Most Romantic Songs in the World

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1(Everything I Do) I Do It for You
tecnico di registrazione:
Nigel Green (engineer) (dal 1991-04-10 al 1991)
tecnico di registrazione aggiunto:
Ken Lomas (dal 1991-04-10 al 1991)
programmazione:
Phil Nicholas (producer & musician)
assistente tecnico:
Yan Memmi
tecnico:
Nigel Green (engineer) e Ron Obvious (Canadian engineer/producer)
produttore:
Bryan Adams (Canadian singer/songwriter) e Robert John 'Mutt' Lange (Robert John Lange)
assistente tecnico di missaggio:
Avril MacKintosh (producer/engineer) (nel 1991)
tecnico di missaggio:
Bob Clearmountain (nel 1991)
basso elettrico [bass] :
Larry Klein (dal 1991-04-10 al 1991)
batteria e percussione :
Mickey Curry (dal 1991-04-10 al 1991)
chitarra :
Bryan Adams (Canadian singer/songwriter) (dal 1991-04-10 al 1991) e Keith Scott (Canadian guitarist) (dal 1991-04-10 al 1991)
organo Hammond e pianoforte :
Bill Payne (dal 1991-04-10 al 1991)
tastiera :
Phil Nicholas (producer & musician) (dal 1991-04-10 al 1991)
voce principale:
Bryan Adams (Canadian singer/songwriter) (dal 1991-04-10 al 1991)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1991, nel 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1991) e Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1991-04-10 al 1991: pianoforte), Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito (dal 1991-04-10 al 1991), Mayfair Studios (England) in London (Greater London), England, Regno Unito (dal 1991-04-10 al 1991: voce principale) e The Warehouse Studio in Vancouver, British Columbia (Columbia Britannica), Canada (dal 1991-04-10 al 1991)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito (nel 1991)
parte di:
The Downloader’s Music Source Book (numero: 162)
registrazione di:
(Everything I Do) I Do It for You (dal 1991-04-10 al 1991)
autore:
Bryan Adams (Canadian singer/songwriter) (il 1991-04-10), Michael Kamen (American score composer) (il 1991-04-10) e Robert John “Mutt” Lange (Robert John Lange) (il 1991-04-10)
editore:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (nel 1991), Miracle Creek Music, Inc. (nel 1991), Zachary Creek Music Inc. (nel 1991) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (nel 1991)
parte di:
The 64th Academy Award for Best Original Song (numero: 2)
Bryan Adams3.96:34
2(I Can’t Help) Falling in Love With You
registrazione cover di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
registrazione di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
UB403.253:26
3How Deep Is Your Love
produttore:
Bee Gees, Albhy Galuten e Karl Richardson
basso :
Maurice Gibb (nel 1977)
batteria :
Dennis Bryon (Welsh drummer, author) (nel 1977)
chitarra [rhythm guitar] :
Barry Gibb (nel 1977)
chitarra elettrica :
Alan Kendall (nel 1977)
percussione :
Dennis Bryon (Welsh drummer, author) (nel 1977) e Joe Lala (nel 1977)
pianoforte , sintetizzatore e tastiera :
Blue Weaver (nel 1977)
altra voce [harmony vocals] e voce di accompagnamento:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
voce principale:
Barry Gibb (nel 1977) e Robin Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1977), PolyGram International Ltd. (nel 1977), PolyGram International Music B.V. (not for release label use!) (nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1977)
video musicali:
How Deep is Your Love (music video) di Bee Gees
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 6), Billboard: Greatest of All Time Hot 100 Songs (numero: 27), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 260) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 367)
registrazione di:
How Deep Is Your Love (Bee Gees song) (nel 1977)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Gibb Brothers Music (nel 1977)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
registrazione dal vivo di:
How Deep Is Your Love (Bee Gees song)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Gibb Brothers Music (nel 1977)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Bee Gees3.94:05
4I Just Called to Say I Love You (single version)
produttore:
Stevie Wonder
voce principale:
Stevie Wonder
arrangiatore:
Stevie Wonder
registrazione di:
I Just Called to Say I Love You
paroliere e compositore:
Stevie Wonder
editore:
Black Bull Music, Inc. e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd. e 大洋音楽 (Taiyō Music)
parte di:
The 57th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1984 winner)
Stevie Wonder4.254:21
5Endless Love (from “The Endless Love” soundtrack)
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Lionel Richie & Diana Ross3.54:26
6You Are So Beautiful
assistente tecnico:
David Gallo (engineer) e David Roberts (engineer)
tecnico:
Guy Charbonneau
produttore:
Michael Lang (Producer)
tecnico di missaggio:
Chris Lord‐Alge
basso :
Dave McDaniel (bass)
pianoforte :
Nicky Hopkins (pianist and organist)
voce principale:
Joe Cocker
esecutore:
Joe Cocker
arrangiatore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1973)
registrata presso:
Memorial Auditorium in Lowell, Massachusetts, Stati Uniti (il 1989-10-05)
registrazione cover di:
You Are So Beautiful
autore:
Bruce Fisher e Billy Preston
editore:
Almo Music Corporation (USA, affiliated with ASCAP) e Preston Songs (ASCAP)
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:43
7Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
8The Lady in Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
registrata presso:
RDS Arena in Dublin, County Dublin, Leinster, Irlanda (il 1988-12-07) e Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 2004-11-06)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 1988-12-07)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 2004-11-06)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.354:16
9All My Life (radio edit)
K‐Ci & JoJo4:45
10Heaven
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov e Michael Sauvage
tecnico:
Bob Clearmountain (dal 1983-06-06 al 1983-06-07)
produttore:
Bryan Adams (Canadian singer/songwriter) e Bob Clearmountain
produttore associato:
Jim Vallance
tecnico di missaggio:
Bob Clearmountain (il 1983-06-16)
basso elettrico [bass] :
Dave (Bass player (Bryan Adams) and engineer) (dal 1983-06-06 al 1983-06-07)
batteria [drums] :
Steve Smith (US drummer most associated with Journey) (dal 1983-06-06 al 1983-06-07)
chitarra :
Keith (Canadian guitarist) (dal 1983-06-06 al 1983-06-07)
percussione , pianoforte e voce principale:
BA (Canadian singer/songwriter) (dal 1983-06-06 al 1983-06-07)
tastiera [keyboards] :
Rob Sabino (dal 1983-06-06 al 1983-06-07)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1983, nel 1984, nel 1985) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1983)
registrata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1983-06-06 al 1983-06-07)
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (il 1983-06-16)
parte di:
The Downloader’s Music Source Book (numero: 166)
registrazione di:
Heaven (dal 1983-06-06 al 1983-06-07)
scritta a:
West Vancouver, Vancouver, British Columbia (Columbia Britannica), Canada (nel 1983)
autore:
Bryan Adams (Canadian singer/songwriter) (nel 1983) e Jim Vallance (nel 1983)
editore:
Adams Communications Inc. (nel 1983, nel 1984), Almo Music Corp. (USA, affiliated with ASCAP) (nel 1983), Irving Music, Inc. (nel 1983), Testatyme Music (nel 1983), Calypso Toonz (nel 1984) e Rondor Music (London) Ltd. (nel 1984)
Bryan Adams4.24:05
11L‐O‐V‐E
tecnico:
Ryan Robinson (engineer)
tecnico di missaggio:
Joel Iwataki
assistente editor:
Sam Zeines
voce:
Nat King Cole (il 1964-06-03)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1964-06-03)
registrazione di:
L‐O‐V‐E (il 1964-06-03)
paroliere:
Milton Gabler
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Nat King Cole52:35
12I’ll Make Love to You
programmazione degli strumenti:
Rayford Griffin
assistente tecnico:
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg e Jamie Seyberth
tecnico:
Brad Gilderman
produttore:
Babyface (R&B musician Kenny Edmonds)
tecnico di missaggio:
Mick Guzauski
basso :
Reggie Hamilton
sintetizzatore :
Babyface (R&B musician Kenny Edmonds)
è stato produttore per:
ECAF Productions, Inc.
registrata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti e The Enterprise (aka Enterprise Studios) in Burbank, California, Stati Uniti
mixata presso:
Encore Recording Studios in Burbank, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 185)
registrazione di:
I’ll Make Love to You
paroliere e compositore:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.654:06
13Right Here Waiting
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
produttore:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) e Richard Marx
chitarra :
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
tastiera :
Jeffery (C. J.) Vanston
voce principale:
Richard Marx
arrangiatore:
Jeffery CJ Vanston e Richard Marx
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1989)
video musicali:
Right Here Waiting di Richard Marx
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:24
14Anyone
tecnico di registrazione:
Paul LaMalfa e Devin Nakao
programmazione:
Jonathan Bellion e The Monsters & Strangerz
produttore:
Jon Bellion, The Monsters & Strangerz e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
assistente tecnico di missaggio:
Heidi Wang
tecnico di missaggio:
Josh Gudwin
basso :
Jon Bellion
batteria [drums] :
Jon Bellion e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
chitarra :
Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
percussione :
Raul Cubina (Producer and songwriter, member of Ojivolta)
pianoforte :
Charlie Puth
tastiera [keyboards] :
Michael Pollack (songwriter), The Monsters & Strangerz e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
voce di accompagnamento:
Jon Bellion, Justin Bieber, Alexander Izquierdo, Stefan Johnson (songwriter and producer), Jordan K. Johnson (member of The Monsters and the Strangerz), Michael Pollack (songwriter) e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
voce principale:
Justin Bieber
diritti fonografici (℗) detenuti da:
Def Jam Recordings (US) (nel 2020)
registrata presso:
Cherry Beach Sound in Toronto, Ontario, Canada, Gold Tooth Music in Beverly Hills, California, Stati Uniti e Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Anyone (music video) di Justin Bieber e Anyone di Justin Bieber
parte di:
Grammy Award: Best Pop Solo Performance nominees (numero: 2022) e Billboard Year-End Hot 100 singles of 2021 (numero: 74)
registrazione di:
Anyone
autore:
Justin Bieber, Raul Cubina (Producer and songwriter, member of Ojivolta), Alexander Izquierdo, Stefan Johnson (songwriter and producer), Jonathan Bellion, Jordan K. Johnson (member of The Monsters and the Strangerz), Michael Pollack (songwriter) e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
Justin Bieber43:11
15I’ll Be There
produttore:
Nickolas Ashford, Hal Davis e Valerie Simpson
arrangiatore:
Bob West (US session bassist, producer & songwriter)
registrazione di:
I’ll Be There (nel 1970-06)
autore:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy e Willie Hutch
editore:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. e Stone Diamond Music Corporation
parte di:
MJ: The Musical
The Jackson 54.353:58
16Please Keep Loving Me
James TW3:16
17You’re Still the One
Shania Twain3:33
18The Way You Look Tonight (2008 remastered)
registrata a:
Los Angeles, California, Stati Uniti (il 1964-01-27)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1964-01-27)
direttore d'orchestra:
Nelson Riddle (il 1964-01-27)
arrangiatore:
Nelson Riddle
registrazione cover di:
The Way You Look Tonight (from “Swing Time”) (il 1964-01-27)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
Frank Sinatra2.853:21
19Stuck on You
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Stuck on You
paroliere e compositore:
Lionel Richie
editore:
Brockman Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:11
20At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.53:03
21Tonight I Celebrate My Love
Peabo Bryson & Roberta Flack3:31
22Show Me Heaven (acoustic demo version)
produttore e tecnico di missaggio:
Bruce Brody e Maria McKee
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee3:43
23Love Is All Around (from “Four Weddings and a Funeral”)
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.854:05
24Now and Forever
tecnico e tecnico di missaggio:
Bill Drescher (Producer and sound engineer)
produttore:
Richard Marx
archi :
Israel Baker (American violinist), Farhad Behroozi, Charlie Bisharat (US violinist), Henry Corbett, Gail Cruz, Pavel Farkas, James Getzoff (American concertmaster and violinist), Jerry Goodman e Sid Page
basso :
Nathan East
chitarra [guitars] solista , chitarra acustica [acoustic guitars] e mandolino :
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
voce principale:
Richard Marx
arrangiatore archi :
Dick Marx
registrazione di:
Now and Forever
paroliere e compositore:
Richard Marx
Richard Marx33:34
25Lovin’ You
Minnie Riperton3:24
26My Girl
diritti fonografici (℗) detenuti da:
Lightsource
registrazione di:
My Girl
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations42:56
27Every Breath You Take
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e The Police (British rock band)
basso elettrico e voce principale:
Sting (singer, songwriter & member of The Police) (nel 1983)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer) (nel 1983)
chitarra elettrica :
Andy Summers (nel 1983)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1981, nel 2003), A&M Records (nel 1983, nel 2016), A&M Records Limited (nel 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1983) e A&M Records, Inc. (nel 1997)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1983) e Le Studio in Morin‐Heights, Québec (Quebec), Canada (nel 1983)
video musicali:
Every Breath You Take di The Police (British rock band)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 287) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 305)
registrazione di:
Every Breath You Take (nel 1983)
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) e Virgin Music (Publishers) Ltd.
sub-editore:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Police44:12
28Easy
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1977), Motown Records (not for label use; use “Motown” instead) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 2009)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 93)
registrazione di:
Easy
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.754:17
29(I Just) Died in Your Arms
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:29
30Where We Were
Karl Jeroboan3:27
31The Winner Takes It All
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1980-06-06)
chitarra :
Lasse Wellander (il 1980-06-06)
chitarra basso :
Mike Watson (English‐Swedish rock musician) (il 1980-06-06)
percussione :
Åke Sundqvist (il 1980-06-06)
tastiera e sintetizzatore :
Benny Andersson (ABBA) (il 1980-06-06)
viola :
Nils Heie (il 1980-06-16), Håkan Roos (Swedish violist) (il 1980-06-16) e Bo Söderström (Swedish violinist) (il 1980-06-16)
violino :
Martin Bylund (Swedish violinist) (il 1980-06-16), Anders Dahl (Swedish violinist) (il 1980-06-16), Lars Stegenberg (Swedish violinist) (il 1980-06-16), Gunnar Michols (Swedish violinist) (il 1980-06-16), Bernt Nylund (Swedish violinist) (il 1980-06-16), Bertil Orsin (Swedish violinist) (il 1980-06-16), Sixten Strömvall (Swedish violinist) (il 1980-06-16) e Harry Teike (il 1980-06-16)
violoncello :
Olle Gustafsson (cellist) (il 1980-06-16) e Åke Olofsson (Swedish cellist) (il 1980-06-16)
voce di accompagnamento:
Frida (Swedish singer and member of ABBA) (il 1980-06-06)
voce principale:
Agnetha Fältskog (il 1980-06-06)
arrangiatore violoncello, viola e violino :
Rutger Gunnarsson (nel 1980)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1980)
registrata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1980-06-06, il 1980-06-16)
mixata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1980-06-18)
parte di:
The Downloader’s Music Source Book (numero: 66)
registrazione di:
The Winner Takes It All (nel 1980-06)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
EMI Music Publishing (do not use as a release label!) (conclusa), Universal Music Publishing Group (conclusa), Universal/Union Songs Musikförlag AB (conclusa), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (dal 1980 al ????) e Countless Songs, Ltd. (dal 1980 al ????)
parte di:
Mamma Mia! (1999 musical)
ABBA3.94:55
32Hold Me
Starian3:04
33Love Is Back
diritti fonografici (℗) detenuti da:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2021)
Celeste54:17
34Someone You Loved
programmazione:
Tom Barnes (UK songwriter and drummer)
produttore e tecnico di missaggio:
TMS (UK songwriting/production team)
archi :
Phil Cook (member of Megafaun, Justin Vernon collaborator)
chitarra basso :
Pete Kelleher (multi-instrumentalist)
pianoforte :
Benjamin Kohn (songwriter and producer)
voce:
Lewis Capaldi (singer-songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2020 (numero: 10), Spotify: Top Hits of 2019 (numero: 11) e Billboard Year-End Hot 100 singles of 2019 (numero: 27)
registrazione di:
Someone You Loved
autore:
Benjamin Kohn (songwriter and producer), Lewis Capaldi (singer-songwriter), Pete Kelleher (multi-instrumentalist), Sam Roman (Sam Roman, singer / songwriter / producer) e Tom Barnes (UK songwriter and drummer)
Lewis Capaldi3.453:02
35Everybody Hurts
tecnico:
Clif Norrell
tecnico aggiunto:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia e Andrew Roshberg
produttore:
Scott Litt (producer and engineer) e R.E.M. (American rock band)
assistente tecnico di missaggio:
Tod Lemkuhl
tecnico di missaggio:
Scott Litt (producer and engineer) e Clif Norrell
tecnico di missaggio aggiunto:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
oboe ospite :
Deborah Workman (oboist)
viola ospite :
Reid Harris, Paul Murphy (viola) e Heidi Nitchie (violist)
violino ospite :
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) e Jody Taylor (violin)
violoncello ospite :
Kathleen Kee, Daniel Laufer (cellist) e Elizabeth Proctor Murphy
voce:
Michael Stipe
direttore d'orchestra:
George Hanson
orchestratore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
R.E.M./Athens, Ltd. (nel 1992) e R.E.M./Athens L.L.C. (nel 2017)
registrata in aggiunta presso:
Bosstown Recording Studios in Atlanta, Georgia, Stati Uniti, John Keane Studios in Athens, Georgia, Stati Uniti e Kingsway Studios (New Orleans) in New Orleans, Louisiana, Stati Uniti
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti e Criteria Studios in Miami, Florida, Stati Uniti
mixata presso:
Bad Animals Studio in Seattle, Washington, Stati Uniti
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 203)
registrazione di:
Everybody Hurts
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
R.E.M.4.65:19
36The Book of Love
Jeanette Biedermann2:57
37Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
38Hello
produttore:
James Anthony Carmichael e Lionel Richie
esecutore:
Ocobamba
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Hello
paroliere e compositore:
Lionel Richie
autore aggiunto:
James Anthony Carmichael
editore:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:08
39I’d Do Anything for Love (but I Won’t Do That)
Meat Loaf12:01
40Peer Pressure
programmazione degli strumenti:
Joel Little
tecnico e produttore:
Joel Little
tecnico aggiunto e produttore aggiunto:
Benjamin Rice (American producer)
assistente tecnico di missaggio:
Michael Freeman (UK engineer and recording professional)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
basso , chitarra acustica , percussione e pianoforte :
James Bay (English singer‐songwriter)
batteria :
Sam de Jong
voce:
James Bay (English singer‐songwriter) e Julia Michaels
diritti fonografici (℗) detenuti da:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (nel 2019)
registrazione di:
Peer Pressure
autore:
James Bay (English singer‐songwriter) e Julia Michaels
James Bay & Julia Michaels32:57
41Turn Me On
Norah Jones2:35
42Hold Me While You Wait
produttore:
Nick Atkinson (member of Rooster), Edd Holloway (producer and songwriter) e TMS (UK songwriting/production team)
tecnico di missaggio:
Spike Stent (producer, engineer)
parte di:
Spotify: Top Hits of 2019 (numero: 28)
registrazione di:
Hold Me While You Wait
autore:
Lewis Capaldi (singer-songwriter), Jamie N Commons e Jamie Hartman (pop songwriter and producer)
editore:
BMG Music Publishing (UK) Ltd., Reservoir (publisher) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Lewis Capaldi33:26
43Ruby Tuesday
registrazione di:
Ruby Tuesday
autore:
Mick Jagger (Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones3:13
44Read All About It, Pt. III
registrazione di:
Read All About It, Part III
autore:
Thomas Barnes (UK songwriter and drummer), Iain James, Peter Kelleher (multi-instrumentalist), Ben Kohn (songwriter and producer), Emeli Sandé e Stephen Paul Manderson
versione di:
Read All About It
Emeli Sandé34:44
45To Love Somebody
co-produttore:
Ossie Byrne
produttore:
Barry Gibb, Maurice Gibb, Robin Gibb e Robert Stigwood
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1967), Maurice Gibb (nel 1967) e Robin Gibb (nel 1967)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1967), PolyGram International Music B.V. (not for release label use!) (nel 1967), Robert Stigwood Organisation Ltd. (nel 1967), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1967) e RSO Records, Ltd. (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1967-04)
registrazione di:
To Love Somebody (nel 1967-04)
scritta a:
New York, New York, Stati Uniti (nel 1967)
autore:
Barry Gibb (nel 1967) e Robin Gibb (nel 1967)
editore:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) e Universal Music Careers
parte di:
50/50
Bee Gees3.93:02
46Better Together
tecnico e tecnico di missaggio:
Mario Caldato Jr. e Robert Carranza
produttore:
Mario Caldato Jr.
batteria e percussione :
Adam Topol
chitarra e voce principale:
Jack Johnson (singer‐songwriter from Hawaii) (nel 2004-10)
chitarra basso :
Merlo Podlewski
registrata presso:
The Mango Tree in Kailua (Honolulu County), Hawaii, Stati Uniti (nel 2004-10)
registrazione di:
Better Together (nel 2004-10)
paroliere e compositore:
Jack Johnson (singer‐songwriter from Hawaii)
editore:
Bubble Toes Publishing (ASCAP-affiliated)
Jack Johnson3.53:28
47You Can’t Hurry Love
registrazione di:
You Can’t Hurry Love
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes3:02
48Before You Go
parte di:
Billboard Year-End Hot 100 singles of 2020 (numero: 21)
registrazione di:
Before You Go
autore:
Lewis Capaldi (singer-songwriter), Ben Kohn (songwriter and producer), Peter Kelleher (multi-instrumentalist), Phil Plested (British singer-songwriter Phil Plested) e Tom Barnes (UK songwriter and drummer)
Lewis Capaldi3.43:35
49When You’re in Love With a Beautiful Woman
Dr. Hook5:15
50Alone
assistente tecnico:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) e Toby Wright (producer & engineer)
tecnico e produttore:
Ron Nevison
batteria :
Denny Carmassi
chitarra :
Howard Leese
chitarra basso :
Mark Andes
voce di accompagnamento:
Howard Leese e Nancy Wilson (guitarist/singer of “Heart”)
voce principale:
Ann Wilson (lead singer of Heart)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
video musicali:
Alone di Heart (rock band, Ann and Nancy Wilson)
registrazione cover di:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (dal 1983 a oggi) e Denise Barry Music (dal 1983 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.653:39
51For Once in My Life
produttore:
Henry Cosby
voce principale:
Stevie Wonder (nel 1967)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968)
registrazione cover di:
For Once in My Life (nel 1967)
paroliere:
Ronald Miller (Motown songwriter Ronald Norman Miller)
compositore:
Orlando Murden
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:47
52Lay It Down
Al Green & Anthony Hamilton4:30
53She
tecnico di registrazione:
Gareth Cousins e Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Paul Hicks
produttore:
Trevor Jones (South African score composer)
tecnico di missaggio:
Gareth Cousins
batteria :
Paul Clarvis (percussionist)
chitarra basso :
Trevor Barry
pianoforte :
Dave Hartley (pianist)
strumenti:
Clem Clempson
vibrafono :
Frank Ricotti (percussionist)
voce:
Elvis Costello
orchestra:
London Symphony Orchestra
direttore d'orchestra:
Geoffrey Alexander
arrangiatore:
Julian Kershaw
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1999)
registrata presso e mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione cover di:
She (Seven Faces of Woman)
paroliere:
Herbert Kretzmer
compositore:
Charles Aznavour
editore:
Essex Music International, Inc. e Standard Music Publishing Ltd.
versione tradotta di:
Tous les visages de l’amour
Elvis Costello2.53:06
54God Only Knows (mono / remastered 1997)
registrazione di:
God Only Knows
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys2:53
552 Become 1
Spice Girls4:01
56Cherish
registrazione di:
Cherish
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang4:21
57Sharing the Night Together
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978)
registrazione cover di:
Sharing the Night Together
autore:
Ava Aldridge e Eddie Struzick
editore:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. e Leosong (publisher)
registrazione di:
Sharing the Night Together
autore:
Ava Aldridge e Eddie Struzick
editore:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. e Leosong (publisher)
Dr. Hook2:52
58Do That to Me One More Time
tecnico di registrazione e tecnico di missaggio:
Roger Young (engineer)
assistente tecnico:
David Cole (American recording engineer and producer), Ira Leslie e Wayne Neuendorf
produttore:
Daryl Dragon
batteria [drums] :
Ralph Humphrey (American drummer and teacher)
chitarra acustica :
Lee Ritenour
chitarra basso :
Scott Edwards (bassist)
percussione :
Ken Watson (American percussionist)
piano Rhodes [Fender Rhodes electric piano] , voce di accompagnamento e voce principale:
Toni Tennille
sintetizzatore [Oberheim Four Voice] :
Daryl Dragon
sintetizzatore a fiato [flute synthesizer] :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
assistente remixer:
Wayne Neuendorf
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979)
registrata presso:
Capitol Records Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
mixata presso:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
Do That to Me One More Time
paroliere e compositore:
Toni Tennille
editore:
Fujipacific Music, Inc. e Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille3.854:17
59(They Long to Be) Close to You
Carpenters4:31

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2023)
streaming gratuito:https://open.spotify.com/album/5hmjXq17QzShhOvKoCT4kZ [info] (conclusa)