Bach & Scarlatti: Cantatas - Albinoni, Vivaldi & Telemann: Concerti

~ Release by A. Scarlatti, Vivaldi, Telemann, J. S. Bach, Albinoni; Academy of St. Martin in the Fields & Sir Neville Marriner (see all versions of this release, 2 available)

Annotation

℗ & © «2024 Parlophone Records Limited»
℗ & © «A Warner Classics release»

Countries excluded (Spotify + Deezer)

(As of 2024-10-27).

  • Eastern Europe: 🇧🇾 Belarus (by)
Annotation last modified on 2024-10-27 12:06 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Jauchzet Gott in allen Landen, BWV 51: no. 1, Aria. “Jauchzet Gott in allen Landen”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:48
2Jauchzet Gott in allen Landen, BWV 51: no. 2, Rezitativ. “Wir beten zu dem Tempel an”
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:14
3Jauchzet Gott in allen Landen, BWV 51: no. 3, Aria. “Höchster, mache deine Güte”
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:02
4Jauchzet Gott in allen Landen, BWV 51: no. 4, Choral. “Sei Lob und Preis mit Ehren”
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:53
5Jauchzet Gott in allen Landen, BWV 51: no. 5, Aria. “Alleluja!”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:02
6Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: I. Allegro
producer:
John Fraser (UK producer)
oboe:
Daniel Arrignon (oboist) (on 1984-10-29)
trumpet:
Maurice André (French trumpeter) (on 1984-10-29)
orchestra:
Academy of St Martin in the Fields (on 1984-10-29)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-10-29)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-10-29)
recording of:
Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: I. Allegro (on 1984-10-29)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3
Tomaso Giovanni Albinoni4:32
7Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: II. Adagio
producer:
John Fraser (UK producer)
oboe:
Daniel Arrignon (oboist) (on 1984-10-29)
trumpet:
Maurice André (French trumpeter) (on 1984-10-29)
orchestra:
Academy of St Martin in the Fields (on 1984-10-29)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-10-29)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-10-29)
recording of:
Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: II. Adagio (non troppo) (on 1984-10-29)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3
Tomaso Giovanni Albinoni2:18
8Concerto in F Major for Trumpet and Oboe, op. 9 no. 3: III. Allegro
producer:
John Fraser (UK producer)
oboe:
Daniel Arrignon (oboist) (on 1984-10-29)
trumpet:
Maurice André (French trumpeter) (on 1984-10-29)
orchestra:
Academy of St Martin in the Fields (on 1984-10-29)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-10-29)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-10-29)
recording of:
Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: III. Allegro (on 1984-10-29)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3
Tomaso Giovanni Albinoni3:39
9Su le sponde del Tebro: I. Sinfonia
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: I. Sinfonia: Grave (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: I. Sinfonia: Grave (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti1:29
10Su le sponde del Tebro: II. Recitativo. “Su le sponde del Tebro”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: II. Recitativo "Su le sponde del Tebro" (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: II. Recitativo "Su le sponde del Tebro" (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti0:54
11Su le sponde del Tebro: III. Sinfonia
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: III. Sinfonia - Aria "Contentatevi o fidi pensieri" (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: III. Sinfonia - Aria "Contentatevi o fidi pensieri" (from 1983-01 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti0:16
12Su le sponde del Tebro: IV. Aria. “Contentatevi”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: III. Sinfonia - Aria "Contentatevi o fidi pensieri" (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: III. Sinfonia - Aria "Contentatevi o fidi pensieri" (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti2:26
13Su le sponde del Tebro: V. Recitativo. “Mesto, stanco e spirante”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: IV. Recitativo "Mesto stanco e spirante dal duol che l'opprimea" (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: IV. Recitativo "Mesto stanco e spirante dal duol che l'opprimea" (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti1:06
14Su le sponde del Tebro: VI. Largo. “Infelice miei lumi”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: V. Largo arioso "Infelici miei lumi già che soli" (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: V. Largo arioso "Infelici miei lumi già che soli" (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti2:49
15Su le sponde del Tebro: VII. Aria. “Dite almeno, astri crudeli”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: VI. Aria "Dite almeno, astri crudeli". Poco moso, sempre dolce e leggiero - Ritornello (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: VI. Aria "Dite almeno, astri crudeli". Poco moso, sempre dolce e leggiero - Ritornello (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti2:41
16Su le sponde del Tebro: VIII. Ritornello
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Ritornello (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Ritornello (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti0:44
17Su le sponde del Tebro: IX. Recitativo. “All’aura, al cielo”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: VII. Recitativo "All'aura, al cielo, ai venti pastorello" (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: VII. Recitativo "All'aura, al cielo, ai venti pastorello" (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti0:52
18Su le sponde del Tebro: X. Aria. “Tralascia pur di piangere”
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Su le sponde del Tebro: VIII. Aria "Tralascia pur di piangere, povero afflitto cor" - Sinfonia: Grave (da capo) (from 1982-12-17 until 1982-12-20)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
recording of:
Su le sponde del Tebro: VIII. Aria "Tralascia pur di piangere, povero afflitto cor" - Sinfonia: Grave (da capo) (from 1983-08-06 until 1983-08-07)
composer:
Alessandro Scarlatti (composer)
part of:
Su le sponde del Tebro
Alessandro Scarlatti1:29
19Concerto for Violin and Trumpet in B‐Flat Major, RV 548: I. Allegro
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for Oboe and Violin in B-flat major, RV 548: I. Allegro (from 1982-12-17 until 1982-12-20)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Oboe and Violin in B-flat major, RV 548
Antonio Vivaldi3:58
20Concerto for Violin and Trumpet in B‐Flat Major, RV 548: II. Largo
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for Oboe and Violin in B-flat major, RV 548: II. Largo (from 1982-12-17 until 1982-12-20)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Oboe and Violin in B-flat major, RV 548
Antonio Vivaldi3:03
21Concerto for Violin and Trumpet in B‐Flat Major, RV 548: III. Allegro
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for Oboe and Violin in B-flat major, RV 548: III. Allegro (from 1982-12-17 until 1982-12-20)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Oboe and Violin in B-flat major, RV 548
Antonio Vivaldi2:17
22Singet dem Herrn ein neues Lied, BWV 190: no. 3, Aria. “Lobe, Zion, deinen Gott”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:25
23Gelobet sei der Herr, mein Gott, BWV 129: no. 4, Aria. “Gelobet sei der Herr, mein Gott, der ewig lebet”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach5:58
24O ewiges Feuer, o Ursprung der Liebe, BWV 34: no. 3, Aria. “Wohl euch, ihr auserwählten Seelen”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach6:33
25Bleib bei uns, denn es will Abend werden, BWV 6: no. 2, Aria. “Hochgelobter Gottessohn”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:43
26Komm, du süsse Todesstunde, BWV 161: no. 1, Aria. “Komm, du süße Todesstunde”
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-10-07 until 1975-10-09)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (on 1975-10-17)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach6:26
27Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: IX. Aria. “Schafe können sicher weiden”
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:39
28Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: I. Allegro
producer:
John Fraser (UK producer)
oboe:
Tess Miller (oboist) (from 1982-12-17 until 1982-12-20) and Celia Nicklin (oboist) (from 1982-12-17 until 1982-12-20)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for 2 Oboes and Trumpet, TWV 53:D2: I. Allegro (from 1982-12-17 until 1982-12-20)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto for 2 Oboes and Trumpet, TWV 53:D2
Georg Philipp Telemann3:02
29Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: II. Adagio - Aria
producer:
John Fraser (UK producer)
oboe:
Tess Miller (oboist) (from 1982-12-17 until 1982-12-20) and Celia Nicklin (oboist) (from 1982-12-17 until 1982-12-20)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for 2 Oboes and Trumpet, TWV 53:D2: II. Adagio (from 1982-12-17 until 1982-12-20)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto for 2 Oboes and Trumpet, TWV 53:D2
Georg Philipp Telemann4:41
30Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: III.
producer:
John Fraser (UK producer)
oboe:
Tess Miller (oboist) (from 1982-12-17 until 1982-12-20) and Celia Nicklin (oboist) (from 1982-12-17 until 1982-12-20)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for 2 Oboes and Trumpet, TWV 53:D2: III. Aria (from 1982-12-17 until 1982-12-20)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto for 2 Oboes and Trumpet, TWV 53:D2
Georg Philipp Telemann0:33
31Concerto for 2 Oboes and Trumpet in D Major, TWV 53:D2: IV. Allegro
producer:
John Fraser (UK producer)
oboe:
Tess Miller (oboist) (from 1982-12-17 until 1982-12-20) and Celia Nicklin (oboist) (from 1982-12-17 until 1982-12-20)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for 2 Oboes and Trumpet, TWV 53:D2: IV. Vivace (from 1982-12-17 until 1982-12-20)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto for 2 Oboes and Trumpet, TWV 53:D2
Georg Philipp Telemann2:25