Mark Gane
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1980)
Martha and the Muffins3.63:38
6All or Nothing
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1966)
registrazione di:
All or Nothing
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
Small Faces3.53:05
7That’s Entertainment
registrazione di:
That’s Entertainment
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
And Son Music Ltd. (, dal 1980 a oggi), BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Stylist Music Ltd.
The Jam3:17
8Lola
registrazione di:
Lola
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1970-04)
editore:
Carlin Music Corporation, Carlin (nel 1970, nel 1984) e Davray (publisher) (nel 1970, nel 1984)
The Kinks4:02
9Father and Son
produttore:
Paul Samwell-Smith
batteria :
Harvey Burns (nel 1970-07)
chitarra e tastiera :
Cat Stevens (now known as Yusuf Islam) (nel 1970-07)
chitarra [2nd] :
Alun Davies (nel 1970-07)
chitarra basso :
John Ryan (producer a/k/a “The Chicago Kid”) (nel 1970-07)
violino solista :
John Rostein (nel 1970-07)
voce:
Cat Stevens (now known as Yusuf Islam) (nel 1970-07)
arrangiatore archi :
Del Newman (British conductor, orchestrator, arranger)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970) e Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 1970)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1970-07)
versione strumentale di:
Father and Son di Giacomo Bucci
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 408)
registrazione di:
Father and Son (Cat Stevens) (nel 1970-07)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (dal 1970 a oggi) e Irving Music, Inc. (dal 1970 a oggi)
Cat Stevens4.253:41
10A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
11Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:12
12Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:29
1320th Century Boy
registrazione di:
20th Century Boy
paroliere e compositore:
Marc Bolan
editore:
Fintage Publishing, Spirit Catalogue Holdings e Wizard (Bahamas) Ltd.
sub-editore:
Shinko Music Entertainment Co., Ltd. (conclusa) e フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex3:40
14Dancing in the Moonlight
tecnico:
Tony Visconti
produttore:
Thin Lizzy (Irish hard rock band) e Tony Visconti
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist)
chitarra acustica, chitarra basso e arpa e voce principale:
Phil Lynott
sassofono :
John Helliwell
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1977)
registrazione di:
Dancing in the Moonlight (It’s Caught Me in Its Spotlight)
paroliere e compositore:
Phil Lynott
editore:
PolyGram Music Ltd.
Thin Lizzy4.253:30
15You Never Can Tell
produttore:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess e Willie Dixon
basso elettrico :
Louis Satterfield (dal 1964-01-07 al 1964-01-09)
batteria :
Odie Payne (American Chicago blues drummer) (dal 1964-01-07 al 1964-01-09)
chitarra :
Chuck Berry (dal 1964-01-07 al 1964-01-09)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1964-01-07 al 1964-01-09)
sassofono tenore :
Rubin Cooper (dal 1964-01-07 al 1964-01-09) e George Patterson (dal 1964-01-07 al 1964-01-09)
voce:
Chuck Berry (dal 1964-01-07 al 1964-01-09)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1964)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (dal 1964-01-07 al 1964-01-09)
registrazione di:
You Never Can Tell (dal 1964-01-07 al 1964-01-09)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. e Isalee Music (nel 1994)
Chuck Berry4.152:43
16Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:48
17Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:43
18Voulez‐Vous
tecnico:
Michael B. Tretow (il 1979-02-01)
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Joe Galdo (US drummer & percussionist) (il 1979-02-01)
chitarra :
Janne Schaffer (nel 1979), Ish Ledesma (il 1979-02-01), George Terry (guitar player with Clapton in 70's) (il 1979-02-01) e Björn Ulvaeus (il 1979-02-01)
chitarra basso :
Arnold Paseiro (il 1979-02-01)
pianoforte :
Paul Harris (American keyboardist/pianist session player) (il 1979-02-01)
sassofono soprano e sassofono tenore :
Johan Stengård (il 1979-03-19)
sassofono tenore :
Halldor Pálsson (il 1979-03-19)
sintetizzatore :
Benny Andersson (ABBA) (il 1979-02-01)
trombone :
Nils Landgren (Swedish trombonist and singer) (il 1979-03-19)
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1979)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1979-02-01) e Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1979-03-19)
mixata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1979-03-20)
remaster:
Voulez‐vous (edit) di ABBA (Swedish pop group)
registrazione di:
Voulez‐Vous (nel 1979)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
EMI Music Publishing (do not use as a release label!) (conclusa), Universal Music Publishing Group (conclusa), Universal/Union Songs Musikförlag AB (conclusa), EMI Waterford Music, Union Songs Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Artwork Music Co., Inc. (dal 1979 al ????)
parte di:
Mamma Mia! (1999 musical)
ABBA3.75:11
19Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:38
20Everybody’s Talkin’
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Nilsson3.92:44

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ASIN:UK: B00069I6V0 [info]