Greatest Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Pomp & Circumstance March No. 1
Chorgesang:
Royal Choral Society (The Royal Choral Society)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Elgar6:29
21812 Overture
Orchester:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
teilweise recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Tchaikovsky6:03
3William Tell Overture
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
teilweise recording of:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
Teil von:
Guglielmo Tell (italian version by Calisto Bassi)
Teil von:
Guillaume Tell
Rossini5:58
4Zadok The Priest (Coronation Anthem)
Chorgesang:
Royal Choral Society (The Royal Choral Society)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1727)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1727-10-11)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 258)
Teil von:
The Four Coronation Anthems
Handel5:59
5O Fortuna from Carmina Burana
recording engineer:
Mr. Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Produzent(in):
Roy Emerson (producer, engineer, classical)
Chorgesang:
Hallé Choir (in 1982-05)
Orchester:
Hallé Orchestra (in 1982-05)
conductor:
Maurice Handford (hornist/conductor) (in 1982-05)
chorus master:
Ronald Frost (chorus master) (in 1982-05)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (in 1982-05)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1982-05)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Orff2:40
6Jupiter from The Planets
Orchester:
Hallé Orchestra
conductor:
James Loughran
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Holst4:57
7Die Walküre from Ride of the Valkyries
Produzent(in):
John Willan (producer)
Orchester:
Berliner Philharmoniker (von 1980-10-06 bis 1980-10-09)
conductor:
Klaus Tennstedt (conductor) (von 1980-10-06 bis 1980-10-09)
Tonmeister(in):
Neville Boyling (engineer) und Michael Sheady (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1980-10-06 bis 1980-10-09)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (von 1980-10-06 bis 1980-10-09)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Wagner5:09
8Toccata in D Minor
Orgel:
Wayne Marshall (British pianist, organist and conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Classic 100: Piano (2025) (Nummer: 30)
Teil von:
Toccata und Fuge d-Moll, BWV 565
Bach3:20
9Piano Concerto No. 21 'Elvira Madigan' (II Andante)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Klavier:
Annie Fischer (pianist) (von 1958-02-28 bis 1958-03-01)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1958-02-28 bis 1958-03-10)
conductor:
Wolfgang Sawallisch (conductor) (von 1958-02-28 bis 1958-03-10)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1958-02-28 bis 1958-03-10)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1958-02-28 bis 1958-03-10)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (von 1958-02-28 bis 1958-03-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Mozart7:36
10'Emperor' Piano Concerto No. 5 (I Allegro)
Klavier:
Emil Gilels (pianist)
Orchester:
Cleveland Orchestra
conductor:
George Szell (conductor, pianist, composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
teilweise recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Teil von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Teil von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Beethoven6:40
11Water Music Suite In D 'Alla Hornpipe'
Orgel:
Nicolas Kynaston (organist)
Orchester:
The Virtuosi of England (in 1974-01)
conductor:
Arthur Davison (conductor) (in 1974-01)
aufgenommen bei:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, Vereinigtes Königreich (in 1974-01)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (Wassermusik Suite Nr. 2 D-Dur, HWV 349: II. Alla Hornpipe)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
Handel3:18
12Hungarian Dance No. 5 In G Major
Geige / Violine:
Tasmin Little (violinist)
Klavier:
Piers Lane (Australian classical pianist)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
Komponist(in):
Johannes Brahms (German composer) (von 1858 bis 1868)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Teil von:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Brahms2:16
13On the Beautiful Blue Danube (Waltz)
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987-05)
Produzent(in):
Andrew Keener (engineer/editor/producer) (in 1987-05)
Orchester:
Hallé Orchestra (in 1987-05)
conductor:
Bryden Thomson (conductor) (in 1987-05)
phonographisches Urheberrecht (℗) von:
Music for Pleasure (in 1987)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (in 1987-05)
recording of:
An der schönen blauen Donau, op. 314
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Strauss II9:28
14Spring from The Four Seasons
Cembalo:
Paul Crocker (harpsichord) (in 1979-12)
Geige / Violine:
Yehudi Menuhin (violinist) (in 1979-12)
Orchester:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1979-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi4:25
15Boléro (Conclusion)
Orchester:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
teilweise recording of:
Boléro
Komponist(in):
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Premiere bei:
Palais Garnier in Paris, Île-de-France, Frankreich (am 1928-11-22)
Teil von:
Classic 100: Music of France (2012) (Nummer: 9) und Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 81)
Ravel5:06
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