Osteroratorium, BWV 249 / Himmelfahrtsoratorium, BWV 11

~ Release by Johann Sebastian Bach; Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius (see all versions of this release, 1 available)

Annotation

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Annotation last modified on 2024-07-21 02:25 UTC.

Tracklist

1▼Digital Media
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1Oster Oratorium, BWV 249: I. Sinfonia
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach3:53
2Oster Oratorium, BWV 249: II. Adagio
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: II. Adagio
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach3:27
3Oster Oratorium, BWV 249: III. Duetto e Coro: “Kommt, eilet und laufet”
bass vocals:
Gotthold Schwarz (bass-baritone/conductor)
choir vocals:
Kammerchor Stuttgart
tenor vocals:
Jan Kobow (tenor)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:41
4Oster Oratorium, BWV 249: IV. Recitativo: “O kalter Männer Sinn”
bass vocals:
Gotthold Schwarz (bass-baritone/conductor)
mezzo-soprano vocals:
Elisabeth Jansson (Swedish mezzo-soprano)
soprano vocals:
Joanne Lunn (British soprano vocalist)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:49
5Oster Oratorium, BWV 249: V. Aria “Seele, deine Spezereien”
soprano vocals:
Joanne Lunn (British soprano vocalist)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach10:16
6Oster Oratorium, BWV 249: VI. Recitativo: “Hier ist die Gruft”
bass vocals:
Gotthold Schwarz (bass-baritone/conductor)
mezzo-soprano vocals:
Elisabeth Jansson (Swedish mezzo-soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:37
7Oster Oratorium, BWV 249: VII. Aria: “Sanfte soll mein Todeskummer”
tenor vocals:
Jan Kobow (tenor)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:19
8Oster Oratorium, BWV 249: VIII. Recitativo: “Indessen seufzen wir”
mezzo-soprano vocals:
Elisabeth Jansson (Swedish mezzo-soprano)
soprano vocals:
Joanne Lunn (British soprano vocalist)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:50
9Oster Oratorium, BWV 249: IX. Aria: “Saget, saget”
mezzo-soprano vocals:
Elisabeth Jansson (Swedish mezzo-soprano)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach5:27
10Oster Oratorium, BWV 249: X. Recitativo: “Wir sind erfreut”
bass vocals:
Gotthold Schwarz (bass-baritone/conductor)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:36
11Oster Oratorium, BWV 249: XI. Chorus: “Preis und Dank bleibe”
choir vocals:
Kammerchor Stuttgart
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach2:42
12Lobet Gott in seinen Reichen, BWV 11: I. Chorus: “Lobet Gott in seinen Reichen”
choir vocals:
Kammerchor Stuttgart
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:20
13Lobet Gott in seinen Reichen, BWV 11: II. Recitativo: “Der Herr Jesus hob seine Hände auf”
tenor vocals:
Samuel Boden
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:35
14Lobet Gott in seinen Reichen, BWV 11: III. Recitativo: “Ach, Jesu, ist dein Abschied schon so nah?”
baritone vocals:
Tobias Berndt (baritone)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:58
15Lobet Gott in seinen Reichen, BWV 11: IV. Arie: “Ach, bleibe doch, mein liebstes Leben”
countertenor vocals:
David Allsopp (British countertenor)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:58
16Lobet Gott in seinen Reichen, BWV 11: V. Recitativo: “Und ward aufgehoben zusehends”
tenor vocals:
Samuel Boden
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:30
17Lobet Gott in seinen Reichen, BWV 11: VI. Choral: “Nun lieget alles unter dir”
choir vocals:
Kammerchor Stuttgart
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir"
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:04
18Lobet Gott in seinen Reichen, BWV 11: VII. Recitativo: “Und da sie ihm nachsahen”
baritone vocals:
Tobias Berndt (baritone)
tenor vocals:
Samuel Boden
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:06
19Lobet Gott in seinen Reichen, BWV 11: VIII. Recitativo: “Ach ja! so komme bald zurück”
countertenor vocals:
David Allsopp (British countertenor)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:35
20Lobet Gott in seinen Reichen, BWV 11: IX. Recitativo: “Sie aber beteten ihn an”
tenor vocals:
Samuel Boden
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:42
21Lobet Gott in seinen Reichen, BWV 11: X. Arie: “Jesu, deine Gnadenblicke”
soprano vocals:
Joanne Lunn (British soprano vocalist)
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:32
22Lobet Gott in seinen Reichen, BWV 11: XI. Choral: “Wann soll es doch geschehen”
choir vocals:
Kammerchor Stuttgart
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach3:59