Philips And Decca Recordings 1961-1979

~ Release by Dame Janet Baker (see all versions of this release, 1 available)

Annotation

Copyright: © 2003 Decca Music Group Limited
This Compilation ℗ 2003 Decca Music Group Limited

Annotation last modified on 2024-12-31 07:46 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1La Lucrezia, Cantata HWV 145: "O Numi eterni"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: I. Recitativo "O Numi eterni!" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
George Frideric Handel1:17
2La Lucrezia, Cantata HWV 145: "Già superbo del mio affano"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: II. Aria "Già superbo del mio affanno" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
George Frideric Handel4:49
3La Lucrezia, Cantata HWV 145: "Ma voi forse nel cielo"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: III. Recitativo "Ma voi forse nel cielo" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
George Frideric Handel1:11
4La Lucrezia, Cantata HWV 145: "Il suol che preme"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: IV. Aria "Il suol che preme" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
George Frideric Handel3:19
5La Lucrezia, Cantata HWV 145: "Ah! che ancor nell' abiso"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: V. Recitativo "Ah! che ancor nell'abisso" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
George Frideric Handel1:20
6La Lucrezia, Cantata HWV 145: "Questi la disperata anima"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: VI. Furioso "Questi la disperata anima mia" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La Lucrezia, HWV 145
George Frideric Handel4:37
7La Lucrezia, Cantata HWV 145: "A voi, a voi, padre, consorte"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: VIII. Recitativo "A voi, a voi, padre, consorte" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
George Frideric Handel1:14
8La Lucrezia, Cantata HWV 145: "Già nel seno comincia compir"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: IX. Arioso "Gia nel seno comincia a compir" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
George Frideric Handel1:01
9La Lucrezia, Cantata HWV 145: "Sento ch'il cor"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
La Lucrezia, HWV 145: X. Furioso "Ma se qui non m'è dato" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La Lucrezia, HWV 145
George Frideric Handel1:21
10Rodelinda, HWV 34 / Act 1: "Pompe vane de morte!...Dove sei, amato bene?"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
Rodelinda, regina de’ Longobardi, HWV 19: Atto I, no. 11. “Pompe vane di morte!” / “Dove sei?” (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Rodelinda, regina de' Longobardi, HWV 19: Atto I
George Frideric Handel6:41
11Serse, HWV 40 / Act 1: "Frondi tenere e belle...Ombra mai fù"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:01
12Hercules, HWV 60 / Act 3: "Where shall I fly"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
Hercules, HWV 60: Act III, no. 49: Recitativo accompagnato "Where shall I fly? Where hide this quilty head?" (Dejanira) (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act III
George Frideric Handel6:38
13Atalanta, HWV 35 / Act 1: Care selve
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
Atalanta, HWV 35: Atto I. "Care selve, ombre beate" (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Atalanta, HWV 35: Atto I
George Frideric Handel2:42
14Joshua, HWV 64 / Part 3: O Had I Jubal's Lyre
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah) (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747-07-19 until 1747-08-19)
librettist:
Thomas Morell
part of:
Joshua, HWV 64: Act III
George Frideric Handel2:35
15Ariodante HWV 33 / Act 1: "Oh! felice mio core!...Con l'ali di costanza"
recorded in:
London (Greater London), England, United Kingdom (in 1978-12)
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1978-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1978-12)
orchestra:
English Chamber Orchestra (in 1978-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1978-12)
recording of:
Ariodante: T' amerò dunque - Arie: Con l' ali di costanza (in 1978-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ariodante, HWV 33
George Frideric Handel6:11
16Ariodante HWV 33 / Act 2: "E vivo ancora?...Scherza infida in grembo al drudo"
recorded in:
London (Greater London), England, United Kingdom (in 1978-12)
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1978-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1978-12)
orchestra:
English Chamber Orchestra (in 1978-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1978-12)
recording of:
Ariodante, HWV 33: Atto II, no. 40. "Scherza infida in grembo al drudo" (Ariodante) (in 1978-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ariodante, HWV 33: Atto II
George Frideric Handel8:15
17Ariodante, HWV 33 / Act 3: "Dopo notte, atra e funesta"
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) and Raymond Leppard (conductor and harpsichordist) (in 1972-12)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-12)
orchestra:
English Chamber Orchestra (in 1972-12)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1972-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
recording of:
Ariodante, HWV 33: Atto III, no. 82. "Dopo notte, atra e funesta" (Ariodante) (in 1972-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ariodante, HWV 33: Atto III
George Frideric Handel6:57
18"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 1. "Vergnügte Ruh, beliebte Seelenlust"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:57
19Dido and Aeneas / Act 3: But death...When I am laid...With drooping wings...
harpsichord:
Thurston Dart (conductor and keyboard player)
choir vocals:
St. Anthony Singers
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Sir Anthony Lewis (conductor and composer)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell9:07
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