Un ballo in maschera

~ Release by Verdi; Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Fedora Barbieri, Eugenia Ratti, Orchestra e Coro del Teatro alla Scala di Milano, Antonino Votto (see all versions of this release, 3 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Un ballo in maschera: Atto II. “Ahimè! s’appressa alcun”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:12
2Un ballo in maschera: Atto II. “Amico, gelosa t’affido una cura”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14c. "Amico, gelosa t'affido una cura" (Riccardo, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi0:54
3Un ballo in maschera: Atto II. “Odi tu come fremono cupi”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14d. Cabaletta "Odi tu come fremono cupi" (Amelia, Renato, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:57
4Un ballo in maschera: Atto II. “Seguitemi”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:38
5Un ballo in maschera: Atto II. “Ve’, se di notte qui colla sposa”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi5:03
6Un ballo in maschera: Atto III, scena 1. “A tal colpa è nulla il pianto”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:19
7Un ballo in maschera: Atto III, scena 1. “Morró, ma prima in grazia”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:30
8Un ballo in maschera: Atto III, scena 1. “Alzati! là tuo figlio”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:52
9Un ballo in maschera: Atto III, scena 1. “Eri tu che macchiavi quell’anima… O dolcezze perdute! O memorie”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:18
10Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:36
11Un ballo in maschera: Atto III, scena 1. “Dunque l’onta di tutti sol una”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:55
12Un ballo in maschera: Atto III, scena 1. “D’una grazia vi supplico”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. “D'una grazia vi supplico” (Renato, Tom, Samuel, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:57
13Un ballo in maschera: Atto III, scena 1. “Qual è dunque l’eletto?” / “Ah! del Conte la morte si vuole!”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19b. “Qual e dunque l'eletto … Ah! Del Conte la morte si vuole!” (Renato, Samuel, Tom, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:20
14Un ballo in maschera: Atto III, scena 1. “Il messaggio entri”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:05
15Un ballo in maschera: Atto III, scena 1. “Ah! Di che fulgor, che musiche”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:45
16Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse”
producer:
Walter Jellinek (British classical producer)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:37
17Un ballo in maschera: Atto III, scena 2. “Ma se m’è forza perderti”
producer:
Walter Jellinek (British classical producer)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:44
18Un ballo in maschera: Atto III, scena 2. “Ah! dessa è là”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:38
19Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22b. Coro “Fervono amori e danze” (1) (Coro, Samuel, Tom, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:09
20Un ballo in maschera: Atto III, scena 2. “Saper vorreste di che si veste”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:02
21Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:28
22Un ballo in maschera: Atto III, scena 2. “Ah! perché qui! fuggite”
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1956)
soprano vocals [Amelia]:
Maria Callas (soprano) (in 1956)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Antonino Votto (conductor) (in 1956)
chorus master:
Norberto Mola (chorus master) (in 1956)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:39
23Un ballo in maschera: Atto III, scena 2. “E tu ricevi il mio!”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24e “E tu ricevi il mio!” (Renato, Riccardo, Amelia, Oscar, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:15
24Un ballo in maschera: Atto III, scena 2. “Ella è pura: in braccio a morte”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:35