Aangenaam Klassiek Editie 1998

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ave Maria
soprano vocals:
Inese Galante (Latvian soprano)
orchestra:
Latvian National Symphony Orchestra (Latvian National Symphony Orchestra)
conductor:
Aleksandrs Viļumanis (conductor)
arranger:
Georgs Brinums
recording of:
Ave Maria (Vavilov, often misattributed to Caccini)
composer:
Владимир Вавилов (Vladimir Vavilov)
previously attributed to:
Giulio Caccini (Italian renaissance composer, 1551-1618)
recording of:
Ave Maria (Vavilov/Caccini, catch-all for arrangements)
composer:
Vladimir Vavilov
previously attributed to:
Giulio Caccini (Italian renaissance composer, 1551-1618)
arrangement of:
Ave Maria (Vavilov, often misattributed to Caccini)
Giulio Caccini / Andris Brīnums6:03
2Celloconcert In D Hob. VII: Allegro
Joseph Haydn4:46
3Liebesbotschaft
Franz Schubert2:55
4Musikalische Exequien SWV 279: "Also hat Gott die Welt geliebt"
Heinrich Schütz3:14
5Pianotrio In G, op. 35: Rondo, Vivace e Scherzando
Johann Nepomuk Hummel3:34
6Missa in F, BWV 233: "Domine Deus"
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Kooy (baritone) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:40
7Nocturne in G major: Lento
piano:
John O’Conor (pianist)
recording of:
Nocturne for piano no. 12 (14) in G major, H. 58
composer:
John Field (Irish composer)
part of:
A Bibliographical Thematic Catalogue of the Works of John Field (number: H. 58)
John Field2:16
8Brandenburg Concerto no. 2 in F, BWV 1047: Allegro
orchestra:
Camerata of the 18th Century (Dutch chamber orchestra)
conductor:
Konrad Hünteler (flutist)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:43
9Il Combattimento di Trancredi e Clorinda "In queste voci languide"
recording of:
VIII. Madrigalbuch, Il combattimento di Tancredi e Clorinda, SV 153: "In queste voci"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) (in 1624)
part of:
Il combattimento di Tancredi e Clorinda, SV 153
Claudio Monteverdi3:19
10Fratres
cello:
Die 12 Cellisten der Berliner Philharmoniker
recording of:
Fratres (for cello ensemble, 1982)
composer:
Arvo Pärt (Estonian composer) (in 1977)
arranger:
Arvo Pärt (Estonian composer) (in 1982)
arrangement of:
Fratres (parent work - if in doubt, use this one)
Arvo Pärt11:54
11Carmina Burana: ''In Trutina''
soprano vocals:
Renée Fleming (soprano)
orchestra:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:44
12Cantate, BWV 8: "Liebster Gott wenn werd' ich sterben"
choir vocals:
Collegium Vocale Gent (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach6:45
13Cantate, BWV 156: "Ich steh' mit einem Fuss im Grabe"
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor)
orchestra:
Camerata Bern
conductor:
Thomas Zehetmair (violinist and conductor)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (in 1996-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:37
14L'estro Armonico, Concerto no. 5 in A, RV 519: Allegro
Antonio Vivaldi2:45
15Hungarian Rhapsodie no. 5 in e
Franz Liszt2:15
16Decarissimo
Astor Piazzolla3:37
17Prelude no. 1 in B
George Gershwin1:40
18Officium defunctorum: "Parce mihi domine"
sound engineer:
Peter Laenger (engineer/producer)
soprano saxophone:
Jan Garbarek
baritone vocals:
Gordon Jones (baritone)
countertenor vocals:
David James (countertenor)
tenor vocals:
Rogers Covey‐Crump (tenor) and John Potter (tenor)
performer:
Jan Garbarek and The Hilliard Ensemble (British male vocal quartet)
recorded at:
Propstei Sankt Gerold in Vorarlberg, Austria (in 1993-09)
recording of:
Parce mihi domine
composer:
Cristóbal de Morales (Spanish Renaissance composer)
part of:
Officium defunctorum
Jan Garbarek56:38

Credits

Release group

part of:Aangenaam Klassiek (number: 1998) (order: 3)