Il sogno

~ Release by Elvis Costello (see all versions of this release, 3 available)

Annotation

Made in the E.U.

Code after Catalogue Number is perhaps for :
G (= Grammophon) H (= Hamburg)

Rights Society
BIEM
SABAM

Matrix / Runout
4× Universal (logo)
00289 471 577-2 01 * 51518439
Made in Germany by Universal M & L
B

Annotation last modified on 2023-08-17 05:31 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Prelude
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Prelude
composer:
Elvis Costello
part of:
Il Sogno Suite
2.50:49
2Overture
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Overture
composer:
Elvis Costello
part of:
Il Sogno Suite
2.51:19
3Puck 1
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Puck 1
composer:
Elvis Costello
part of:
Il Sogno Suite
3.52:20
4The Court
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Court
composer:
Elvis Costello
part of:
Il Sogno Suite
32:27
5The State of Affairs
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The State of Affairs
composer:
Elvis Costello
part of:
Il Sogno Suite
44:45
6Hermia and Lysander
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Hermia and Lysander
composer:
Elvis Costello
part of:
Il Sogno Suite
33:16
7The Jealousy of Helena
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Jealousy of Helena
composer:
Elvis Costello
part of:
Il Sogno Suite
20:55
8Workers’ Playtime
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Workers’ Playtime
composer:
Elvis Costello
part of:
Il Sogno Suite
32:16
9Oberon and Titania
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Oberon and Titania
composer:
Elvis Costello
part of:
Il Sogno Suite
3.54:14
10The Conspiracy of Oberon and Puck
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Conspiracy of Oberon and Puck
composer:
Elvis Costello
part of:
Il Sogno Suite
3.51:08
11Slumber
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Slumber
composer:
Elvis Costello
part of:
Il Sogno Suite
31:25
12Puck 2
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Puck 2
composer:
Elvis Costello
part of:
Il Sogno Suite
31:49
13The Identity Parade
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Identity Parade
composer:
Elvis Costello
part of:
Il Sogno Suite
34:42
14The Face of Bottom
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Face of Bottom
composer:
Elvis Costello
part of:
Il Sogno Suite
2.52:50
15The Spark of Love
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Spark of Love
composer:
Elvis Costello
part of:
Il Sogno Suite
3.54:22
16Tormentress
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Tormentress
composer:
Elvis Costello
part of:
Il Sogno Suite
3.51:41
17Oberon Humbled
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Oberon Humbled
composer:
Elvis Costello
part of:
Il Sogno Suite
33:41
18Twisted – Entangled – Transform and Exchange
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Twisted – Entangled – Transform and Exchange
composer:
Elvis Costello
part of:
Il Sogno Suite
32:35
19The Fairy and the Ass
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Fairy and the Ass
composer:
Elvis Costello
part of:
Il Sogno Suite
31:36
20Sleep
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Sleep
composer:
Elvis Costello
part of:
Il Sogno Suite
2.52:48
21Bottom Awakes
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Bottom Awakes
composer:
Elvis Costello
part of:
Il Sogno Suite
31:44
22Lovers Arise
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
Lovers Arise
composer:
Elvis Costello
part of:
Il Sogno Suite
33:18
23The Play
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Play
composer:
Elvis Costello
part of:
Il Sogno Suite
31:31
24The Wedding
recording engineer:
Mark Buecker (engineer of classical recordings), Mike Cox (engineer) and Roland Heap
executive producer:
Elvis Costello
producer:
Sid McLauchlan (engineer/producer)
editor:
Mark Buecker (engineer of classical recordings)
double bass:
Chris Laurence (double bassist) (from 2002-04-08 until 2002-04-11)
percussion:
Peter Erskine (US jazz drummer) (from 2002-04-08 until 2002-04-11)
saxophone:
John Harle (from 2002-04-08 until 2002-04-11)
orchestra:
London Symphony Orchestra (from 2002-04-08 until 2002-04-11)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2002-04-08 until 2002-04-11)
orchestrator:
Radoslaw Szulc (violinist and conductor)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-04-08 until 2002-04-11)
recording of:
The Wedding
composer:
Elvis Costello
part of:
Il Sogno Suite
34:22

Credits

Release

manufactured in:Germany
printed in:Germany
photography:Mark Seliger
orchestrator:Radoslaw Szulc (violinist and conductor)
double bass:Chris Laurence (double bassist)
percussion:Peter Erskine (US jazz drummer)
saxophone:John Harle
orchestra:London Symphony Orchestra
conductor:Michael Tilson Thomas (conductor and pianist)
rights society:BIEM (international rights organization representing member societies from 58 countries)
SABAM (Belgium rights society; do not use this as a label or work publisher!)
copyrighted (©) by and phonographic copyright (℗) by:Deutsche Grammophon GmbH, Hamburg (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
pressed at and manufactured at:Universal M & L (PolyGram Hanover / PDO / PMDC / Universal M & L, Germany) in Langenhagen, Niedersachsen (Lower Saxony), Germany (in 2004)
Discogs:https://www.discogs.com/release/2517822 [info]