BBC Music, Volume 28, Number 3: A Ceremony of Carols

~ Release by Choir of the Queen's College, Oxford, Owen Rees, Laurence John, Lucy Wakeford (see all versions of this release, 1 available)

Annotation

Tracks 2, 9, 10, and 11 have slightly different times printed on the rear cover to those Picard found on the CD

Annotation last modified on 2021-06-15 17:05 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Drop Down, Ye Heavens, From Above
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Drop Down, Ye Heavens, from Above
composer:
Judith Weir (British composer) (in 1984)
Judith Weir1:49
2Es ist ein Ros entsprungen
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Es ist ein Ros entsprungen (Praetorius’ harmonisation)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Michael Praetorius (composer and organist) (in 1609)
arrangement of:
Es ist ein Ros entsprungen (original anonymous version)
Michael Praetorius2:32
3Lo, How a Rose E'er Blooming
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Lo, How a Rose E’er Blooming (arr. Blackwell)
composer:
[anonymous] (special purpose artist)
arranger:
David Blackwell (composer)
arrangement of:
Lo, How a Rose E’er Blooming (English version of “Es ist ein Ros entsprungen”)
David Blackwell3:43
4Resonet in laudibus
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Resonet in laudibus
lyricist:
Michael Praetorius (composer and organist)
composer:
Michael Praetorius (composer and organist) (in 1607)
Michael Praetorius3:16
5The Three Kings
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
The Three Kings
lyricist:
Dorothy L. Sayers (writer)
composer:
Jonathan Dove (British composer) (in 2000)
Jonathan Dove4:31
6A Ceremony of Carols
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Saint Michael and All Angels, Summertown, Oxford (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
compilation of:
A Ceremony of Carols: No 1: Procession, "Hodie Christus natus est" by Choir of The Queen's College, Oxford, Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 2: Wolcum Yole! by Choir of The Queen's College, Oxford, Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 3: There is no rose by Choir of The Queen's College, Oxford, Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 4a: That yongë child by Choir of The Queen's College, Oxford, Melissa Talbot (sopran), Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 4b: Balulalow, "O my deare hert, young Jesu sweit" by Choir of The Queen's College, Oxford, Alexandra Moss (sopran), Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 5: As dew in Aprille, "I sing of a maiden" by Choir of The Queen's College, Oxford, Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 6: This little babe by Choir of The Queen's College, Oxford, Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 7: Interlude by Choir of The Queen's College, Oxford, Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 8: In freezing winter night, "Behold, a silly tender babe" by Choir of The Queen's College, Oxford, Olivia Hugh-Jones (sopran), Elizabeth Nurse (singer/violinist), Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 9: Spring Carol, "Pleasure it is" by Choir of The Queen's College, Oxford, Alexandra Moss (sopran), Elizabeth Nurse (singer/violinist), Lucy Wakeford (harpist), Owen Rees (conductor), A Ceremony of Carols: No. 10: Deo gracias by Choir of The Queen's College, Oxford, Lucy Wakeford (harpist), Owen Rees (conductor) and A Ceremony of Carols: No. 11: Recession, "Hodie Christus natus est" by Choir of The Queen's College, Oxford, Lucy Wakeford (harpist), Owen Rees (conductor)
recording of:
A Ceremony of Carols, op. 28
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942-03 until 1943)
premiered at:
Norwich Castle in Norwich, Norfolk, England, United Kingdom (on 1942-12-05)
part of:
Works of Benjamin Britten by opus number (number: op. 28)
Benjamin Britten23:21
7In dulci jubilo
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
In dulci jubilo (arr. Michael Praetorius. Musae Sioniae VI, no. 32)
composer:
Michael Praetorius (composer and organist) (in 1607)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Michael Praetorius2:55
8Good-Will to Men, and Peace on Earth
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Good-Will to Men, and Peace on Earth
lyricist and composer:
Dobrinka Tabakova (Bulgarian-British composer) (in 2018)
Dobrinka Tabakova2:27
9O virga ac diadema
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
soprano vocals:
Olivia Hugh-Jones (sopran) and Melissa Talbot (sopran)
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Symphonia armonie celestium revelationum: O virga ac diadema
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen5:18
10Tribus miraculis ornatum
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Saint Michael and All Angels, Summertown, Oxford (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Welcome All Wonders: XI. Tribus Miraculis Ornatum
composer:
David Bednall (composer, organist and pianist)
part of:
Welcome All Wonders
David Bednall3:16
11Geborn ist Gottes Söhnelein
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Geborn ist Gottes Söhnelein
composer:
Michael Praetorius (composer and organist) (in 1611)
Michael Praetorius1:01
12The Owl
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
The Owl (in 2017)
lyricist:
Jennifer Thorp (Writer & Librettist) (in 2017)
composer:
Toby Young (composer) (in 2017)
Toby Young1:54
13Wie schön leuchtet der Morgenstern
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Wie schön leuchtet der Morgenstern (arr. Michael Praetorius)
composer:
Michael Praetorius (composer and organist) (in 1610)
arrangement of:
Wie schön leuchtet der Morgenstern
part of:
Polyhymnia caduceatrix et Panegyrica
Michael Praetorius1:22
14Now May We Singen
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Now may we singen
composer:
Cecilia McDowall (British composer) (in 2007)
Cecilia McDowall3:15
15Puer natus in Bethlehem
recording engineer:
George Collins (engineer) and Mike Hatch (engineer/editor)
producer:
Adrian Peacock (bass vocalist, producer)
mixer:
Mike Hatch (engineer/editor)
editor:
Will Brown (UK classical engineer) and Adrian Peacock (bass vocalist, producer)
harp:
Lucy Wakeford (harpist)
organ:
Laurence John (organist)
choir vocals:
Choir of The Queen's College, Oxford
conductor:
Owen Rees (conductor)
recorded at:
Church of St Michael and All Angels (Summertown) in Oxford, Oxfordshire, England, United Kingdom (from 2019-07-01 until 2019-07-03)
recording of:
Puer natus in Bethlehem (arr. Michael Praetorius)
composer:
Michael Praetorius (composer and organist) (in 1607)
arrangement of:
Puer natus in Bethlehem (original Piæ cantiones 1625 version)
Michael Praetorius5:17

Credits

Release

liner notes:Terry Blain
part of:The BBC Music Magazine Collection (number: vol. 28 no. 3) (order: 139)
Discogs:https://www.discogs.com/release/14470624 [info]