Live & Alive: The Ultimate Live Collection Remastered

~ Release by Maria Callas (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Tosca: Act II. "Vissi d'arte" (Tosca)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (on 1964-01-24)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1964-01-24)
conductor:
Carlo Felice Cillario (conductor) (on 1964-01-24)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1964-01-24)
live recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1964-01-24)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:29
A2Tosca: Act III. "E non giungono" (Tosca, Cavaradossi, Carceriere)
bass vocals [Un carceriere]:
Edgar Boniface (operatic bass) (on 1964-01-24)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (on 1964-01-24)
tenor vocals [Mario Cavaradossi]:
Renato Cioni (tenor) (on 1964-01-24)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1964-01-24)
conductor:
Carlo Felice Cillario (conductor) (on 1964-01-24)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1964-01-24)
live partial recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (on 1964-01-24)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:44
A3Tosca: Act III. "Com'è lunga l'attesa!" (Tosca)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (on 1964-01-24)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1964-01-24)
conductor:
Carlo Felice Cillario (conductor) (on 1964-01-24)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1964-01-24)
live recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (on 1964-01-24)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:10
A4La traviata: Act I. "È strano! È strano!" (Violetta)
soprano vocals:
Maria Callas (soprano) (on 1958-03-27)
orchestra:
Orquestra Sinfónica do Teatro Nacional de São Carlos, Lisboa (on 1958-03-27)
conductor:
Franco Ghione (conductor, violinist and composer) (on 1958-03-27)
recorded at:
Teatro Nacional de São Carlos in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (on 1958-03-27)
live recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (on 1958-03-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi1:21
A5La traviata: Act I. "Ah, fors'è lui che l'anima" (Violetta)
soprano vocals:
Maria Callas (soprano) (on 1958-03-27)
orchestra:
Orquestra Sinfónica do Teatro Nacional de São Carlos, Lisboa (on 1958-03-27)
conductor:
Franco Ghione (conductor, violinist and composer) (on 1958-03-27)
recorded at:
Teatro Nacional de São Carlos in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (on 1958-03-27)
live recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta) (on 1958-03-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:15
A6La traviata: Act III. "Addio, del passato" (Violetta)
soprano vocals:
Maria Callas (soprano) (on 1958-03-27)
orchestra:
Orquestra Sinfónica do Teatro Nacional de São Carlos, Lisboa (on 1958-03-27)
conductor:
Franco Ghione (conductor, violinist and composer) (on 1958-03-27)
recorded at:
Teatro Nacional de São Carlos in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (on 1958-03-27)
live recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) (on 1958-03-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:21
A7Anna Bolena: Act II. "Coppia iniqua, l'estrema vendetta" (Anna, Smeton, Percy, Rochefort, Chorus)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (Italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto II, Scena III. "Coppia iniqua, l'estrema vendetta" (Anna, Tutti) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti3:15
A8Aida: Act II. "O Re, pei sacri Numi... Gloria all'Egitto"" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:21
B1Lucia di Lammermoor: Act I. "Quando rapito in estasi" (Lucia)
mezzo-soprano vocals [Alisa]:
Luisa Villa (mezzo-soprano)
soprano vocals [Lucia]:
Maria Callas (soprano) (on 1955-09-29)
orchestra:
RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1955-09-29)
conductor:
Herbert von Karajan (conductor) (on 1955-09-29)
recorded at:
Städtische Oper (Städtische Oper, Deutsche Oper Berlin) in Berlin, Germany (on 1955-09-29)
live recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (on 1955-09-29)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:23
B2Iphigénie en Tauride, Wq. 46: Act II. "O sventurata Ifigenia" (Iphigénie, Chorus)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-06-01)
soprano vocals [Ifigenia]:
Maria Callas (soprano) (on 1957-06-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-06-01)
conductor:
Nino Sanzogno (conductor) (on 1957-06-01)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto II. “O sventurata Ifigenia” (Ifigenia, Coro) (on 1957-06-01)
composer:
Christoph Willibald Gluck (composer)
librettist:
Nicolas-François Guillard
translator:
Lorenzo Da Ponte
part of:
Ifigenia in Tauride, Wq. 46: Atto II
Christoph Willibald Gluck5:04
B3Poliuto: Act I. "Di quai soavi lagrime" (Paolina)
soprano vocals:
Maria Callas (soprano) (on 1960-12-07)
orchestra:
Orchestra del Teatro alla Scala, Milano (Orchestra of La Scala, Milan) (on 1960-12-07)
conductor:
Antonino Votto (conductor) (on 1960-12-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1960-12-07)
live recording of:
Poliuto: Atto I. “Di quai soavi lagrime” (Paolina) (on 1960-12-07)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Poliuto: Atto I
Gaetano Donizetti3:08
B4Il pirata: Act I. "Sventurata, anch'io deliro" (Imogene, Adele, Chorus)
recorded in:
New York, New York, United States (on 1959-01-27)
choir vocals:
Chorus of the American Opera Society (on 1959-01-27)
mezzo-soprano vocals [Adele]:
Regina Sarfaty (operatic mezzo‐soprano) (on 1959-01-27)
soprano vocals [Imogene]:
Maria Callas (soprano) (on 1959-01-27)
orchestra:
Orchestra of the American Opera Society (on 1959-01-27)
conductor:
Nicola Rescigno (conductor) (on 1959-01-27)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1959-01-27)
live recording of:
Il pirata: Atto I, scena 1. “Sventurata, anch'io deliro” (Imogene, Adele, Solitario, coro) (on 1959-01-27)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
Vincenzo Bellini2:22
B5Norma: Act I. "Casta Diva" (Norma, Chorus, Oroveso)
bass vocals:
Giacomo Vaghi (operatic bass) (on 1952-11-18)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (on 1952-11-18)
soprano vocals:
Maria Callas (soprano) (on 1952-11-18)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1952-11-18)
conductor:
Vittorio Gui (conductor and composer) (on 1952-11-18)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1952-11-18)
live recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1952-11-18)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini7:14
B6Turandot: Act II. "In questa Reggia" (Turandot, Chorus, Calaf)
soprano vocals:
Maria Callas (soprano) (on 1954-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-09-18)
conductor:
Tullio Serafin (conductor) (on 1954-09-18)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-18)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (on 1954-09-18)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:20

Credits

Release

manufactured in:Europe
printed in:Europe
copyrighted (©) by:Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2017)
phonographic copyright (℗) by:Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2014, in 2017)
remastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2014)
Studio Art & Son (Paris) in Paris, Île-de-France, France (in 2017)
ASIN:US: B073L8PGSQ [info]