King Arthur

~ Release by Henry Purcell; The English Concert, Trevor Pinnock (see all versions of this release, 2 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1King Arthur, or The British Worthy (1691): First Music: Chaconne
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell33:24
2King Arthur, or The British Worthy (1691): Second Music: I. Overture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:59
3King Arthur, or The British Worthy (1691): II. Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:25
4King Arthur, or The British Worthy (1691): Act 1: "Woden, first to thee" / "We have sacrific'd"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:20
5King Arthur, or The British Worthy (1691): Act 1: "The white horse neigh'd aloud" / "To Woden thanks we render"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell31:22
6King Arthur, or The British Worthy (1691): Act 1: The Lot is cast (soprano)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell30:43
7King Arthur, or The British Worthy (1691): Act 1: Brave souls
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:34
8King Arthur, or The British Worthy (1691): Act 1: I call ye all (Tenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell32:09
9King Arthur, or The British Worthy (1691): Act 1: 'Come if you dare' (tenor)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I. First Act Tune (unnumbered interstitial work) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell34:02
10King Arthur, or The British Worthy (1691): Act 2: Hither this way (Philidel)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell32:05
11King Arthur, or The British Worthy (1691): Act 2: Let not a Moon-born Elf (Grimbald)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Grimbald]:
Gerald Finley (bass-baritone) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:12
10King Arthur, or The British Worthy (1691): Act 2: Hither, this way bend
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell30:38
13King Arthur, or The British Worthy (1691): Act 2: Come follow, follow, follow me (Philidel)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell32:19
14King Arthur, or The British Worthy (1691): Act 2: How blest are Shepherds (Shepherd)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Shepherd]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell34:34
15King Arthur, or The British Worthy (1691): Act 2: Shepherd, shepherd, leave Decoying (Shepherdesses)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Shepherdess I]:
Linda Perillo (soprano) (in 1991-06)
soprano vocals [Shepherdess II]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II. Symphony (interstitial, comes before Act II, 15. “Shepherd, shepherd, leave decoying”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:55
16King Arthur, or The British Worthy (1691): Act 2: Come, shepherds
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:30
17King Arthur, or The British Worthy (1691): Act 2: Second Act Tune: Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell31:08
18King Arthur, or The British Worthy (1691): Act 3: Prelude
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:23
19King Arthur, or The British Worthy (1691): Act 3: What ho (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:08
20King Arthur, Or The British Worthy (1691): Act 3: What Power Art Thou (Genius)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell32:51
21King Arthur, or The British Worthy (1691): Act 3: Thou Doting Fool (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:54
22King Arthur, or The British Worthy (1691): Act 3: Great Love, I know thee now
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:02
23King Arthur, or The British Worthy (1691): Act 3: No part of my Dominium (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell31:11
24King Arthur, or The British Worthy (1691): Act 3: Prelude
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (in 1991-06)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:51
25King Arthur, or The British Worthy (1691): Act 3: See, See, We Assemble
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. Dance (latter part of Act III, 25. “See, see, we assemble”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell33:20
26King Arthur, or The British Worthy (1691): Act 3: 'Tis I that have warm'd ye (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell32:11
27King Arthur, or The British Worthy (1691): Act 3: "Sound a parley" / "'Tis Love, 'tis Love, 'tis Love that has warm'd us"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell34:25
28King Arthur, or The British Worthy (1691): Act 3: Third Act Tune: Hornpipe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell30:48
2Digital Media