This Is Clarence Carter

~ Veröffentlichung von Clarence Carter (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Do What You Gotta Do
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
Gitarre:
Clarence Carter (in 1968)
Orgel:
Barry Beckett (in 1968)
Schlagzeug:
Roger Hawkins (drummer and producer) (in 1968)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) und Aaron Varnell (in 1968)
Trompete:
Gene Miller (American trumpeter) (in 1968) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Do What You Gotta Do (in 1968)
Texter und Komponist(in):
Hazel O’Connor und Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
2:31
A2Looking for a Fox
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-11-10)
Gitarre:
Clarence Carter (am 1967-11-10)
Orgel:
Barry Beckett (am 1967-11-10)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-11-10)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-11-10), Andrew Love (am 1967-11-10) und Aaron Varnell (am 1967-11-10)
Trompete:
Gene Miller (American trumpeter) (am 1967-11-10) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1967-11-10)
vocals:
Clarence Carter (am 1967-11-10)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-11-10)
recording of:
Looking for a Fox
Verfasser(in):
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Wilbur Terrell
2:18
A3Slippin’ Around
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-08)
Gitarre:
Clarence Carter (am 1968-04-08)
Orgel:
Barry Beckett (am 1968-04-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-08), Andrew Love (am 1968-04-08) und Aaron Varnell (am 1968-04-08)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-08) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-08)
vocals:
Clarence Carter (am 1968-04-08)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-04-08)
cover recording of:
Slippin’ Around
Verfasser(in):
Linden Oldham und Dan Penn (songwriter, soul singer)
52:34
A4I’m Qualified
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-08)
Gitarre:
Clarence Carter (am 1968-04-08)
Orgel:
Barry Beckett (am 1968-04-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-08), Andrew Love (am 1968-04-08) und Aaron Varnell (am 1968-04-08)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-08) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-08)
vocals:
Clarence Carter (am 1968-04-08)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-04-08)
cover recording of:
I’m Qualified (am 1968-04-08)
Verfasser(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Quin Ivy
2:21
A5I Can’t See Myself
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-11-10)
Gitarre:
Clarence Carter (am 1967-11-10)
Orgel:
Barry Beckett (am 1967-11-10)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-11-10)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-11-10), Andrew Love (am 1967-11-10) und Aaron Varnell (am 1967-11-10)
Trompete:
Gene Miller (American trumpeter) (am 1967-11-10) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1967-11-10)
vocals:
Clarence Carter (am 1967-11-10)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-11-10)
recording of:
I Can’t See Myself
Texter und Komponist(in):
Clarence Carter
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:28
A6Wind It Up
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-11-10)
Gitarre:
Clarence Carter (am 1967-11-10)
Orgel:
Barry Beckett (am 1967-11-10)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-11-10)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-11-10), Andrew Love (am 1967-11-10) und Aaron Varnell (am 1967-11-10)
Trompete:
Gene Miller (American trumpeter) (am 1967-11-10) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1967-11-10)
vocals:
Clarence Carter (am 1967-11-10)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-11-10)
recording of:
Wind It Up
Texter und Komponist(in):
Clarence Carter
2:37
B1Part Time Love
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
Gitarre:
Clarence Carter (in 1968)
Orgel:
Barry Beckett (in 1968)
Schlagzeug:
Roger Hawkins (drummer and producer) (in 1968)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) und Aaron Varnell (in 1968)
Trompete:
Gene Miller (American trumpeter) (in 1968) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Part Time Love (in 1968)
Texter und Komponist(in):
Clay Hammond
publisher:
Cherio Corp., Jondora Music, Parker Music und Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
2:39
B2Thread the Needle
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-08)
Gitarre:
Clarence Carter (am 1968-04-08)
Orgel:
Barry Beckett (am 1968-04-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-08), Andrew Love (am 1968-04-08) und Aaron Varnell (am 1968-04-08)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-08) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-08)
vocals:
Clarence Carter (am 1968-04-08)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-04-08)
recording of:
Thread the Needle
Verfasser(in):
Clarence Carter
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:33
B3Slip Away
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-08)
Gitarre:
Clarence Carter (am 1968-04-08)
Orgel:
Barry Beckett (am 1968-04-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-08), Andrew Love (am 1968-04-08) und Aaron Varnell (am 1968-04-08)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-08) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-08)
vocals:
Clarence Carter (am 1968-04-08)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-04-08)
recording of:
Slip Away (am 1968-04-08)
Verfasser(in):
William Armstrong, Marcus Daniel und Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.52:32
B4Funky Fever
recorded in:
New York, New York, Vereinigte Staaten (am 1968-04-03)
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-03)
Gitarre:
Clarence Carter (am 1968-04-03)
Orgel:
Barry Beckett (am 1968-04-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-03), Andrew Love (am 1968-04-03) und Aaron Varnell (am 1968-04-03)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-03) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-03)
vocals:
Clarence Carter (am 1968-04-03)
recording of:
Funky Fever
Verfasser(in):
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Joe Wilson (Southern soul singer - songwriter)
publisher:
Beaik Publishing Company und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:51
B5She Ain’t Gonna Do Right
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-08)
Gitarre:
Clarence Carter (am 1968-04-08)
Orgel:
Barry Beckett (am 1968-04-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-08), Andrew Love (am 1968-04-08) und Aaron Varnell (am 1968-04-08)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-08) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-08)
vocals:
Clarence Carter (am 1968-04-08)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-04-08)
cover recording of:
She Ain’t Gonna Do Right (am 1968-04-08)
Verfasser(in) und Komponist(in):
Spooner Oldham und Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:30
B6Set Me Free
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
Gitarre:
Clarence Carter (in 1968)
Orgel:
Barry Beckett (in 1968)
Schlagzeug:
Roger Hawkins (drummer and producer) (in 1968)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) und Aaron Varnell (in 1968)
Trompete:
Gene Miller (American trumpeter) (in 1968) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Set Me Free (in 1968)
Verfasser(in) und Komponist(in):
Claude “Curly” Putman, Jr.
3:04