Edition I: Dido and Aeneas / King Arthur / The Fairy Queen

~ Release by Purcell; William Christie, Nikolaus Harnoncourt (see all versions of this release, 2 available)

Annotation

Dido and Aeneas was recorded November 1994 at Théâtre-Opéra de Massy in Essonne, France. King Arthur February 1995 at Salle Berthier, Paris. Faerie Queen December 1994.
All recordings were copyrighted and released under separate covers during 1995.

Annotation last modified on 2019-06-01 02:21 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1King Arthur, Act II, Hither, this way
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Philidel]:
Claron McFadden (American soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:06
2King Arthur, Act II, Let not a moonborn elf mislead ye. Hither, this way
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Grimbald]:
Jonathan Best (operatic bass) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:53
3King Arthur, Act II, Come, follow me
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Spirits]:
François Bazola (in 1995-02), Richard Duguay (in 1995-02), Mhairi Lawson (soprano) (in 1995-02), Violaine Lucas (in 1995-02), Jean-Marie Puissant (Tenor & Choral Conductor) (in 1995-02), Jean-Yves Ravoux (Tenor) (in 1995-02) and Carys Lloyd Roberts (Welsh soprano) (in 1995-02)
soprano vocals [Philidel]:
Claron McFadden (American soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:23
4King Arthur, Act II, How blest are shepherds, how happy their lasses
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals [Shepherd]:
Iain Paton (tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell5:19
5King Arthur, Act II, Shepherd, shepherd, leave decoying
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Shepherdess]:
Véronique Gens (soprano) (in 1995-02) and Sandrine Piau (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:54
6King Arthur, Act II, Come shepherds, lead up a lively measure. Hornpipe
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene II, 16a. Hornpipe (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:38
7King Arthur, Act II, Second Act Tune: Air
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:08
8King Arthur, Act III, Prelude
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:25
9King Arthur, Act III, What ho! thou genius of this isle, what ho!
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:59
10King Arthur, Act III, Prelude while Cold Genius rises. What power art thou
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Cold Genius]:
Petteri Salomaa (baritone) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell4:08
11King Arthur, Act III, Thou doting fool, forbear, forbear!
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:38
12King Arthur, Act III, Great Love, I know thee now
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Cold Genius]:
Petteri Salomaa (baritone) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:56
13King Arthur, Act III, No part of my dominion shall be waste
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:56
14King Arthur, Act III, Prelude
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (in 1995-02)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:45
15King Arthur, Act III, See, see, we assemble thy revels to hold
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell1:28
16King Arthur, Act III, 'Tis I, 'tis I that have warm'd ye ... 'Tis Love that has warm'd us
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell1:59
17King Arthur, Act III, Sound a parley ... 'Tis Love that has warm'd us
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Cold Genius]:
Petteri Salomaa (baritone) (in 1995-02)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell4:01
18King Arthur, Act III, Third Act Tune: Hornpipe
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:48
19King Arthur, Act IV, Two daughters of this aged stream are we
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Siren]:
Claron McFadden (American soprano) (in 1995-02) and Sandrine Piau (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 29. “Two daughters of this aged stream are we” (Sirens) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell2:31
20King Arthur, Act IV, How happy the lover ... For love ev'ry creature is form'd ... In vain are our graces
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
choir vocals [Men]:
Richard Duguay (in 1995-02), David Le Monnier (in 1995-02) and Jean-Marie Puissant (Tenor & Choral Conductor) (in 1995-02)
choir vocals [Nymphs]:
Jonathan Best (operatic bass) (in 1995-02), Véronique Gens (soprano) (in 1995-02), Mhairi Lawson (soprano) (in 1995-02), Violaine Lucas (in 1995-02) and Carys Lloyd Roberts (Welsh soprano) (in 1995-02)
choir vocals [Women]:
Valérie Picard (Soprano) (in 1995-02), Anne Pichard (in 1995-02) and Sheena Wolstencroft (Soprano) (in 1995-02)
tenor vocals:
Mark Padmore (British tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell7:13
21King Arthur, Act IV, Fourth Act Tune: Air
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 31. Fourth Act Tune: Air (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell0:41
22King Arthur, Act V, Trumpet Tune
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell0:47
23King Arthur, Act V, Ye blust'ring brethern of the skies
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Aeolus]:
Petteri Salomaa (baritone) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 33. “Ye blust’ring brethren” (Aeolus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:23
24King Arthur, Act V, Symphony
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 34. Symphony (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell1:42
25King Arthur, Act V, Round thy coast, fair nymph of Britain
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Pan]:
Etienne Bazola (bass-baritone) (in 1995-02)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
soprano vocals [Nereid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 35. “Round thy coasts, fair nymph of Britain” (Pan, a Nereid) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:20
26King Arthur, Act V, For folded flocks, and fruitful plains
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Jonathan Best (operatic bass) (in 1995-02)
tenor vocals:
Mark Padmore (British tenor) (in 1995-02) and Iain Paton (tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 36. “For folded flocks, on fruitful plains” (alto, tenor, bass) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:01
27King Arthur, Act V, Your hay it is mow'd
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Comus]:
Petteri Salomaa (baritone) (in 1995-02)
choir vocals [Chorus of Basses (including gentlemen of the orchestra in the last verse)]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:28
28King Arthur, Act V, Fairest Isle, all isles excelling
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Venus]:
Véronique Gens (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell4:43
29King Arthur, Act V, You say, 'tis Love creates the pain
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [He]:
Jonathan Best (operatic bass) (in 1995-02)
soprano vocals [She]:
Sandrine Piau (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 39. “You say ’tis love” (He, She) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell5:27
30King Arthur, Act V, Trumpet Tune (Warlike Consort)
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 40. Trumpet Tune (Warlike Consort) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell0:36
31King Arthur, Act V, Saint George the patron of our Isle
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Honour]:
Claron McFadden (American soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
partial recording of:
King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:06
32King Arthur, Act V, Our natives not alone appear to court the martial prize
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
partial recording of:
King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell1:06
33King Arthur, Act V, Chaconne
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:31
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