Concerto for Orchestra / Four Orchestral Pieces

~ Veröffentlichung von Béla Bartók; Chicago Symphony Orchestra, Pierre Boulez (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Jürgen Bulgrin (sound engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: I. Preludio: Moderato (in 1992-12)
Orchestrator(in):
Bartók Béla (Béla Bartók, composer) (in 1921)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1912)
Teil von:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók6:32
2Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Jürgen Bulgrin (sound engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: II. Scherzo: Allegro (in 1992-12)
Orchestrator(in):
Bartók Béla (Béla Bartók, composer) (in 1921)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1912)
Teil von:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók6:13
3Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Jürgen Bulgrin (sound engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: III. Intermezzo: Moderato (in 1992-12)
Orchestrator(in):
Bartók Béla (Béla Bartók, composer) (in 1921)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1912)
Teil von:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók5:03
4Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Jürgen Bulgrin (sound engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: IV. Marcia funebre: Maestoso (in 1992-12)
Orchestrator(in):
Bartók Béla (Béla Bartók, composer) (in 1921)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1912)
Teil von:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók5:06
5Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:30
6Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:26
7Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:43
8Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:02
9Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:24