Platinum & Gold Collection Limited Edition Sampler

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

freedb.org ID B80C260C

Anmerkung zuletzt geändert am 2009-01-13 19:00 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1American Woman
Assistent recording engineer:
Ed Schnabl und Russ Vestuto
recording engineer:
Brian Christian
Produzent(in):
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) und BMG Music (in 1970)
aufgenommen bei:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten
Bearbeitung von:
American Woman (original stereo mix) von The Guess Who (Canadian rock band)
recording of:
American Woman
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.23:52
2Mama Don't Let Your Babies Grow Up to Be Cowboys
cover recording of:
Mammas Don’t Let Your Babies Grow Up to Be Cowboys
Verfasser(in):
Ed Bruce (American country music songwriter, singer and actor) und Patsy Bruce
publisher:
Tree Publishing Inc.
Version von:
Mama Don't Let Your Cowboys Grow Up to Be Babies
Waylon Jennings & Willie Nelson2:30
3Green Grass & High Tides
recording of:
Green Grass and High Tides
Verfasser(in):
Hughie Thomasson
Outlaws3.659:48
4I Ran (So Far Away)
recording engineer:
Mike Score
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 55)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.35:06
5Eye in the Sky
zusätzlich recording engineer und zusätzliche(r) Produzent(in):
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistierende(r) Techniker(in):
Tony Richards (recording engineer)
Techniker(in) und Produzent(in):
Alan Parsons (of The Alan Parsons Project)
leitende(r) Produzent(in):
Eric Woolfson
Akustikgitarre und E-Gitarre:
Ian Bairnson
Bassgitarre:
David Paton (of Pilot)
Hybrid-Piano und Sologesang:
Eric Woolfson
Keyboard:
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
Perkussion und Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
Saxophon:
Mel Collins
Synthesizer:
Alan Parsons (of The Alan Parsons Project)
Hintergrundgesang:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Arista Records, LLC (holding company - file NO releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 21)
recording of:
Eye in the Sky
Verfasser(in) und Komponist(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. und Woolfsongs Ltd.
The Alan Parsons Project4.254:32
6Luckenbach Texas (Back to the Basics of Love)
Techniker(in):
Don Cobb und Neil Wilburn
Produzent(in):
Chips Moman
Bass:
Sherman Hayes (von 1977-01-07 bis 1977-01-08)
Gitarre:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (von 1977-01-07 bis 1977-01-08), Waylon Jennings (US country musician) (von 1977-01-07 bis 1977-01-08), Gordon Payne (von 1977-01-07 bis 1977-01-08), Rance Wasson (von 1977-01-07 bis 1977-01-08) und Reggie Young (guitarist and songwriter) (von 1977-01-07 bis 1977-01-08)
Keyboard:
Clifford Barny Robertson (von 1977-01-07 bis 1977-01-08)
Schlagzeug:
Richie Albright (von 1977-01-07 bis 1977-01-08)
Steel-Gitarre:
Ralph Mooney (von 1977-01-07 bis 1977-01-08)
Hintergrundgesang:
Carter Robertson (von 1977-01-07 bis 1977-01-08)
Sologesang:
Waylon Jennings (US country musician) (von 1977-01-07 bis 1977-01-08) und Willie Nelson (von 1977-01-07 bis 1977-01-08)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1977), BMG Music (in 1977), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1977) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977)
aufgenommen bei:
American Studios in Nashville, Tennessee, Vereinigte Staaten (von 1977-01-07 bis 1977-01-08)
mixed at:
American Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Luckenbach, Texas (Back to the Basics of Love) (von 1977-01-07 bis 1977-01-08)
Komponist(in):
Bobby Emmons und Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. und Essex (publisher)
cover recording of:
Luckenbach, Texas (Back to the Basics of Love)
Komponist(in):
Bobby Emmons und Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. und Essex (publisher)
Waylon Jennings43:17
7White Rabbit
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (vom 1969-05-07 bis heute)
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 455) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 478)
recording of:
White Rabbit (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Grace Slick
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
basiert auf:
Alice’s Adventures in Wonderland (novel)
basiert auf:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:32
8Midnight Train to Georgia
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:38
99 to 5
recording of:
9 to 5
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton3.652:59
10Hold Me Now
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Hold Me Now von Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) und Point Music Ltd.
Thompson Twins4.54:45
11Mountain Music
recording of:
Mountain Music
Texter:
Randy Owen
Komponist(in):
Randy Owen (in 1982)
Alabama53:39
12Walk on the Wild Side
Produzent(in):
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
Schlagzeug:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Samples von:
Lexicon Valley #150, “Why Language Can’t Be Tamed” von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4.254:12

Nennungen

Veröffentlichungsgruppe

Teil von:Platinum & Gold Collection (Reihenfolge: 14)