Classics for Lovers

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Elvira Madigan (Andante)
Instrumente:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
Klavier:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) und Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:38
2The Sleeping Waltz Beauty Waltz
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:26
3Musical Clock (Allegro)
Joseph Haydn1:26
4Symphony (Divertimento) In D Major 'Salzburg' (Andante)
Orchester:
Camerata Romana (an Alfred Scholz pseudonym) und Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1772)
Teil von:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart5:24
5Clair de Lune
Klavier:
Evelyne Dubourg (pianist)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
enthalten in:
Granblue Fantasy (video game soundtrack)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:12
6La Vaillance (Heldenmusik)Georg Philipp Telemann1:38
7La Gráce (Heldenmusik)Georg Philipp Telemann2:45
8Scherzo (Symphony No 2 in D Major)
Orchester:
Staatskapelle Berlin (von 1999-05 bis 1999-07)
conductor:
Daniel Barenboim (pianist and conductor) (von 1999-05 bis 1999-07)
aufgenommen bei:
Funkhaus Nalepastraße, Saal 1 (Funkhaus Nalepastraße, Studio 1) in Berlin, Deutschland (von 1999-05 bis 1999-07)
recording of:
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (Sinfonie Nr. 2 D-Dur, Op. 36: III. Scherzo. Allegro) (von 1999-05 bis 1999-07)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1801 bis 1802)
Teil von:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven3:38
9Sonata in D Minor
Domenico Scarlatti4:00
10Dance of the Sugar Plum Fairy (The Nutcracker)
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:08
11Dance of the Swans (Swan Lake)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:38
12The Lake in the Moonlight (Swan Lake)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:13
13Meditation from 'Thais'
Geige / Violine:
Barry Griffiths (violinist)
Orchester:
Royal Philharmonic Orchestra
conductor:
Frank Shipway (British conductor)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1894)
Teil von:
Classic 100: Music of France (2012) (Nummer: 14)
Teil von:
Thaïs: Acte II
Jules Massenet5:19
14Giselle (Apothéose)
Adolphe Adam2:29
15Morning (Peer Gynt)
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slowakisches Radio Symphonie Orchester Bratislava), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Slowakische Philharmonie) und Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:55
16Love Dream (No 3)
Klavier:
Josef Bulva (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
Klavier arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
Teil von:
Liebesträume, S. 541
Franz Liszt4:21
17The Four Seasons (Winter, 2nd Movement)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:46
18Aria of the PostillonJohann Sebastian Bach1:31
19Waltz in A Flat Major
recording of:
Waltz, op. 39 no. 15 (catch-all for unknown arrangements)
Komponist(in):
Johannes Brahms (German composer) (in 1865)
Arrangement von:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Johannes Brahms1:27
20Polovtźian Dance (Prince Igor)
Александр Порфирьевич Бородин2:20
21Divertimento No 1, Chorale St AntoniHaydn Wood2:43
22Caprice Viennoise
Fritz Kreisler3:21
23Solveig's Song (Peer Gynt)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
phonographisches Urheberrecht (℗) von:
The Reader’s Digest Association Limited (not for release label use!) (in 1989)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1891)
Version von:
Peer Gynt, op. 23: 4. akt: Solveigs sang
Teil von:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg5:23
24The Trumpet Voluntary
Trompete:
Maurice André (French trumpeter)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:52