150 Best Loved Melodies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
E1Prelude to Act III of Lohengrin
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Sir Alexander Gibson (conductor)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Teil von:
Lohengrin, WWV 75: Akt III
Richard Wagner3:18
E2Nimrod
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:26
E3Coronation March from 'The Prophet'
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement)
Komponist(in):
Giacomo Meyerbeer (composer) (bis 1849-04-16)
Teil von:
Le Prophète: Acte IV
Giacomo Meyerbeer3:45
E4Pomp and Circumstance March No.1
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar2:24
E5Liebestraum
Orchester:
Vienna State Opera Orchestra
conductor:
Josef Leo Gruber (conductor)
phonographisches Urheberrecht (℗) von:
The Reader’s Digest Association Limited (not for release label use!) (in 1963)
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
recording of:
Liebesträume, S. 541: No. 1 Liebestraum As-Dur "Hohe Liebe"
Komponist(in) und arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
Hohe Liebe, S. 307
Teil von:
Liebesträume, S. 541
Franz Liszt2:29
E6Reverie
Orchester:
The London Pops Orchestra
conductor:
Robert Mandell (American conductor)
recording of:
Rêverie (catch-all for arrangements)
Komponist(in):
Claude Debussy (French composer) (in 1890)
Arrangement von:
Rêverie, L. 68, CD 76 (for piano)
Claude Debussy3:32
E7Waltz from 'The Sleeping Beauty'
Orchester:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
conductor:
Massimo Freccia (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Tchaikovsky1:47
E8Berceuse from 'Dolly'
Klavier:
Christian Steiner (classical pianist)
Orchester:
RCA Victor Symphony Orchestra
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements)
Komponist(in):
Gabriel Fauré (French composer)
Arrangement von:
Dolly, op. 56 : I. Berceuse (for piano four hands)
Teil von:
Dolly Suite, op. 56 (catch-all for arrangements)
Gabriel Fauré3:16
E9A Dream
Klavier:
Christian Steiner (classical pianist)
Orchester:
RCA Victor Symphony Orchestra
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Sechs Lieder, op. 48: No. 6. Ein Traum (catch-all for arrangements)
Texter:
Friedrich von Bodenstedt
Komponist(in):
Edvard Grieg (composer)
Arrangement von:
Sechs Lieder, op. 48: No. 6. Ein Traum (original, for voice and piano)
Edvard Grieg2:34
E10Traumerei
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Kinderszenen, op. 15: Träumerei (catch-all for arrangements)
Komponist(in):
Robert Schumann (German classical composer) (in 1838)
Arrangement von:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Robert Schumann2:28
E11Ever Softer Grows My Slumber
Klavier:
Christian Steiner (classical pianist)
Orchester:
RCA Victor Symphony Orchestra
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
5 Lieder, op. 105: Nr. 2. Immer leiser wird mein Schlummer
Texter:
Hermann von Lingg
Komponist(in):
Johannes Brahms (German composer)
Teil von:
5 Lieder, op. 105
instrumental recording of:
5 Lieder, op. 105: Nr. 2. Immer leiser wird mein Schlummer (catch-all for arrangements)
Komponist(in):
Johannes Brahms (German composer)
Arrangement von:
5 Lieder, op. 105: Nr. 2. Immer leiser wird mein Schlummer
Johannes Brahms2:49
E12Apres un Réve
Orchester:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Après un rêve, op. 7 no. 1 (catch-all for arrangements)
Komponist(in):
Gabriel Fauré (French composer)
Arrangement von:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
Gabriel Fauré3:03
E13Lullaby
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Douglas Gamley (film composer)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
Komponist(in):
Johannes Brahms (German composer)
Arrangement von:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:24
E14Malaguena
Orchester:
RCA Victor Symphony Orchestra
conductor:
Douglas Gamley (film composer)
recording of:
Malagueña from Andalucia Suite (original Spanish vocal version)
Texter und Komponist(in):
Ernesto Lecuona
Arrangement von:
Andalucía (Suite española): VI. Malagueña (for solo piano)
Ernesto Lecuona2:49
E15Gypsy Air (Zigeunerweisen)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Douglas Gamley (film composer)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra)
Komponist(in):
Pablo de Sarasate (violinist and composer) (in 1878)
Teil von:
Works of Pablo de Sarasate by opus number (Nummer: op. 20)
Arrangement von:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate2:06
E16Brazilian Lullaby
Orchester:
RCA Victor Symphony Orchestra
conductor:
Robert Mandell (American conductor)
recording of:
Brazilian Lullaby
Verfasser(in):
[traditional] (special purpose artist)
[traditional]3:33
F1Aragonaise from 'Carmen'
Orchester:
RCA Victor Symphony Orchestra
conductor:
Henri René (producer, composer, conductor and arranger)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Teil von:
Carmen Suite no. 1
Georges Bizet1:59
F2Gypsy Dance from 'Carmen'
Orchester:
Orchestre de la Société des Concerts du Conservatoire
conductor:
René Leibowitz (conductor)
recording of:
Spanish Gypsy Dance (from “Carmen”)
Komponist(in):
Georges Bizet (French composer)
Georges Bizet3:08
F3Toreador Song from 'Carmen'
Orchester:
Orchestre de la Société des Concerts du Conservatoire
conductor:
René Leibowitz (conductor)
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Teil von:
Carmen Suite no. 2
Georges Bizet2:13
F4Concierto de Aranjuez
Orchester:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
teilweise recording of:
Concierto de Aranjuez
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Joaquín Rodrigo2:38
F5Ritual Fire Dance from 'El Amor Bujo'
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
René Leibowitz (conductor)
recording of:
El amor brujo: VIII. Danza ritual del fuego
Komponist(in):
Manuel de Falla (Spanish composer)
Teil von:
El amor brujo (for symphony orchestra)
Manuel de Falla1:58
F6Andalucia (Spanish Dances)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Douglas Gamley (film composer)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
Komponist(in):
Enrique Granados (composer)
Teil von:
12 danzas españolas, op. 37 (original for piano)
Enrique Granados5:41
F7Symphony No.5 in C Minor (First Movement)
Orchester:
Royal Philharmonic Orchestra
conductor:
René Leibowitz (conductor)
teilweise recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven2:47
F8Symphony No.8 ('The Unfinished') (First Movement)
Orchester:
Oslo‐Filharmonien (Oslo Philharmonic)
conductor:
Øivin Fjeldstad
teilweise recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
Komponist(in):
Franz Schubert (composer) (in 1822)
Teil von:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert2:54
F9Symphony No.4 in A Major ('Italian') (First Movement)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Massimo Freccia (conductor)
teilweise recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (Sinfonie Nr. 4 in A-Dur, op. 90 "Italienische": I. Allegro vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1833)
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (Sinfonie Nr. 4 A-Dur, op. 90 "Italianische")
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn3:50
F10Symphony No.9 "From the New World", Largo
Orchester:
Royal Philharmonic Orchestra
conductor:
Jascha Horenstein (conductor)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák2:44
F11Symphony No.6 in B Minor ('Pathetique') (First Movement)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Sir Alexander Gibson (conductor)
teilweise recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (Sinfonie Nr. 6 h-Moll, Op. 74 "Pathétique": I. Adagio – Allegro non troppo)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1893-02 bis 1893-08)
Teil von:
Symphony no. 6 in B minor, op. 74 “Pathétique” (Symphonie Nr. 6 h-Moll, Op. 74 "Pathétique")
Tchaikovsky2:25
F12Symphony No.40 in G Minor (First Movement)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Massimo Freccia (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:51
F13Symphony No.94 in G Major ('Surprise') (Second Movement)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Massimo Freccia (conductor)
teilweise recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (Symphonie Nr. 94 G-Dur "3. Londoner (Mit dem Paukenschlag - The Surprise)", Hob. I:94: II. Andante)
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:10
F14Symphony No.9 ('Choral') (Fourth Movement)
Chorgesang:
Beecham Choral Society
Orchester:
Royal Philharmonic Orchestra
conductor:
René Leibowitz (conductor)
teilweise recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven4:18
F15Merry Widow Waltz
Orchester:
Gilbert Vinter and His Orchestra
recording of:
Die lustige Witwe: Akt II. Valse moderato
Komponist(in):
Franz Lehár (composer)
Teil von:
Die lustige Witwe: Akt II
Franz Lehár1:23
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