The Royal Ballet Gala Performances

~ Release by Ernest Ansermet, Orchestra of the Royal Opera House, Covent Garden (see all versions of this release, 7 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1The Nutcracker: March
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky?:??
A2The Nutcracker: Dance of the Sugar Plum Fairy
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Pyotr Ilyich Tchaikovsky?:??
A3The Nutcracker: Arabian Dance
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky?:??
A4The Nutcracker: Chinese Dance
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky?:??
A5The Nutcracker: Dance of the Toy Flutes
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky?:??
A6The Nutcracker: Waltz of the Flowers
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky?:??
A7La Boutique Fantasque: Tarantella
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
La Boutique fantasque: II. Tarantelle. Allegro con brio – Vivo (from 1959-01-13 until 1959-01-16)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
part of:
La boutique fantasque, P. 120
Gioachino Rossini, Ottorino Respighi?:??
A8La Boutique Fantasque: Andante mosso
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
La Boutique fantasque: V. Cancan. Allegretto grottesco – Vivacissimo – Poco meno vivo – Andantino mosso – Andantino mosso (from 1959-01-13 until 1959-01-16)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Péchés de vieillesse, Volume 10 "Miscellanée pour piano": No. 6. Petite Caprice (Style Offenbach)
part of:
La boutique fantasque, P. 120
Gioachino Rossini, Ottorino Respighi?:??
A9La Boutique Fantasque: Can-Can
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
La Boutique fantasque: V. Cancan. Allegretto grottesco – Vivacissimo – Poco meno vivo – Andantino mosso – Andantino mosso (from 1959-01-13 until 1959-01-16)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Péchés de vieillesse, Volume 10 "Miscellanée pour piano": No. 6. Petite Caprice (Style Offenbach)
part of:
La boutique fantasque, P. 120
Gioachino Rossini, Ottorino Respighi?:??
B1Coppelia: Act I. Introduction (Allegro Marcato) and Mazurka
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
Coppélia : Tableau I, no. 2. Scène (Swanhilde et Frantz) (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
recording of:
Coppélia : Tableau I, no. 3. Mazurka (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes?:??
B2Coppelia: Act I. Introduction (Andante) and Waltz
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
Coppélia : Tableau I, no. 1a. Prélude et Mazurka (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente) (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes?:??
B3Coppelia: Act I. Czardas
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Coppélia : Tableau I, no. 7a. Czárdás (Danse hongroise) (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes?:??
B4Coppelia: Act II. Valse de la poupée
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
Coppélia : Tableau II, No. 14. Scène et Valse de la Poupée (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau II
Léo Delibes?:??
B5Giselle: Act I. Introduction and Waltz
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
Giselle: Act I. Entrée de Giselle (from 1959-01-13 until 1959-01-16)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
partial recording of:
Giselle: Act I. Retour de la vendange (from 1959-01-13 until 1959-01-16)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam?:??
B6Giselle: Act II. Pas de deux and Variation
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Giselle: Act II. Grand pas de deux (from 1959-01-13 until 1959-01-16)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
recording of:
Giselle: Act II. Variation de Giselle (from 1959-01-13 until 1959-01-16)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam?:??
C1Swan Lake: Act II. Scene
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1959-01-13 until 1959-01-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovsky?:??
C2Swan Lake: Act II. Dance of the Little Swans (Pas de quatre)
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans") (from 1959-01-13 until 1959-01-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Pyotr Ilyich Tchaikovsky?:??
C3Swan Lake: Act II. Scene – Pas de deux
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
solo violin:
Charles Taylor (violinist) (from 1959-01-13 until 1959-01-16)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky?:??
C4Swan Lake: Act II. Waltz
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse (from 1959-01-13 until 1959-01-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
Pyotr Ilyich Tchaikovsky?:??
C5Carnaval: Pierrot
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Carnaval, op. 9: II. Pierrot (orch. Glazunov) (from 1959-01-13 until 1959-01-16)
orchestrator:
Alexander Glazunov (Russian composer, 1865–1936)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: II. Pierrot
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Robert Schumann?:??
C6Carnaval: Reconnaissance
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Carnaval, op. 9: XIV. Reconnaissance (orch. Wihtol) (from 1959-01-13 until 1959-01-16)
orchestrator:
Joseph Wihtol
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XIV. Reconnaissance
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Robert Schumann?:??
C7Carnaval: Aveu
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Carnaval, op. 9: XVII. “Aveu” (orch. Sokolov) (from 1959-01-13 until 1959-01-16)
orchestrator:
Nikolai Sokolov (Nikolay Sokolov, Russian composer, Nikolay Alexandrovich Sokolov)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XVII. Aveu
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Robert Schumann?:??
C8Carnaval: Pantalon and Columbine
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Carnaval, op. 9: XV. Pantalon et Colombine (orch. Arensky) (from 1959-01-13 until 1959-01-16)
orchestrator:
Anton Arensky (Russian composer, pianist and conductor)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XV. Pantalon et Colombine
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Robert Schumann?:??
D1The Sleeping Beauty: Introduction - The Lilac Fairy
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas (from 1959-01-13 until 1959-01-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky?:??
D2The Sleeping Beauty: Act I. Rose Adagio - Pas d'action
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky?:??
D3The Sleeping Beauty: Act I. Waltz
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky?:??
D4Les Sylphides: Overture (Prelude in A Major, Op. 28, No. 7)
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Les Sylphides: VI. Prélude (orch. by Douglas) (from 1959-01-13 until 1959-01-16)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Prélude no. 7 in A major, op. 28: Andantino
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin?:??
D5Les Sylphides: Mazurka in С Major, Op. 67, No. 3
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Les Sylphides: V. Mazurka (orch. by Douglas) (from 1959-01-13 until 1959-01-16)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Mazurka no. 44 in C major, op. 67 no. 3
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin?:??
D6Les Sylphides: Grande valse brillante in E-Flat Major, Op. 18
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Les Sylphides: VIII. Walzer (in E‐flat major, op. 18 no. 1) (orch. by Douglas) (from 1959-01-13 until 1959-01-16)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin?:??