The Complete Billie Holiday on Verve 1945–1959

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Includes a 220-page book.

Anmerkung zuletzt geändert am 2014-08-21 20:44 UTC.

Titelliste

1▶CD: Jazz at the Philharmonic Concerts 1945–1947 / 1952 Los Angeles Studio Session
2▶CD: 1952 Los Angeles & New York Studio Sessions / 1954 Jazz Club USA Concert - Germany
3▶CD: 1954 Jazz Club U.S.A. Concert (conclusion) / 1954 Los Angeles & New York Studio Sessions / 1955 New York Studio Session
4▶CD: 1955 Rehearsal at Artie Shapiro’s Home
5▶CD: 1955 Los Angeles Studio Sessions
6▶CD: 1955 Los Angeles Studio Session (conclusion) / 1956 Rehearsal at the Duftys’ Home
7▶CD: 1956 New York & Los Angeles Studio Sessions
8▶CD: 1956 Carnegie Hall Concert / 1957 Los Angeles Studio Sessions
9▶CD: 1957 Los Angeles Studio Sessions
10▼CD: 1957 Newport Jazz Festival / 1958 Seven Ages of Jazz Concert / 1959 New York Studio Sessions With Ray Ellis
Nr.TitelKünstlerBewertungLänge
1[Willis Conover announcement]
Sprecher:
Willis Conover (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
Willis Conover10:54
2[Johnny Mercer announcement]
Sprecher:
Johnny Mercer (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
Johnny Mercer10:42
3[fanfare from Oh, Lady Be Good]
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Fanfare From Oh, Lady Be Good
Verfasser(in):
George Gershwin (composer) und Ira Gershwin
Billie Holiday10:11
4Nice Work If You Can Get It
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Nice Work If You Can Get It (am 1957-07-06)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
cover recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Billie Holiday32:39
5Willow Weep for Me
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Willow Weep for Me (am 1957-07-06)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
cover recording of:
Willow Weep for Me
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday33:08
6My Man
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live cover recording of:
My Man (Mon homme) (Channing Pollock lyrics) (am 1957-07-06)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
cover recording of:
My Man (Mon homme) (Channing Pollock lyrics)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
Billie Holiday3.53:30
7Lover, Come Back to Me
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Lover, Come Back to Me (from "The New Moon") (am 1957-07-06)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
cover recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
Billie Holiday4.52:06
8Lady Sings the Blues
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Lady Sings the Blues (am 1957-07-06)
Texter:
Billie Holiday
Komponist(in):
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
recording of:
Lady Sings the Blues
Texter:
Billie Holiday
Komponist(in):
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday3.53:00
9What a Little Moonlight Can Do
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
What a Little Moonlight Can Do (am 1957-07-06)
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
Billie Holiday42:54
10[fanfare from Oh, Lady Be Good with Conover announcement]
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
Sprecher:
Willis Conover (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Fanfare From Oh, Lady Be Good With Conover Announcement
Verfasser(in):
George Gershwin (composer) und Ira Gershwin
Billie Holiday10:23
11[Leonard Feather announcement]
Sprecher:
Leonard Feather (am 1958-09-26)
aufgenommen bei:
Billie Holiday at Oakdale Music Theater (1958-09-26)
aufgenommen bei:
Oakdale Music Theater in Wallingford, Connecticut, Vereinigte Staaten (am 1958-09-26)
Billie Holiday10:47
12I Wished on the Moon
Klavier:
Mal Waldron (American jazz pianist) (am 1958-09-26)
Kontrabass [bass]:
Milt Hinton (am 1958-09-26)
Schlagzeug:
Don Lamond (am 1958-09-26)
Tenorsaxophon:
Georgie Auld (am 1958-09-26) und Coleman Hawkins (am 1958-09-26)
Trompete:
Buck Clayton (am 1958-09-26)
vocals:
Billie Holiday (am 1958-09-26)
aufgenommen bei:
Billie Holiday at Oakdale Music Theater (1958-09-26)
aufgenommen bei:
Oakdale Music Theater in Wallingford, Connecticut, Vereinigte Staaten (am 1958-09-26)
live recording of:
I Wished on the Moon (am 1958-09-26)
Texter:
Dorothy Parker
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Billie Holiday32:43
13Lover Man
Klavier:
Mal Waldron (American jazz pianist) (am 1958-09-26)
Kontrabass [bass]:
Milt Hinton (am 1958-09-26)
Schlagzeug:
Don Lamond (am 1958-09-26)
Tenorsaxophon:
Georgie Auld (am 1958-09-26) und Coleman Hawkins (am 1958-09-26)
Trompete:
Buck Clayton (am 1958-09-26)
vocals:
Billie Holiday (am 1958-09-26)
aufgenommen bei:
Billie Holiday at Oakdale Music Theater (1958-09-26)
aufgenommen bei:
Oakdale Music Theater in Wallingford, Connecticut, Vereinigte Staaten (am 1958-09-26)
live recording of:
Lover Man (am 1958-09-26)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday33:06
14All the Way
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-03)
alto saxophone und Bassklarinette:
Romeo Penque (am 1959-03-03)
Celesta und Klavier:
Hank Jones (piano) (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
All the Way (from “The Joker Is Wild”) (am 1959-03-03)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
Billie Holiday3.753:26
15It’s Not for Me to Say
Gitarre:
Kenny Burrell (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Klavier:
Hank Jones (piano) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
recording of:
It’s Not for Me to Say (am 1959-03-03)
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Campbell Connelly & Co. Ltd., Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., Kitty Anne Music Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Billie Holiday42:28
16I’ll Never Smile Again
Gitarre:
Kenny Burrell (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Klavier:
Hank Jones (piano) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
recording of:
I’ll Never Smile Again (am 1959-03-03)
Texter und Komponist(in):
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billie Holiday43:26
17Just One More Chance
Gitarre:
Kenny Burrell (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Klavier:
Hank Jones (piano) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
recording of:
Just One More Chance (am 1959-03-03)
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
Billie Holiday43:47
18When It’s Sleepy Time Down South
alto saxophone:
Gene Quill (am 1959-03-04)
Gitarre:
Barry Galbraith (am 1959-03-04)
Klavier:
Hank Jones (piano) (am 1959-03-04)
Kontrabass:
Milt Hinton (am 1959-03-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-04)
Schlagzeug:
Osie Johnson (am 1959-03-04)
Trompete:
Harry “Sweets” Edison (am 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-04)
recording of:
When It’s Sleepy Time Down South (am 1959-03-04)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
Billie Holiday44:08
19Don’t Worry ’Bout Me
alto saxophone:
Gene Quill (am 1959-03-04)
Gitarre:
Barry Galbraith (am 1959-03-04)
Klavier:
Hank Jones (piano) (am 1959-03-04)
Kontrabass:
Milt Hinton (am 1959-03-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-04)
Schlagzeug:
Osie Johnson (am 1959-03-04)
Trompete:
Harry “Sweets” Edison (am 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-04)
recording of:
Don’t Worry ’Bout Me (am 1959-03-04)
Texter:
Ted Koehler (in 1939)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. und Redwood Music Ltd. (Carlin)
Billie Holiday43:11
20Sometimes I’m Happy
alto saxophone:
Gene Quill (am 1959-03-04)
Gitarre:
Barry Galbraith (am 1959-03-04)
Klavier:
Hank Jones (piano) (am 1959-03-04)
Kontrabass:
Milt Hinton (am 1959-03-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-04)
Schlagzeug:
Osie Johnson (am 1959-03-04)
Trompete:
Harry “Sweets” Edison (am 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-04)
recording of:
Sometimes I’m Happy (am 1959-03-04)
Texter:
Vincent Youmans
Komponist(in):
Irving Caesar
publisher:
Harms, Inc.
Teil von:
Hit the Deck (1927 musical)
Teil von:
Hit the Deck (1955 movie)
Billie Holiday52:49
21You Took Advantage of Me
alto saxophone:
Gene Quill (am 1959-03-04)
Gitarre:
Barry Galbraith (am 1959-03-04)
Klavier:
Hank Jones (piano) (am 1959-03-04)
Kontrabass:
Milt Hinton (am 1959-03-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-04)
Schlagzeug:
Osie Johnson (am 1959-03-04)
Trompete:
Harry “Sweets” Edison (am 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-04)
recording of:
You Took Advantage of Me (am 1959-03-04)
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
Billie Holiday43:12
22There’ll Be Some Changes Made
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11)
recording of:
There’ll Be Some Changes Made (am 1959-03-11)
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Billie Holiday42:54
23’Deed I Do
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11)
recording of:
’Deed I Do (am 1959-03-11)
Texter:
Walter Hirsch
Komponist(in):
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
Billie Holiday42:16
24All of You
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11) und Billie Holiday (am 1959-03-11)
recording of:
All of You (Silk Stockings musical) (am 1959-03-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
Billie Holiday42:33
25Baby, Won’t You Please Come Home?
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11)
recording of:
Baby Won’t You Please Come Home (am 1959-03-11)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday43:03