100 Hits: 60s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Dance to the Music
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 223)
recording of:
Dance to the Music
Texter, Verfasser(in) und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
enthalten in:
Dance for Me
Sly & the Family Stone4.153:01
2Save the Last Dance for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-05-19)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1960-05-19)
Baritongesang:
Doc Green (am 1960-05-19)
Bass-Gesang:
Elsbeary Hobbs (am 1960-05-19)
Sologesang:
Benny Nelson (am 1960-05-19)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1960-05-19) und Johnny Williams (soul/blues vocalist) (am 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 182)
recording of:
Save the Last Dance for Me (am 1960-05-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters52:27
3Spanish Harlem
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
Cello:
Charles McCracken (cellist) (am 1960-10-27)
Gitarre:
Al Caiola (am 1960-10-27)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1960-10-27)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1960-10-27)
Perkussion:
Phil Kraus (am 1960-10-27)
Rohrblattinstrumente:
Romeo Penque (am 1960-10-27)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-10-27)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-10-27)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 350)
recording of:
Spanish Harlem (am 1960-10-27)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Ben E. King4.52:54
4Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
Aretha Franklin4.252:47
5I Can’t Turn You Loose
recording of:
I Can’t Turn You Loose
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc., Shapiro Bernstein & Co. Ltd., East/Memphis Music Corp. (vom 1969 bis ????) und Time Music (vom 1969 bis ????)
Otis Redding2:37
6Warm and Tender Love
cover recording of:
Warm and Tender Love
Texter und Komponist(in):
Bobby Robinson
publisher:
Duane Music Inc., Pronto Music (publisher), Quinvy Music Publishing Company, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Percy Sledge3:21
7Baby I’m Yours
Produzent(in):
Bert Berns und Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1965-01-08)
Gitarre:
Bill Suyker (am 1965-01-08)
Klavier:
Paul Griffin (American pianist, session musician) (am 1965-01-08)
Kontrabass [bass]:
Jimmy Lewis (jazz bassist) (am 1965-01-08)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-08) und Tony Studd (am 1965-01-08)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1965-01-08)
Tenorsaxophon:
Charlie Brown (saxophonist) (am 1965-01-08)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1965-01-08) und Clark Terry (American swing trumpeter) (am 1965-01-08)
Hintergrundgesang:
vocal group ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
vocals:
Barbara Lewis (am 1965-01-08)
conductor:
Teacho Wiltshire (am 1965-01-08)
arranger:
Teacho Wiltshire
Remaster von:
Baby, I’m Yours von Barbara Lewis
Samples von:
Hello Stranger: The Best of Barbara Lewis von Barbara Lewis
recording of:
Baby, I’m Yours (am 1965-01-08)
Texter und Komponist(in):
Van McCoy
publisher:
EMI Blackwood Music Inc. und Van McCoy Music
Barbara Lewis2:32
8A Tribute to a King
recording of:
A Tribute to a King
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Irving Music, Inc.
William Bell2:54
9Release Me
cover recording of:
Release Me
Verfasser(in):
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) und Young (songwriter)
zusätzliche(r) Verfasser(in):
W.S. Stevenson
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing und Sony/ATV Music Publishing Ltd.
Esther Phillips3:19
10634–5789
recording of:
634‒5789 (Soulsville, U.S.A.)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
Irving Music, Inc. und Pronto Music (publisher)
Wilson Pickett2:57
11Soul Serenade
Willie Mitchell2:20
12Take a Letter Maria
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1969-08-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
vocals:
R.B. Greaves (am 1969-08-19)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
conductor:
Arif Mardin (am 1969-08-19)
arranger:
Arif Mardin
recording of:
Take a Letter Maria (am 1969-08-19)
Texter und Komponist(in):
R.B. Greaves
publisher:
PolyGram Music Publishing
R.B. Greaves42:43
13Nothing Can Stop Me
recording of:
Nothing Can Stop Me
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Curtom Publishing Co Inc (vom 1968 bis ????) und Jalynne Corporation (Publisher) (vom 1968 bis ????)
Gene Chandler2:55
14When Something Is Wrong With My Baby
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-11-15)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Keyboard:
Isaac Hayes (am 1966-11-15)
vocals:
Dave Prater (soul artist) (am 1966-11-15) und Sam Moore (singer, ex “Sam and Dave”) (am 1966-11-15)
recording of:
When Something Is Wrong With My Baby (am 1966-11-15)
Komponist(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sam & Dave43:17
15Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar‐Keys42:36
16Get Out of My Life Woman
Lee Dorsey2:28
17Saved
recording of:
Saved
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Hill and Range Songs, Inc. (publisher) und Sony/ATV Songs LLC
LaVern Baker2:57
18Stay
Kontrabass:
Albert Hill (double bassist)
Schlagzeug [drums]:
Willie Morrow
Baritongesang:
Charles Thomas (The Zodiacs)
Sologesang:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
Tenor-Gesang:
Wiley Bennett
Tenor-Gesang [falsetto tenor]:
Henry Gaston
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 1)
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:36
19Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:31
20Don’t Make Me Over
recording of:
Don’t Make Me Over
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), JAC Music Co., Inc., MCA Music Ltd., New Hidden Valley Music Co., Windswept Pacific Music Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick3:23
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Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2007)
Discogs:https://www.discogs.com/release/2551168 [Info]
ASIN:UK: B000VT2NRI [Info]

Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 1) (Reihenfolge: 33)